venice personally and went into the archives there and to the venice be an alley archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious. so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toward the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue an auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it was a

venice personally and went into the archives there and to the venice be an alley archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious. so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toured the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue when auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it was

to venice personally and went into the archives there and to the venice be anally archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious. so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toward the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue of an auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it wa

venice personally and went into the archives there and to the venice be an alley archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to middle yani. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious.

to venice personally and went into the archives there and to the venice be anally archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious. so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toured the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue of an auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it wa

venice personally and went into the archives there and to the venice be an alley archives i saw mr stettner spray painting. in a photograph. james palmer was delighted he'd found.

mr oscar stoner for his stolen pate. the information that we found was that oscar stettner had been despoiled of a number of personal items carpet for example of portrait of him as a young man and also a painting by mostly any. and an important painting and that was looted from mr stener during the war. the canadian detective began his investigation he discovered that the antique dealer staton or had made his claim for restitution in one thousand nine hundred six but well before the liberation the painting had already been sold by the authorities. for the sum of sixteen thousand francs since then it disappeared. particularly because its description is so vague. the document only indicated that it was a painting signed by the do jani portrait of a man. the detective had no idea what the painting looked like. he had to find a photo of it at all costs. by consulting peepers kept in the paris archives james palmer came across a clue this telegram. it states that staten or that sent the mode yani to the venice biennale of one nine hundred thirty. i travelled to venice personally and went into the archives there and to the.