and really the engine of the story is the arrival of a kenyan immigrant, mukesh, in the 1950s, who settles the 1960s, and i think, because we had relatives in huddersfield, bradford, just wasn‘t... he didn‘t have a network in london, to be able to find lodgings that were happy with having coloured folk back, so he ended up in keighley. and, even though my entire family now live in london, where they were meant to end up, i think that‘s really, and i don‘t really have much of a connection with keighley. and the story stretches over three generations. there is one particularly poignant strand in the story, which is the daughter who has inherited the cancer that killed, the gene that produced the cancer that killed her mother, and knows that she is going to die. i mean, you are taking it head—on there. yes, it‘s — i wanted, with this book, to write some british south asian characters that you just don‘t see. and, you know, too often the books that get published by british authors from a south asian background often tend to be about identity or radicalisation, or arranged marriages. and myjoke