i've never seen anything like this before but he is able to make his chest muscles ripple. >> like mozartwith his pecs like a piano is being played. >> i wonder how he learned ethi was a thing. >> at first i thought, because you can't see his hands movement or fingers it's connected but in this other video you get to see he puts his hand in a fist, moves his elbow back and starts rippling away. you can see other body builders in the area mesmerized by the fact that he can do this and they can't. >> i want to feel. >> also amazing what this other guy can do. he jumps onto the bar, lifts himself up and starts doing this. they are calling this battle of the bars. >> wow. >> but i feel like he's the only one that can do this. i feel like it's a one-person battle. >> everybody else is standing back there like this dude. >> i'm so proud of myself when i can do six chinups. heeeee! that's it. >> he posted another one also out on the playground where he's using the play equipment differently. >> crazy. >> i was feeling good about my gym this morning until i came to work. >>> the work is obsessed.

>> jon: no, mozart. >> stephen: mozart. that was mozart on meth.aling breakout star of "girls trip," and is one of "variety's" "10 comics to watch" for 2017. please welcome tiffany haddish. ♪ ♪ ( applause ) ♪ ♪ ♪ ♪ >> stephen: wow! wow. ( applause ) amazing. wow. ( applause ) amazing. >> i was going to try to dance this out. >> stephen: no, that was perfect. daniel craig did the same thing when he came out here. ( laughter ) well, i'm not surprised you're dancing. you should be very excited. what a summer. >> it has been a really awesome summer. >> stephen: you're the breakout star of "girls trip." >> like i got out of jail or something. >> stephen: and you got your first comedy special coming up on... >> friday, the 18th. >> stephen: friday, 18th. >> of august. >> stephen: on? >> showtime. you didn't know that? >> stephen: it says showtime. i want you to be able to say it. >> you wanted me to say it. i wanted you to say it like you're my spokesperson. >> stephen: you have a comedy special coming up on the 18th on showtime. >> i do. it's called, "t

. >> reporter: she's performed in more than 50 oprahs, including mozart's marriage of figaro. after being catapulted to oprah superstardom she performed around the world including the philadelphia orchestra. october 15 she'll be taking the stage for a solo performance accompanied by a pianist in the kimmel center's verizon hall. her repertiore will feet an oprah by andre previn. >> fans who know and love her music can expect a new sound. >> a mixture of original songs and works, with the works it will keep it popular. >> reporter: for tickets and showtimes visit the arts in philly,.org. for 6abc loves the arts i'm karen rogers. >> today the city of wilmington marks the one year anniversary of a house fire that cost the lives of three firefighters. firefighters planted three flags at the site where the house stood to honor the lieutenant, captain and lieutenant hopefully' wilmington mayor declared on september 24th of each year, the city will pay special tribute to the firefighters who died in the line of duty. >>> thousands of people packed the benjamin franklin parkway for th

brilliant conductor and pianist, and he put up a passionate defence for the best music, beethoven, mozartoung people, even if they have never been exposed to classical music before, because he said that is the best and i want them to be exposed to the best. he is absolutely right. you, sort of equivalent, in a dramatic work, you insist young people should be exposed to shakespeare in its originalform with the verse and the rhythm. of course. that is shakespeare. other things are not shakespeare, which people rewrite and adapt. some people would be turned off by that. they will be turned off and then they won't want to go any more. what is the proportion of turnoffs and those who are interested, who would like to give it a chance? you have worked with young people. do you find it easy to take young people who have never been exposed to shakespeare? yes, yes. yes, i do. i remember my first meeting with shakespeare, i was ten years old, and we were in the basement of the grammar school i was at, where there was a tiny theatre about as big as this rostrum, and we put on hats and helmets and c

excellent conductor and pianist, and he put up a passionate defence for the best music, beethoven, mozartto young people even if they have never been expo5ed people even if they have never been exposed to classical music because he said that is the best and i want them to be exposed to the best. he i5 them to be exposed to the best. he is absolutely right. in a dramatic work you insist young people should be exposed to shakespeare in its original form be exposed to shakespeare in its originalform with the be exposed to shakespeare in its original form with the first and the rhythm. of course. that is shakespeare. 0ther rhythm. of course. that is shakespeare. other things are not shakespeare. other things are not shakespeare which people rewrite and adapt. some people would be turned off by that. they will be turned off and then they won't want to go any more. what is the proportion of turnoffs and those who are interested ? turnoffs and those who are interested? you turnoffs and those who are interested ? you would turnoffs and those who are interested? you would like to give ita interest

"g'day mate, throw another mozart on the harpsichord!"ll be right back with the star of hbo's "the deuce," maggie gyllenhaal. ♪ ♪ ( applause ) when i walked through a snowstorm for a cigarette, that's when i knew i had to quit. for real this time. that's why i'm using nicorette. only nicorette gum has patented dual-coated technology for great taste, plus intense craving relief. every great why needs a great how. ♪ ( ♪ ) girl: ... on it. found it! (imitating explosion) ( ♪ ) okay, so let's... stop. don't mess it up! (squeaking) ahh-h-h! ee-e-e! ( ♪ ) all right. (chuckle) ( ♪ ) nice! ( ♪ ) come on, dad, let's go! for those who know what they're really building. always unstoppable. ( band playing ) ( cheers and applause ) >> stephen: welcome back, everybody. ladies and gentlemen, you know my first guest from "the dark knight" and "secretary." she now stars in the hbo series "the deuce." please welcome maggie gyllenhaal! ♪ ♪ ( applause ) >> stephen: hey. >> hey. >> stephen: nice to see you again. >> nice to see you, too. >> stephen: we've met

