of his work and his contemporaries. on the walls of tehran museum of contemporary arts , something told me that reza can also paint in the 16th fajr visual arts festival, the visual arts festival according to tehran museum of contemporary arts . the work has an overview of iran's artistic treasure in different dimensions and topics. these are all among the national works of this country. the exhibition, which includes the works of artists such as hossein zinda roudi, jalil rasouli, and morteza katoozian, also had a message from an absent guest. visual arts, valuable treasure. it is from the history, culture and identity of islamic iran. mahmoud roshbian, february 100. another part from the gallery of tehran museum of contemporary art , it reflects another dimension of art. aine duran was designed for four seasons. in its first chapter, there was a review of paintings related to the revolution that went back to the 30s and 40s. in the second stage, there was a work of photography. in the third period , a review of the apostate graphic works with the era of the islamic revolution was considered, and fortunately , an exhibi

create this work and now he is watching his work and that of his contemporaries on the walls of the tehran museum of contemporary art something to me, "you can paint" at the 16th fajr visual arts festival. according to the narrative of tehran museum of contemporary arts, the visual arts have started the 16th festival. rudi, jalil rasouli or morteza katouzian, in the heart of the exhibition that has the works of artists such as hossein zinda, had a message from an absent guest. visual arts are a valuable treasure of the history, culture, and identity of islamic iran. mahmoud rasfjian , february 1402, another part of the gallery of tehran museum of contemporary art, reflecting another aspect of art is a mirror. for the four designed chapters, in the first chapter, there was a review of paintings related to the revolution that went back to the 30s and 40s, in the second phase , we were going to display a work of photography, and in the third phase, a review of graphic works related to the revolution era. it was considered that, fortunately, an exhibition has been presented that presents 98 posters of artistic research

pieces . created and now the audience is watching his work and that of his contemporaries on the walls of tehran museum of contemporary art . reza said something to me, can you paint in the 16th fajr visual arts festival. according to the narrative of tehran museum of contemporary arts, the visual arts have started the 16th festival. an event that presents an overview of iran's artistic treasure with the display of 50 heads in various dimensions. these are all among the national works of this country. the exhibition, which includes the works of artists such as hossein zinda roudi, jalil rasouli, and morteza katoozian, also had a message from an absent guest. visual arts are a valuable treasure of the history, culture and identity of islamic iran. mahmoud roshfiian, february 140, another part of the gallery of tehran museum of contemporary art, reflecting it is another dimension of art. aineh daraineh was designed for four seasons. in its first chapter, there was a review of paintings related to the revolution that went back to the 1930s and 1940s. in the second stage, it was decided to display a work of photography. in th

created this work and now the audience is watching his work and that of his contemporaries on the walls of the tehran museum of contemporary arts. something told me, reza , can you also paint in the 16th jeshwari of fajr visual arts, according to the narrative of the tehran museum of contemporary arts, the beginning of the 16th festival has become an event. that with the show. jalil rasouli or morteza katouzian is in his heart . he also had a message from an absent guest. visual arts are a valuable treasure of the history, culture and identity of islamic iran. another part of tehran contemporary art museum gallery reflects another dimension of is art aineh daraineh was designed for four seasons . in its first chapter, there was a review of paintings related to the revolution that went back to the 30s and 40s. in the second stage, we decided to display a work of photography. in the third period, a review of graphic works. with the era of the islamic revolution , fortunately, an exhibition was presented that presented 98 posters of artistic research about the events of the 45- year-old revolution in iran. the period of our revolu

museum of ancient iran, which is from the kasra arch. it is inspired and there is brickwork, perhaps the most beautiful museum we have, the museum of contemporary arts in kargar street, is inspired by wind turbines and shows us those wind turbines in the form of skylights. there is also a museum in zahedan, which is inspired by the old castles of sistan. balochistan , there is another museum in mashhad, similar to nadir afshara palace, if it is a pain to build new museums in all the cities of the country. the agenda is to take care of their architectural identity from the beginning, it is a necessity if it does not lead to the construction of such museums as the yasouj museum, which is built with aluminum windows, sigli stone and glass. i also did not have a favorable opinion about the architecture of the entrance of that museum. because at least the places that are related to our cultural heritage should have at least our architectural and authentic values, but this museum has been around for years. it's working , we almost went there to open, we can't say wait two years to open a collection, destroy it and build something else from scratch. museum

museum of ancient iran, which is inspired by the arch of kesra taken. and there is also brick. perhaps the most beautiful museum we have is the museum of contemporary art. in kargar street, he is inspired by wind deflectors and shows us those wind deflectors in the form of skylights. there is also a museum in zahedan which is inspired by the old castles of sistan and baluchistan . there is another museum in mashhad similar to nader afshara palace. if the construction of new museums is on the agenda in all the cities of the country, taking care of their architectural identity from the beginning it is a necessity if it does not lead to the construction of such museums, such as the yasouj museum, which is built with aluminum windows, sigli stone and glass. i also did not have a favorable opinion about the architecture of the entrance of that museum, because at least the places that are related to our cultural heritage should have at least our original and architectural values, but this museum has been working for years, almost when we went there for the opening, we cannot go there. we are going to open a collection, let's say, wait two years, destroy it,

