of palestinian art. the first opening of the tehran museum of contemporary art after the revolution in bahman 1958. the paintings that lived in palestine and the arab world were brought here and displayed. now, nearly 45 years have passed, on hot days. the protest of art against the occupation of palestine has once again been concentrated in the tehran museum of contemporary art. motahari says that if the martyrs themselves were alive now, the fast of ali akbar would be the issue of palestine, and therefore, if we want to recognize our own era for muharram, we must see israel, and if we want to help the imam be hossein and in the era of imam hussain, we must be a supporter of palestine. in this exhibition, there are works of palestinian artists, which were related to an exhibition in 1980 or 1981. there were also other artists from iraq, lebanon, and egypt . gathered the world under one roof. modern artists of the world are also introduced in a part of the exhibition, artists such as bangsi, ivy, mike parr, sami helvi, some of their works are engraved on the stone of iranian art. those whose presen

have passed since, in the hot days of summer, the art protest against the occupation of palestine has once again been concentrated in the tehran museum of contemporary arts. martyr motahari says that if seyyed al shahada therefore, if we want to know the number of our own time for muharram, we must see israel, and if we want to help imam hussein and be defined in the course of imam hussein, we must be a supporter of palestine. in 1988 or 1981 , there were other artists from iraq, lebanon, and egypt in the exhibition that asar. painting and graphic artists gathered the whole world under one roof. modern artists of the world are also introduced in a part of the exhibition, artists such as bangsi , such as mike parr, and sami halabi. a number of stone carvings are iranian art. those whose presence in the 6th venice art biennial was tied to the name of the palestinian people. what we learn from imam. we understand that it is not just about occupying a country, it is about fulfilling the divine promise. one wall of this exhibition is dedicated to displaying the works of palestinian martyr artists. like this work of al-aqsa mosque by hab zaquwat. a woman

half billion people, in other words, there are few platforms for museum exchanges, private museums of contemporary art that indians seem to love russian ballet, but in reality, so to speak, finding ballet on linoleum is not the easiest task. russian culture was treated with great respect, there is ethiopia, and so on, well, different countries, they require a different approach, this is a rather complex story, so the world is big, as they say, a certain very serious flexibility is needed here, despite the fact that you understand, there are also tasks such as promoting the russian language, and so on and so forth and so on, educational projects, because in general, in order for the public to perceive abroad... in the last 10-15-20 years, operas there began to be sung in their native language, in the original language, you want gounod’s faust, that means according to -french, you want verdi, then in italian, music very cramped.

in moscow museum of architecture, the city code will open tomorrow, a special project of the moscow international museum of contemporary artteresting exhibits anna voronina. travels from the past through the present and straight into the future. russian cities have never been represented this way at the moscow international biennial of contemporary art. as part of the city code project, 17 authors exhibited their works on three floors of the shusev museum of architecture and turned it into a timeline. the heart of the project is an exhibition representing modern architectural appearance of russia, it was built in the form of a labyrinth of streets. moreover, all photographs were taken from eye level, so that the visitor would have a feeling of his own presence in each city. the author of the photographs , artem dyunze, visited 12 cities to create the exhibition, including donetsk, sevastopol, lugansk and mariupol, and specifically chose buildings that were not among the attractions. it took more than a day to prepare one shot. you look at the light in which you shoot them, wait for the sun, write down the time in your note

but this meeting with the artists did not end with just one meeting at the tehran museum of contemporary arts. in the next two meetings , shahid raisi hosted the artists. calligraphy as an artistic discipline in the ministry. it has no place. of course, these meetings were not limited to these good wishes. sir, how are you? i tried until the national visual arts document is finally compiled. a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. the regulation that was in the field of statues and monuments was completely revised. the recipe of the galleries was completely rewritten. policy and terms. these works are representing the emotions of iranians towards a global event. with the compilation of the national document of visual arts, a new life was breathed into the fajr visual festival, a society where art is active. which makes the cheerful spirit of hope for the future and the beginning of life active in him. as time progressed, the works of this document became more visible. like spinning better the wheels of the art eco