"mozart in the jungle" is another one that has won golden globes and emmys.o not see how back could be successful on broadcast tv, either. we can attract a different type of storyteller that wants to tell a different type of story. the other things are just tailwinds in this business happening because of netflix and others. 10 years ago, you cannot get a list talent to do tv. they perceived it as stigmatizing. today that is inverted. today, a list talent wants to do serialized tv. because the quality of the storytelling is so high, it is flipped on its head. charlie: i listed three pillars. what might be the fourth? jeff: we do not know yet, is the real answer. we do a lot of different things. the fourth pillar will rise and distinguish itself. we will put energy into many things. i am optimistic about things like amazon studios, original content become -- could become a fourth pillar on its own. what we're doing with natural language understanding and echo and alexa could be a pillar. charlie: everybody talks about artificial intelligence. jeff: rightly so.

[laughter] i would be sorry if shakespeare and mozart and michelangelo were forgotten and nobody knew about them but to actually appreciate him. but to be wowed by great poetry and music so the best of times and the worst of times. to be scary and terrified at the same time exhilarating. >> i have some questions about religion. >> if you can ask of believers one question with such understand religious behavior only after we have named it. so if we have understood what religious behavior has been good for or why it devolved then we don't have to call that religion any more. we can just understand it served a purpose i did talk about those evolutionary advantages of religion and end with is that darwinian survival value? and added ubiquitous. with all human cultures. so what i said was to rename the of question that it is the wrong question so maybe the right question is what is the survival value of a psychological predisposition to manifest itself under the right circumstances? that is what i mean by renaming. it is no longer the survival value of religion but a psychological predispo

in 2011, business insider included you in "16 of the smartest children in history" alongside mozart,icasso, and the chessmaster bobby fischer. this forve been doing quite some time, be your only 21 years old. >> yeah. amy: i'm wondering about the climate you find yourself in right now, so to speak, the climate going to the top of the country, to president trump, who talks about c climate change asa hoax perpetrated by the chinese. how does this affect your work and your colleagues work, your friends? >> a few things on that. i grew up in a rural town in connecticut where climate change was a very taboo topic. when i go home, i think it still is. i think that is one of the things that has pushed me to this kind of research.. i think in the context of not just the current administration, but the current challenge that we face in terms of communicating science to the public, it i is incredibly important that we are transparent and honest about sort of the full impacts of, change, the fact that maybe one or two parasitic extinctions are good, but the majority is bad. i think that level o

mozart's marriage of figaro was consider groundbreaking and then lightened in vienna in seventeen eighty six audiences would have been shocked to see people they recognize from their own lives servants singing with duke's another offer included is shostakovich is lady macbeth admits. originally embraced by audiences in st petersburg in one nine hundred thirty four it was banned two years later. for it sympathetic portrayal of a murderer. today it's not sensors that keep people out but high ticket prices each opera requires enormous manpower and that's expensive has become much more popular has become something that longs to meet with all the for walks of life if they can afford the tickets. some opera houses are innovating broadcasting performances live in cinemas to tempt younger audiences what is it about opera that attracts the next generation the best place to answer that question is the world opera house it's a place where you can be immersed in it what feels like almost like you don't whole flight i mean that i mean this music is just allowed to be brought to life by everything in

mozart in the jungle, and these other, i don't see how it could be successful on broadcast tv either. you can get, we attract a different kind of storyteller telling a different kind of story. also there are tail winds in this business that are happening because of hbo and netflix and others that ten years ago you couldn't get an a list talent to do tv. they perceived it as stigmatizing. today it's completely different. today they want to do serialized tv because the quality of storytelling is so high it's completely flipped on its end. >> rose: i've listed three pillars. what might be the fourth pillar. >> we don't know yet is the real answer. i think it's very hard to identify. we do a lot of different things and the fourth will rise and extinguish itself. i'm optimistic about things like amazon studios, the original contact could become a fourth pillar. i think what we're doing with natural language understanding and echo and alexa. >> rose: everybody talks about artificial intelligence, everybody. >> yes and rightly so. >> rose: what does it add -- >> this is the real thing. >> ro

be offered to both sites that we can do our best two weeks or ten days ago it was in also in cox mozart and we offer to the bangladesh what sort of is that we can from the c.d.'s we have camped foundation campus supposition and camp management experience we offer them that in. when you show us at blent we can also establish needs camps and we can manage the camps and we are still waiting for the assessment from bangor sorties and on the myanmar side also turkish. corporation agency technical corporation agency was also able to send some food relief but when we look at the numbers as also our friends from mission the numbers that we are talking about hundreds of thousands of people i mean just in street weeks about four hundred thousand people. in the bunker the site and even the camps and. is is not enough currently you offered them and we are still waiting for the english word sorties to sponsors what was it like there we're looking at pictures now from constance bazaar we've seen it on video i wondering what it was like in person for you to see this many people in this level of suffer