museums, libraries, theaters and cinemas. the exhibition of the muse of the unconquered city is dedicated to him, to the art of the blockade period, and it was opened in moscow. museum of contemporarybility of the spirit, that’s what stands behind every exhibit in this room, be it the drawings of the artist of the lenfilm film studio alexander black, who created them on pieces of wallpaper, or the album of a twelve-year-old girl who painted with bright colors, believing that victory will be ours, maybe they are not as expressive, not as rich as we sometimes want to see, but you can imagine, even an elementary sketch, even a sketch, even a line... he proved that the nazis deliberately destroyed the cultural values ​​and monuments of leningrad together with skill, trying to destroy that same russian spirit, but as always it turned out to be stronger. natalya solovyova, sergey fodiev and khalit tankiev, lead. it is too early to talk about stabilizing the situation at the zaporozhye nuclear power plant, said the head of magat rafailil grossi. he announced his intention to visit ukraine and russia in the next 10 days. during his visit to... "zaes he will hold a meeting with representati

becomes an inarticulate moo, as if in slow motion, the anna akhmatova museum has turned into the headquarters of conceptual contemporary arted in the renovated sarai gallery several months ago, the heroes of the last exhibition of the year are st. petersburg artists alexey semichov and andrey kuzmin, who for a long time worked as a duo, sarai gallery curator peter bely turned it into some kind of ominous space, similar to a dark, dark room. that is, a children's horror story, in the center of which, instead of a coffin, there is a black banquette, on which it is recommended to sit down and look for a long time at the paintings flickering in the twilight. the proposed context plays an important role. ironic works created three decades ago in new realities were filled with new meanings, even darker. heavy thunderclouds hung over the world, and diggers and gold seekers finally turned into gravediggers. we have the opportunity to look at these works again. and this. the work was called the gold rush, it seemed to us that these were people looking for gold, but now we understand that the meaning is gone. creepy the heroes are t

of culture to purchase it for the collection museum, it was purchased, and then, it was also donated in the courtyard since independence, where since the eighteenth year it has been in the collection of contemporary belarusian artte, and what’s more, in 2009 i submitted it... to a competition in the chinese city of changchun, which is a sister city of minsk; out of 2 thousand proposals, they chose my sculpture of a bird, out of thirty, this very one. maxim, how was it created? it was created as a kind of symbol of consent, friendship, unity, which would seem, perhaps , more natural, an egg and two birds, reminiscent. this is the grushevka metro station - this is a pear, again created during the period when i lived on grushevka, look, this is my contribution, my contribution, this is my world, i have peace when i i was little, but i lived on grushevka, i wanted to go to kindergarten, to school eighty- third, these are my childhood impressions that i then, well, sketched, created sketches, created such a decorative ponno from 342 pieces of fireclay mass weighing 11 tons per... in the wall 50 km with a bend and a bronze pear cut in half - weighing about a ton, installed at the station and 12 weights in a circle, l

and sculptural works of european masters of the 17th-17th centuries and the museum’s collections fine arts named after pushkin, as well as the works of contemporarysculptors, architects and his contemporaries and predecessors. this book ends the enfilade of our exhibition, throughout its halls you can take such a journey in time, starting in 1527 during the collapse of rome and continuing to get acquainted with various phenomena of culture and art-mannerism, through works from the collection of the pushkin museum and work with contemporary artists, our compatriots . in the large hall of the st. petersburg philharmonic, svetlana kryuchkova with the program leningraders, my children, for the eightieth anniversary of the complete liberation of leningrad from the fascist blockade, which will be... celebrated on january 27. theater named after pushkina begins a tour in st. petersburg and shows on the stage of the tovstan bolshoi drama theater a performance by evgeniy pisarev based on mikhail bulgakov’s play apartment with alexandra ursulyak in the title role. in the maly drama theatre, theater of europe chaika. composition for the stage by lvodin base

of art, watch how masters blow glass, visit a museum where products of incredible beauty are collected. the museum's halls display exhibits dating back to 1910 and original compositions by contemporarysts. famous milky, smoky glass, noble. is secret in all glass factories in the world, this is a hall where the works of artists for a certain time are collected for a year or two, which is expected to be launched in subsequent production, that is, this is the experimental base of the plant, where more and more new moves are being developed to develop new types of products, all the factories in the world are hunting each other for secrets, so we don’t really let anyone into such halls, so to speak, here is the future, the future, and the future. production, and what decoration methods do you use? decorating methods are endless, starting with the fact that you can dip glass in cold water, it will crack, blow it out, it will turn out. pattern of cracks, you can dip it in colored glass chips, you get a color, you can use several crumbs, different colors, you can dip it in corrugated shape and inflate, you get corrugated glass, everything you can come up with, as i often tell, the artist at