your work, but this meeting with the artists did not end with this one meeting at tehran museum of contemporary arts. in the next two meetings, shahid raisi hosted the artists. calligraphy as an art field has no place in the ministry of science. of course , these meetings were not limited to these good wishes. sir , you are fine, god willing. efforts were made to compile the national visual arts document. a document based on several clauses in the cultural engineering map of the country, which has been collapsing since 1992. the regulation that was in the field of statues and monuments was completely revised. the gallery recipe was completely rewritten. policy and regulations governing the iranian art market it was suggested. the initial version was written. as a result, the brilliance of iranian painters in the sixth biennial of art and these works represent the emotions of iranians towards a global event, with the compilation of the national document of visual arts, a new life was breathed into the fajr visual arts festival. being active in it makes the spirit of happiness, hope for the future and

of your work, but this meeting with the artists did not end with this one meeting at the museum of contemporary artstehran. hosting calligraphy artists as an art field does not have a place in the ministry of science . efforts were made to finally compile a national document on visual arts , a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. it was completely revised, the instructions of the galleries were completely rewritten, the policy and regulations governing the iranian art market were suggested, and the initial version was written. one of its results was the brilliance of iranian painters in the 6th venice art biennial. these works represent the emotions of iranians towards a global event. with the compilation of the national document of visual arts, a new life was breathed into the fajr visual arts festival. a society in which art is active, makes the spirit of joy, hope for the future and life. it should be active. as time progressed, the works of this document became more visible. like turning the wheels of the economy be

but this meeting with the artists did not end with just one meeting at the tehran museum of contemporary arts. in the next two meetings, shahid raisi hosted the artist. khoshni does not have a place as an art field in the ministry of science. of course, these meetings were not limited to these good wishes. sir, how are you ? efforts were made to create a national visual arts document finally be edited. a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. the regulation that was in the field of embodiment and memory was completely revised. these works are representing the emotions of iranians towards a global event. with the compilation of the national document of visual arts , a new life was breathed into the fajr visual arts festival. be active as time progressed , the works of this document became more visible, such as the better rotation of the wheels of the art economy by strengthening the connection of the private sector and government many foreign visits for the ministers of islamic countries, the works that i give as gi

tehran museum of contemporary art hosted the works in the 6th venice art biennial. this the exhibitionworks of iranian artists has been displayed in venice for people to visit. hello, have a good time. the third day of the paris olympic games ended with the presence of iranian representatives in two disciplines. on the third day of the olympic games , iran's caravan was represented in two disciplines: sailing and shooting. mohsa javar and zeinab nowrozi , representatives of iran in women's light weight double rowing rowing, which was fourth in the preliminary round yesterday, has a chance to get back on the water. they competed with the representatives of argentina, china, canada and ireland and placed fourth with a time of 7 minutes, 35 seconds and 56 hundredths of a second. and made it to the final 30. in this competition , rowers from ireland, canada and argentina were first to third. these two iranian rowing ladies continue. their competition on wednesday, august 10, in the final 30 , they will compete with china, peru and japan for the 12th to 16th places. we were really in a very

of your work, but this meeting with the artists did not end with this one meeting at the museum of contemporary artstehran. in the next two meetings, shahid raisi hosted calligraphy artists as an art discipline in the ministry of science. it has no place. of course, these visits were not limited to these good wishes . sir, how are you? finally, the national visual arts document should be compiled based on the clauses many in the country's cultural engineering map, which has been decaying since 1992. the regulation that was in the field of statues and monuments was completely revised. the instructions of the galleries were completely rewritten. the policy and regulations governing the iranian art market were proposed. the beginning was written. it was a result. the brilliance of the artist. in the 6th biennale of art in venice, the iranian painter is representing the emotions of iranians towards a global event, with the compilation of the national visual arts document, a new life was breathed into the fajr visual arts festival. a society in which art is active makes the spirit joy of hope for the fut

but this meeting with the artists did not end with just one meeting at the tehran museum of contemporary arts. in the next two meetings of shahid raisi. be a document based on multiple clauses in the engineering plan efforts were made to finally compile the national visual arts document of the country that has been dying since 1992 . it was completely revised, the instructions of the galleries were completely rewritten, the policies and regulations governing the iranian art market were proposed, the first version was written , and the result was the brilliance of iranian painters in the 600th venice art biennial, and these works represent emotions. iranians are concerned about a global event, with the compilation of the national document of visual arts , fajr visual arts festival was breathed into life again. as time progressed, the works of this document became more visible. like better rotation of the wheels of the art economy by strengthening the connection between the private and public sectors. many foreign visits for the ministers of islamic countries, the works i give as gifts, mostly

