one of the great critics, owen gleiberman — a huge critic in the states — who absolutely slayed moulin rougeu could take the reviews from strictly ballroom and apply them to pretty much to moulin and so on and so forth. but owen gleiberman, i have never seen this happen before, in his book, he rewrote his review for moulin rouge ten years later and there's a bit in his book, and i actually met him and i was really... of course, you're happy that someone finally went like... he decided ten years on that actually he had missed the point? his language was, there was a method to the madness and i could see that, actually, this wasn'tjust kind of camp for the sake of it it was employed in the pursuit of a slightly bigger idea. but i suppose my question would then be, do you ever reflect and think, you know what, many i got a little bit seduced by the fact that hollywood was flinging money at me so that by the time you made the great gatsby, i don't know how much that cost but probably $100 million? yeah, around that. roughly, give or take $10 million. i'm not great with numbers. check with the st