be free to do that we live in a free society in the work on the wrist freedom of religion mr and mr von the reason i'm asking about this is because you know there are a number of countries saudi arabia is one of them where you don't have a cure yourself what kind of islam are you you practice your i when i go there even as a non muslim i have to comply with the rules are imposed on me there absolutely no tolerance of freedom and god free card so that's why i'm asking where that line lies be to be in hardline orthodox islam or if you want to call it. an extremist one because some would say that killing people for that own choices is an extreme is saudi arabia does it as a as a state policy first of all we're living in saudi arabia later in the netherlands and we are minority in that i do you talked about obama before so you surely see a muslim says people around the world rather than confined to a single country but then again within islam there is no place for extremism but for example people are calling muslims these days that are praying five times five times a day that are doing the

mr. von elsen, am i to understand that you consider this scene complete? i do. well, i don't.ou call that directing? that is what i've been calling it for 32 years. to be a director, you must have imagination. whose imagination, mr. sears, yours or mine? it'll be done your way, but not by me and not by any other director who respects himself. (edward dmytryk) howard hawks had the greatest technique. if a producer came on the set, he would say to the prop man, "hey, come on, bring a chair over here." and he'd say to the producer, "come on, sit down, let's chat." and everybody else would go off the set. and the producer would talk and in about 5 or 10 minutes, he'd realize that nobody was working. and he would also realize that nobody would be working until he left. so sooner or later, he'd get up and go. there were any number of people that we can go back to, kind of von stroheim and work our way up and we can run out that litany of filmmakers who were done in by the constraints of this dehumanizing, highly industrialized, profit-motivated system. but, the more i look at it, th