the last four months. 67 cases of drowning have been recorded in the country, and tehran museum of contemporary artshosted one of the works in the 6th biennial exhibition of khuzestan, the land of climate diversity. these days, in the south of khuzestan, the compatriots are witnessing less experienced hot weather, and at the same time, the compatriots in the north of this province they have spring weather. global warming in every part of the world can be recognized in the last 20 years . but here in khuzestan, which is known as the heat shield of west asia, the temperature rises to more than 50 degrees. the heat is too much. khuzestan has always had heat, but this year it is more than other years. but what distinguishes khuzestan from different parts of the world is the temperature difference at a different time and place. khuzestan region is a special region. for example, this is the city of shush, which is the hottest city in iran in the last few days . they can't stand the heat, they go home by 6 , it's already 11 o'clock, and the market becomes really quiet . where the air temperature drops sign

of your work, but this meeting with the artists did not end with this one meeting at the museum of contemporary arts in tehran. in the next two meetings, shahid raisi hosted calligraphy artists as an art field in the ministry of science. these good wishes are not limited to you it is good that efforts were made to finally compile the national document of visual arts, a document based on several clauses in the country's cultural engineering plan, which has been in the ground since 2019. the regulation that was in the field of embodiment and memory was completely revised. the gallery recipe was completely rewritten. the policy and regulations governing the iranian art market were proposed. the initial version was written. one result was the brilliance of iranian painters in the 6th venice art biennial. these works represent the emotions of iranians towards a global event. with the support of the national document of visual arts, john dobar. once again fajr visual festival was blown. a society in which art is active causes the spirit of happiness, hope for the future and the beginning of life to be act

of your work, but this meeting with the artists did not end with this one meeting at the museum of contemporary arts in tehran. in the next two meetings, shahid raisi hosted calligraphy artists as a discipline. art has no place in the ministry of science, of course, these visits were not limited to these pleasantries, and peace be upon you, mr. asad javad, how are you, god willing , efforts were made to finally compile a national document on visual arts , a document based on several clauses in the country's cultural engineering plan that has been in place since 92 eats dirt. the regulation that was in the field of statues and memorials was completely revised. the recipe of the galleries was completely rewritten. the policy and regulations governing the iranian art market were proposed. the initial version was written. it was a result. the brilliance of iranian painters in the sixth century. every year of art, venice has these works it represents the emotions of iranians towards a global event , and the fajr visual arts festival was given a new lease of life with the compilation of the national docum

of belarusian monumental and easel art. sculptures. his works are in the national art museum of belarus, the funds of the belarusian union of artists, the museum of contemporaryarts in minsk, and museum collections in foreign countries. on july 13, 1952 , a wonderful belarusian was born in minsk artist, soloist of the legendary ensemble verosy, people's artist of belarus alexander tikhonovich. she brought up. mainly hired by his parents, an elderly pious woman, thanks to her he became acquainted with the bible , visited the temple for the first time, alexander developed an interest in music during... the musicians gave concerts in germany, poland, hungary, finland, france, canada and other countries. from significant dates to people's memory and pride. we will visit the largest national repository of material and spiritual monuments of our military history countries. we’ll also see the capital’s diamond of knowledge. discover belarus with us in the traditional section place on the map. time is powerless before the memory of the generation that defended the freedom of our country. the great victory made not only our people free, but all progressive humanity, a

his works are being found. in the funds of the belarusian union of artists, museum contemporary fine artthe national art museum of belarus, minsk, and museum collections in foreign countries. on july 13, 1952 , a wonderful belarusian artist, soloist of the legendary verosa ensemble, people's artist of belarus alexander tikhonovich was born in minsk, he was raised mainly by his parents. living devout woman, thanks to her he became acquainted with the bible, visited church for the first time, alexander developed an interest in music while studying at the suborovsky school, having learned that children who study in the wind orchestra may not attend part of the classes, tikhonoich got a job in his first band and began playing the trumpet, since 1973 alexander grigorievich in verosy. he gave two concerts a day, toured extensively, and appeared on television. in 1988, the singer organized a duet with his wife jadwiga. the musicians gave concerts in germany, poland, hungary, finland, france, canada and other countries. from significant dates to people's memory and pride. we will visit the large