is to him, to the art of the period of the siege, that the exhibition of the muse of the unconquered city is dedicated. and it was discovered in moscow, in the museum of contemporarythe spirit, that’s what stands behind every exhibit in this room, be it the drawings of the len film studio artist alexander black, who created them on pieces of wallpaper, or the album of a twelve-year-old girl who painted with bright colors, believing in that victory will be ours, maybe they are not as expressive, not as rich as we sometimes want to see, but you can imagine, even an elementary sketch, even a sketch. even a line of poetry at that time was a heroic feat of these people, so here we are all talking only about people, and this was recognized after the war during the nureng process. one of the witnesses for the prosecution was academician and director of the hermitage joseph arbelle. he proved that the nazis deliberately destroyed cultural values ​​and monuments of leningrad along with art, trying to destroy that same russian spirit, but as always it turned out to be stronger. natalya solovyova, sergey fodiev. it will be called who serves nato in russia. i hope it will be

contemporary belarusian art and look into the local art gallery. it was opened in a renovated building. architectural monuments of the late 19th century. so, in the entire post-soviet space , this museum is the only government institution that houses the original masterpieces of alexander isachev. the artist worked using the technique of fox writing. transparent layers of paint overlap each other or onto the already prepared base color. alexander isachev painted paintings based on biblical, historical and mythological subjects. frequent themes of his canvases are old and new testament motifs. one of the central images in the work is jesus christ. the master of the brush tirelessly searched for the answer to the eternal mysteries of existence. who knows, maybe that’s why fate has measured out the artist’s age at almost 20 years. bulgakov's hoax is true. after his death , his family remained in his hometown, unfinished works in the workshop, about 20 icons made by the artist for holy transfiguration church. and materials stored in the museum. in such a short life, 32 years, the master made a name for himself, creating almost 500 paintings and hundreds of sheets of graphics. sorry, follo

contemporary belarusian art by visiting a local art gallery. it was opened in a renovated building. architectural monuments of the late 19th century. so, in the entire post-soviet space, this museumnment institution that houses the original masterpieces of alexander isachev. the artist worked using the technique of fox writing. transparent layers of paint overlap each other or onto the already prepared base color. alexander isachov painted paintings based on biblical, historical and mythological subjects. his frequent topics. one of the central images in the work is jesus christ. the master of the brush tirelessly sought the answer to the eternal mysteries of existence. who knows, maybe that’s why fate measured out almost the age of christ to the artist. bulgakov's hoax is true. after his death , his family remained in his hometown, unfinished work in the workshop, about 20 icons made by the artist for the holy transfiguration church. and materials stored in the museum. in such a short life, 32 years, the master made a name for himself, creating almost 500 paintings and hundreds of sheets of graphics. unfortunately, it is not possible to trace their exact number today. the painte

of art, watch how masters blow glass, visit a museum where products of incredible beauty are collected. the museum's halls display exhibits dating back to 1910 and original compositions by contemporary can dip it in colored glass chips, you will get a color, you can do it in several crumbs, different colors, you can dip it in corrugated form and inflate, you get corrugated glass, everything you can think of, as i often tell artists at the factory torn pockets, because we go and pick them up as we go. here is an iron shaving, here is a rag, here is a stick, all this can be used in glass when working and you will get unexpected perfect effects, this is how an idea is born, this is how an idea is born, they say that glass sounds, tell me what this means, why do you need to listen to the glass? listen, well first of all, when you buy glass, you can take in the glass and knock, if it rattles, it means it is not whole, a real funeral. noisy, but this is the case with crystal, glass does not ring like that, but crystal rings because there is metallic lead present, it gives what rings in bells, the same thing in crystal. the concept of glass aesthetics is fragility, eternity, purity of form

of the stroganovs and contemporary art, animal style and the soviet avant-garde. subjects from artistic, ethnographic, local history, natural science and others perm museums are unitedd morning, says dr. masyakov, we are starting a program about the most important thing, that is, about our health, by the way, today we will start with something interesting, today we will look in the refrigerator, and specially trained person, our foor. will teach us how and what to store there, i will watch with you with interest, because i don’t have the slightest idea, i just take the product, put it in the refrigerator, that’s how to do it correctly, they will tell us, but besides that we will talk and many more interesting topics, let’s start today in the program about the most important thing, painkillers, why nsaids are dangerous. tamol acetyl-salicylic acid, why sometimes they don’t help, in what cases they can even provoke pain, you press your fingers everywhere it hurts, it won’t help, but an antispasmodic will help , well, at least you’ll hear that these drugs exist, there are mistakes when storing food in the refrigerator, why apples need to be placed separately from other