it would seem that every belarusian knows the biography of mulyavin, but they cannot leave the screensrs, then why should we watch the last episodes of this series? became the leader of prime, this is the action-pic format that is fashionable today, a return to many viewers and to me personally - this is the feeling of their youth, good actors, this is how you personally can explain such success, well, probably, first of all, these are the personalities who filmed, this is his music, this is his work, which... is not known only in belarus, but this is the entire soviet union, where it appeared and where this creativity appeared and the world, because many now not only here are interested in songwriters, what kind of music it is, it was ahead of its time, at least now they are listening to it again , reviving, making this ontology, i understand that this is for a long time and... like mozart for a long time, both chopin and mulyavin, well , you said that the original script of the film did not contain many of the scenes that eventually appeared on screen, yes, so what? added thanks to y

, i’m not a poet, but in 2019 we slept with the creative songs, all mulyavin, woman you lama dzitsyaertain sponsor in europe. double for a student year the orchestra tours the stages and countries of europe. it's like a fee and a hell of a student. young archestra belarus. dze sennya lyudmila, dze yana, and there, with all our singers, lyudmila lazarchyk, pyotr elfima, natalya padolskaya, alena svirydava, gleb matsviychuk, on lyakhno, kaldun at maskve. at the beginning of the cinema of our country, in 2019 i’m guessing. there are dozens of dramatic actors that shine in scenes and episodes in the films of russia. i love the show. i remember great yury blinov, i remember the great musician who we highlight the foreign countries where we have traveled and where they are worth valuing, you know, covering talents, growing, dealing with them, asking them, giving them a gift and life, this is what our teachers do best. and all the mornings are here at home in belarus, well , the pack is not atrymlivaetstsa, not atrymlivaetstsa , z'jazdzhayutsya, not like the beginning of the 90s , such unta

a lot of strings, yes, yes, yes, this is also a lyre, a hurdy-gurdy, yes a hurdy-gurdy, i think mulyavin had one of these in his hands, but for now you were staying away from it, but it’s too possible that anything is possible, suddenly, well , she needs some kind of project, because there’s never you can guess which tool can help in a given situation, always an experiment, always something. search, endless search, some sounds, since water is dripping from there, that’s all , there’s something, some kind of rhythm, a bicycle passed there, there’s some kind of rhythm there , a car honked, you’re driving, listening to some music and somewhere a car honked , oh in a key, like this, this is how you can use just such sounds in the design somewhere, something for signals, in a similar vein they tried to work in art of noise at one time, these englishmen, but they went further one record. carefully, please, the new year's premiere is on the first, wow, so what does that mean , well, maybe that the big difference is fresh, or that the big difference is the taste, yeah, or maybe... it's not full

already attention was focused on belarus, and they were waiting for something, a mulyavin appeared ,tudent appeared, two important components. we owe them this rise, because luchinka is not so much for the songs, but primarily for the fact that he was already on, as they say, on horseback, remember, vuyachich sang not to drink himself to death as a veteran, he was established in moscow, he was already respected. about your artist vuyachich, when in 1973 i went to japan for a year to teach classes , speak russian, i looked in japan for who came, they told me, vuyachich came, he was in my program in japan, they also sang. the songs of alexandra pakhmutova and nikolai dobronravov are heard on the all-union stage. when these non-exaggeration, to say, great construction projects began, they called it bam, the baikalamur mainline. just as there was virgin soil, you understand, all of them, even our cultural figures, they rushed to support this, which is worth alexandra pakhmutova and nikolai dobronravov. the biography of our entire country, the soviet union, is in the songs and poems of th

i think mulyavin had one of these in his hands, but for now you stay away from it, yes, it’s too painfulhich tool can help in a given situation; it’s always an experiment, always a search for something.

several years, alexander kremko recreated by ear and embodied in orchestral scores the largest work of mulyavinuchinok, the legendary poem guslyar and the rock opera, song of doli based on the works of yanka kupala. alexander evgenievich took part in the concert of the united orchestra of slavic countries within the framework of the international forum of slavic countries in strasbourg and paris, and performed at other major music festivals. original high-tech and promising projects. the final of the competition was held in the high technology park startups. more than 50 applications were submitted to participate in the competition. from all regions of belarus. according to the results of the qualifying round , 20 projects reached the finals, but only six developments became victorious. startups were represented in a variety of fields, from medicine and education to entertainment and artificial intelligence. the main goal of the competition is to give developers the opportunity to realize their idea, receive expert support, and enter the market with a finished product. in addition, the first th

9 rubles ; everyone knows him from his work in pesners, that’s exactly the golden composition of mulyavin. from '76, i think, to '84, he worked there, that's when he was in america, pesnyary, he then saw this style of playing, and he began to develop it, and i when i saw it, i was simply amazed, how is it possible, the guitar turns into some other instrument before our eyes, and i say that well, how to learn, this was not part of our university program, because we mostly played. .. so he and i started practicing, i started making some progress in this direction, but there was nowhere to apply it, because then i became a guitarist with irina allegrova, after concerts i studied this technique, the guys there told me, why are you they say, you won’t get money for it anyway, it’s not commercial direction, but i was wildly interested, looking ahead, i would like, dear friends, to say that maloletov is not getting out of the cruise. yes, you’re absolutely right, i’m talking about this now from the height of my experience and years, i’m no longer a young man, and i’m already talking to the guys,

does not fly away, i still hold it in my hands. here, but it will be worthy of the songwriters, and mulyavini really hope, really, that you will succeed. marina vladimirovna, unfortunately, the last, extreme, yes, near-philosophical question, one of the actors of the series said that when you saw him in the form of a film set, you said: leave us, i want to be with dad, if today you had the opportunity to ask your father, the answer to one single question, the most important one, maybe for you, what would you... and is it possible for me to do this, will he approve is he? this is probably the main thing for me today, well, i have a feeling that you got the go-ahead after all? for now yes, for now yes, but knowing dad, don’t get too carried away, this has always been the case. when i enter into something with such zeal, i don’t ask for it today, tomorrow, always, dad did it faster, now he has become wiser, he makes me scroll through all this, so that it is scrolled, consciously, passed through myself and then... thank you, thank you, thank you for this conversation. watch everything that moder

rising sun is a prison. everyone knows him from his work in the pesners, that’s the golden team of mulyavinaying, and he - i began to develop it, and when i saw it, i was simply amazed, how is it possible, the guitar turns into some other instrument before our eyes, yes, and i say that... well, sort of learn, this was not part of our university program, because we played mainly jazz, there is jazz harmony, so we started studying with him, i began to have some success in this direction, but there was nowhere to apply it, because then i became a guitarist with irina allegrova, after concerts i studied this technique, the guys there told me, why does he need you, you won’t get money for it anyway, this is not a commercial direction, but i was wildly interested. looking ahead, i would like, dear friends, to say that maloletov does not crawl out of cruise ships, high-budget ships, by the way, from all sorts of banquet tricks , because it’s profitable, you pay for one, a lot, and you get a whole orchestra from the speaker, well, it’s very profitable, no, well, the funny thing is that so much has

kaymetov with touching memories of vladimir mulyavin, our favorite performances kept cause controversyid that the guys in the jury will now compare, but nowhere . unfortunately, this cannot be avoided, but nowhere, for the first time on stage for the first time on television screens, the duet of igor nadzhiev and yulia nachalova, just wait for me, beloved eyes, the judges cannot hold back their tears, i can’t look at yulia just like that, hang gliding flight from alexey goman, already calling me.