mr. glazier. >> good morning, members of the committee. my name is mr. glazier.cus on two parts on the classic act and the willing buy er, willing seller. it arises from old laws and new technology arising in discriminatory treatment of old artists recordings made before february 15th, 1972. while most digital music services do pay under a statutory license created by this committee for all the music they play, including for pre-72 recordings, some companies have targeted classic recordings. they argue that they don't have to pay to digitally perform classics because those recordings are subject to state protection and the license is a federal creature. they also argue, however, that state laws do not apply to digital performances of pre-72 worth. so it's a circular argument that creates a windfall for some digital services at the expense of legacy artists and their labels. to illustrate the need for this new ford-looking solution, look how current practice has led to non-sensical results. frank sinatra's recording of my way made in 1969. but they do pay when the