baroque ones, moz ard, that sort of thing.en old enough that we can reinvent the way we do them without it worrying people. and the new ones, because we're close enough to the substance of them. >> rose: sure. >> but that large output of 19th century that kept the big operahouses hot when i was growing up and before, we can't do anything like that density of that repertoire nowadays, just because of the quantity of the kind of singer it needs. they come along but they don't have the same-- it's one thing to come along and be able to hear it on the radio and in your operahouse left and right of you. it's another thing when there's only one or two others of that quality spread around the whole world. and it's hard for them to last as long because of the burden. some of them do remarkably with all of that, that responsibility. but it's of-- there are times we worry about that. >> rose: i assume you would do it exactly the way you did it. >> well, i don't suppose i would be able to change it much. but i would do it-- let's just sa