mr. silverstein says, yes, david, that is why you are here, and then all of a sudden, you can hear like a drop in the room, and he said i love it. and then the conversation flowed from then. it was definitely a turning point in this process. charlie: when will this be finished? bjarke: it should be finished in 2020. charlie: and how much of this time occupy of yours? or does your time and, and you turn it over to the builder? bjarke: i think the next two years, we will be incredibly busy doing this, and we will oversee the site, both where i work and where i live. we have a beautiful view of the site. we really have to get this one right. charlie: what influence? bjarke: when i started studying architecture in 1993, a book came out. and so anyway, i discovered him. charlie: you fell in love with his work. bjarke: each project, rather than being driven by style, like richard meyer likes white tile and certain shapes, with him each project was injected into a specific situation in a society or in a country so almost the way a journalist would approach a project by having a certain angle on

mr. silverstein says, yes david, that's why you're here. and you could hear a pin drop in the room. and then it was like, i love it. and then the conversation went forward from then. that was a definitelurning point in the process. >> rose: when will it be finished? >> finished in 2020. >> rose: how much of your time will this occupy between now and 2020? is your work primarily when everything is set and then turn it over to the builder? >> yeah, i think the next two years we will be incredibly busy doing this and, of course, we will oversee the site. both where i work and live, we have a beautiful view of the site. so this is like, we really have to get this one right. >> rose: what influence did recommend coolhouse have? >> when i started studying architecture in 1993, the book xmsl came out. in a way i discovered rem coolhouse before i discovered any of the modern masters. my generation is part of the discne. >> rose: you fell in love with his work. >> one thing i really saw in coolhouse was each project rather than being driven by sort of like a style like richard meyer likes wh