mr. shawere is no doubt he broke the law, that mr. bundy broke the law. there is no doubt it's been adjudicated in court after court after court. every legal expert we have had on the factor said the same thing, the man broke the law. would you agree with that? >> yes. i would agree with that. >> now, throughout our history as i mentioned last night, there have been conscientious on tore who's broke the law. i think mr. bundy may fall into this category. he doesn't believe the law is just. he believes he has been there since 1970, his family, that he is being treated unfairly and he is being oppressed by his government. so, therein lies the next question, mr. shaw. what would your advice to mr. bundy be? >> my advice would be stay true to your convictions. he has a problem with, you know, the government owning the land in nevada. i totally understand that. >> all right. so, he stays true to his convictions, which i believe he will. and then the government attaches his land. so that when he die

how is your husband, mr. shaw? i am thinking of you as well. so it was resolved. but i think because abigail wasn't married, she was the middle sister, she wanted to be older than someone. and at one point when she was in europe she heard from mary that elizabeth was sick. elizabeth was trying to get up and take care of the borders and the students and she wrote her a letter that was irate. you cannot do this. you must stay in bed. i am going to write your husband, too. this is ridiculous. and then she thought about it. and her children were boarding with elizabeth at the time and thought maybe i am being hard. so she wrote and said i am sorry about the tone i took. i know you a grown woman. i just care about you. and elizabeth wrote back because she was like no bless. she wrote back i never mistook anything you said even when we were younger. so to be, you know, calling on our eldership, i knew it was because you loved me so much. so there continued to be a little rivalry but very little as they got older. yes? >> it sounds like abigail had help growing up. how d

i went over into writing nonfiction about what i knew and wild places and wildlife -- then i got mr. shawe new yorker. he agreed to send me to the wild places. i was writting about wilderness. i rushed off to south america before he could change his mind. that was the beginning. that produced a nonfiction book and a fiction book. that encouraged my interest in indian people. i have been interested in traditional people. i have been a certain kind of anthropologist. i am interested in how they relate to the world. i'm not much interested in -- i am much less interested in cities. i like people on the edge. >> what common denominator do most good writers have? >> that is an interesting question. i don't know. i do know -- i think i kind of know. i think there has to be an element -- in good writing, there has to be an element -- it has to be kind of intact. i don't want to depend on anything for identification on the part of the reader. i make them work too hard, maybe. it has to be complete in itself and a mystery inside of it. the sense of something mysterious. even if you never spell it

how is your husband, mr. shaw? i am thinking of you as well. so it was resolved. but i think because abigail wasn't married, she was the middle sister, she wanted to be older than someone. and at one point when she was in europe she heard from mary that elizabeth was sick. elizabeth was trying to get up and take care of the borders and the students and she wrote her a letter that was irate. you cannot do this. you must stay in bed. i am going to write your husband, too. this is ridiculous. and then she thought about it. and her children were boarding with elizabeth at the time and thought maybe i am being hard. so she wrote and said i am sorry about the tone i took. i know you a grown woman. i just care about you. and elizabeth wrote back because she was like no bless. she wrote back i never mistook anything you said even when we were younger. so to be, you know, calling on our eldership, i knew it was because you loved me so much. so there continued to be a little rivalry but very little as they got older. yes? >> it sounds like abigail had help growing up. how d

have to determine and we have to provide oversight whether we authorize programs or fund them and mr shaw promised to comply they will gather them to them and we will make our findings. available to absolutely now one of the biggest offenders of us aids democracy programs has been the chairman of that committee senator bob menendez but on thursday senator menendez called on administrator show to hand over all relevant documents not just presumes an e.o. but for all of us a democracy assistance programs so as the authorizing committee i think we want to see what's happening across the entire spectrum. and i would ask you to give me information about all of those programs and all of the programming of those programs and all of the tweets and all of the e-mails and everything so that we can make an informed judgment here senator menendez also said he may call on other government agencies like the government accountability office to conduct their own audits and all this extra scrutiny may force usaid to abandon one of its core functions beyond eradicating global poverty after all zoos and you

shaw. special guest, julie harris. w your host mr. jose ferrer. saint joan is essentially about sainthood, but there is a certain romantic quality to it as george bernard shaw sweeps his audience along in an almost poetic flight. it is not a biography in the sense that you can turn to the play for an accurate reporting of the facts, rather shaw selected the facts which suited his purpose. he approaches joan, his protagonist, historically, but develops the character mainly in terms of ideological clashes. primarily, shaw is interested in joan as someone who imposes her ideas on history. she is led by the voices of st. catherine, st. margaret, and st. michael who instructed her to acquire a horse, soldier's clothing with armor, and an army and drive the english out of france. so her actions are based on her faith in her voices. shaw was a co-director for the first london production in 1924 with sybil thorndike in the title role, and he reminded her that joan was a sturdy, independent 19-year-old woman, not a sweet angelic little girl. the story of jo