adam murzich, artistic director of the belarusian state academic musical theater let's talk about the premiere about performances about actors about my students and about my family. victoria popova and tatyana shcherbina are visiting us today adam murzich, good afternoon, i am very glad that you have finally come to us, because you are a person with different third-party interests. everything in your life. you can say that fate itself leads a person. and the fate of the profession how, in life, it happens not to recognize it, not to hear it, not to see it. such things are irreparable tragic all the same, in any case, one must have patience. have the courage to face it but professional fate is depends already, most likely on me and those people who surround me. my family is primarily my father, mother. brothers, and i had five of them with me, there are two younger ones left, and i am the fourth. my teachers are dearly beloved, my relatives are outstanding masters at the school and at the conservatory. i bow low and go to the grave every year. the teacher is really this teacher was mil

adam murzich, on the air of the project. say don't be silent. the 81-year-old acclaimed vocal coach revealed how easy it was to get directors and members of the corpse. actor marat basharova and the arsenal go to the belarusian audience for fairy tales for adults. the main teacher, glebachuk. he threw a stone into the garden of the hero of the day soybeans.

again, don't be silent, and the artistic director of the musical theater is our guest, and there is a murzich, or an asshole. how can you correctly imagine what an asshole adamasmanovich is, an asshole, what is it? honored worker of culture in slang , i call it differently, fucked up in one interview. you acknowledged the quote again , a certain audience comes to our theater. how do i her i call the public of the 20th century, these are people with their own arrangements with their own certain sense of nostalgia. and this is the theater audience devoted to us. and today. it unfortunately does not expand the young viewer. we have a rare guest, the situation does not change. i can say this season. but practically less than 70% even on old performances, even on old ones. and if they are old, they still go on saturday or sunday, because the big ones. well, the opera house is full of halls. and what pleases that the youth, but i see it. what are the performances? they choose youth, mostly. basically, of course, everyone goes to juno, yeah, to the classics, but they go to juno and argues. well, i'm

adam murzich, on the air of the project. say don't be silent. the 81-year-old acclaimed vocal coach revealed how easy it was to get the director and members of the corpse. actor marata basharova and axials go to the belarusian audience to see fairy tales for adults. the main teacher, gleb, i will answer to throw a stone into the garden of the hero of the day. the composers' union's claim concerns the premiere for the theatre. the most important concern, especially for me as an artistic director, is the repertoire. first of all, it is even a libretto. that's it the main thing in opera is a fairy tale for adults, and here, of course, a long search, so we often turn to our dear classics, which sharpen the voice keeps a person in good shape composers are still in the union of composers, but i think, up to a hundred, probably members are there. well, there used to be a lot. it’s like it wasn’t so clear the conversation about relations since may with a trofibergamian , not cooperation with famous russian poets, as well as honestly the microclimate in

he circles all the teachers, both the university and private traders and then they told him go to murzich larynx, but he had a mutation, but he wanted to practice and sang already. all the time torn, i say one condition. calm down the larynx to engage in i will not sing at this time. i have no right to sing. i sing in the choir, and he is 11 years old. i say, i 'll get you out of there, went to glushakov and agreed, i say, well, spare the guy. i promise you that this lad will be at the moscow conservatory in 2 years. i promise you, but do it. well, what are you going to listen to a sick voice, he is true to the credit of his teacher and musician. he gave in and glebushka came to study with me ron for 2 years and went to enter the head of the department and graduated from the conservatory. here, well, then i went to the stage. i have read the comments carefully. we have already seen this for many years, but they still write that gleb is not visible on stage. so what, he gives me? performer no uh, do you agree with this opinion and how many of you know such talented artists who are really,