and an important painting and that was looted from mr stener during the war. the canadian detective began his investigation he discovered that the antiques dealer staton or had made his claim for restitution in one thousand nine hundred six but well before the liberation the painting had already been sold by they've authorities. for the sum of sixteen thousand francs since then it disappeared. particularly because its description is so vague. the document only indicated that it was a painting signed by do jani portrait of a man. the detective had no idea what the painting looked like. he had to find a photo of it at all costs. by consulting peepers kept in the paris archives james palmer came across a clue this telegram. it states that staten or had sent the model jani to the venice biennale of one nine hundred thirty. i travelled to venice personally and went into the archives there and to the venice be anally archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty v

and an important painting and that was looted from mr stener during the war. the canadian detective began his investigation he discovered that the antiques dealer staton or had made his claim for restitution in one thousand nine hundred six but well before the liberation the painting had already been sold by the authorities. for the sum of sixteen thousand francs since then it disappeared. particularly because its description is so vague. the document only indicated that it was a painting signed by jani portrait of a man. the detective had no idea what the painting looked like. he had to find a photo of it at all costs. by consulting papers kept in the paris archives james palmer came across a clue this telegram. it states that staten or and sent them oh did jani to the venice biennale of one nine hundred thirty. i travelled to venice personally and went into the archives there and to the venice be an alley archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venic

and an important painting and that was looted from mr stener during the war. the canadian detective began his investigation he discovered that the antiques dealer staton or had made his claim for restitution in one thousand nine hundred six but well before the liberation the painting had already been sold by the authorities. for the sum of sixteen thousand francs since then it disappeared. particularly because its description is so vague. the document only indicated that it was a painting signed by do jani portrait of a man. the detective had no idea what the painting looked like. he had to find a photo of it at all costs. by consulting peepers kept in the paris archives james palmer came across a clue this telegram. it states that staten or had sent the model jani to the venice biennale of one nine hundred thirty. i travelled to venice personally and went into the archives there and to the venice be anally archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venic

so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toward the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue of an auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it was acquired by a shell company based in panama international arts center whose registration document is seen here. its rightful owner is unnamed. and yet palmer refused to give up and finally discovered another lead to finding the true owners. over the years the work appeared in a number of catalogs. and every time alongside the name of one of the most prestigious galleries in the world the helina mob gallery in new york run by the daughter of the family patriarch we ran into a

and an important painting and that was looted from mr stener during the war. the canadian detective began his investigation he discovered that the antiques dealer staton or had made his claim for restitution in one thousand nine hundred six but well before the liberation the painting had already been sold by the vishy authorities. for the sum of sixteen thousand francs since then it disappeared. particularly because its description is so vague. the document only indicated that it was a painting signed by jani portrait of a man. the detective had no idea what the painting looked like. he had to find a photo of it at all costs. by consulting peepers kept in the paris archives james palmer came across a clue this telegram. it states that steps in there and sent the mode jani to the venice biennale of one nine hundred thirty. i travelled to venice personally and went into the archives there and to the venice be an alley archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found.