mr. albert has been to our meetings in developing the people's plan, and we are deeply disappointed that the contractor you is -- who is rehabilitating this will be unable to do this to have any kind of service using the cars that are designated for it for the america's cup, at least this year. it has been our hope for 15 years to have regular e line service, who live in south beach, to get to the northern waterfront. it is a service which we believe will have enormous traffic. there is still the possibility that you could cobble together some sort of service during the two months this summer of the america's cup for e line service, and we would like you to do that. after all, the america's cup is supposed to pay for the cost of this, so this is not something that would come out of your budget, and then we look forward to working with you next year. secretary boomer: that is the last person to have turned in a speaker card. vice chairman brinkman: questions? director bridges: i thought they would go into bolstering the service. it would be nice to know, i am sure you have thought about t

albert nobbs." take a look at this. >> i was wondering miss dorris if you would care to come out for a walk? >> pardon me mr. nobbs?to walk out with you? >> i am. >> well, the thing is i'm walking out with joe macans. i don't know what he'd say if i started walking out with you as well. >> oh, yes. good night miss dorris. [ cheers and applause ] >> jimmy: i feel so bad for you. you're so -- i mean, how do you do that? you're such a good actor. it was amazing. >> well, i have to tell you though hair and make-up people also got nominated for an oscar. >> jimmy: they did? oh, good. they deserve it as well. it was unbelievable. [ cheers and applause ] >> they do. they do. the transformation was remarkable. and their challenge was to make us look authentically like women who could be mistaken for men with as little make-up as possible. and so that is -- they represent the finest of their art. and the man who made our wigs, martial corneville, who's been my collaborator for 20 years. and he is world class artist. >> jimmy: it is just phenomenal. i feel so bad for your character. she's so confused. and the thing is there

albert. you're asking out a -- maid that you work with. here it is. >> i was wondering, miss, if you would care to come out for a walk. >> pardon me, mr. nobbs?d -- >> engaged? no, i'm not. but -- are you asking me to walk out with you? >> i am. >> i know people are again looking and saying, that, what, looking at you, looking at the character. even your makeup team, they are nominated for an academy award. >> it's so thrilling. their challenge was to transform janet mcteer and me with the least possible makeup. to make us look believable in those roles. and it's masterful. the finesse of the art of special makeup. >> i was watching it over and over again. and -- there's something also, this is set in 19th century ireland. it's still relatable today. you said and others, it's true. many of us hide behind something. we have some secrets. >> i think we all do. i think we arrange our faces every day and we're dealing with issues that most people have no clue about. i also think there are a lot of people in the world who feel invisible and powerless and -- so i think albert's story speaks to that. it's of isolation and even with all the communica