art school. now this building is a museum, so i suggest you stop by to get to know this era better. the museum opened in 2018. a branch of the center for contemporarys equipped with the latest technology; original photo projects are shown to guests on multiboard panel screens built into the furniture. there are extensive archives of documents and photographs, museum guests have the opportunity to see everything, even not very well-known details from the life of artists. photo of the vitebsk period of kazimir malevich, kazimir severinovich malevich with his daughter. una, who was born here in vitebsk. the girl was named una in honor of unas, the creative association of navis, the promoters of new art. map of the city in 1922, rhymed with modernity. we, our museum of modernity and approximately 100 years ago, mark walked standing next to the school, which was located in this historic house mansion. and that's how it is here with us. travel during a virtual walk around our city of vitebsk. the walls of this building still remember the artists who created right here, where we are now passing. it was here in this room that mark lived with his family, wi

of forensic architecture — we present our evidence also in art and cultural forms. so we had exhibitions at the tate, at the whitney museum, at the whitworth in the uk, the institute of contemporary not only within the bureaucratic confines of the law, but we need to — if you want to make evidence political, you need it to be seen by the wider community. i still wonder, then, whether it is more art and activism than architecture. architecture is, isn't it, at its heart, about creating something? whereas a lot of your work seems to be about pulling it apart. yeah, that is very interesting. yeah, deconstruction rather than construction. but i think that the strength of our team is its multidisciplinary nature. so most of the team are architects because they are able to understand spatial relation. but we work with lawyers — our team have lawyers — journalists are working with us, they're film—makers because a lot of the work is filmic. and even archaeologists, when we're working on... ..on more historical material, like reconstruction of historical archaeological sites... the application of our technique has now become useful for archaeological research. we've done digital archaeol

of your actions. but this meeting with the artists is like a meeting in the museum tehran's contemporary arts did not end. in the next two meetings of shahid raisi. of course, these meetings were not limited to these good wishes. how are you doing? god willing , the national visual arts document was finally compiled. a document based on several clauses in the cultural engineering map of the country, which has been in ruins since 1992. regulations in the field of statues and memorials. it was completely revised, the instructions of the galleries were completely rewritten, the policy and regulations governing the iranian art market were proposed, and the initial version was written. one of its results was the brilliance of iranian painters in the 6th venice art biennial. it has these effects it represents the emotions of iranians towards a global event. with the compilation of the national visual arts document , fajr visual arts festival was given a new lease of life. a society in which art is active causes the spirit of happiness, hope for the future and the beginning of life to be active in it. as tim

art school. now this building is a museum, so i suggest you stop by to get to know this era better. the museum opened in 2018 as a branch of the center for contemporary art, it is equipped with the latest technology, original photo projects are shown to guests on the screens of multiboard panels built into the furniture. there are extensive archives of documents and photographs; museum guests have the opportunity to see everything, even not very well-known details from the lives of artists. photograph of the vitebsk period by kazimir malevich, kazimir severinovich malevich with his daughter... who was born here in vitebsk, the girl was named una in honor of unavis, the creative association of navis, promoters of new art, a map of the city of 1922, rhymed with modernity, we are our museum in modernity and 100 years ago , about mark shagal stands next to the school, which was located in this historical mansion, this is how here we can... travel in time with a virtual walk through our city of vitebsk. i still remember the walls of this building artists who created right here where we are now passing. it was here, in this room, that marc chagall lived wi

art school. now this building is a museum, so i suggest you take a look. get to know this era better. the museum opened in 2018 as a branch of the center for contemporaryst technology. original photo projects are shown to guests on multiboard screens and panels built into the furniture. there are extensive archives of documents and photographs; museum guests have the opportunity to see everything. even not very well-known details from the life of artists. photo of the vitebsk period of kasimir malevich, kazimir severinovich malevich with his daughter una, who was born here in vitebsk. the girl was named una in honor of unavis, the creative association unavis. proponents of new art. city map of 1922, rhymed with modernity. we, ours. friends of our time and 100 years ago approximately mark shagal stands next to school, which was located in this historic mansion, this is how here we can travel in time. virtual walk around our city vitebsk. the walls of this building still remember the artists who created right here, where we are now passing. it was here, in this room, that mark lived, walked with his family, with his beloved wife bella, with his daughter

presented at the moscow international biennial of contemporary art. 17 authors, as part of the city code project, exhibited their works on three floors of the shusev museum of architecture and turned it into a timeline. the heart of the project is an exhibition representing modern architecture. the image of russia is built it is in the form of a labyrinth of streets, and all photographs were taken from eye level, so that the visitor has a feeling of his own presence in each city. the author of the photographs, artem dyunze , visited 12 cities to create the exhibition, including donetsk, sevastopol, lugansk and mariupol, and specifically chose buildings that were not among the attractions; it took more than a day to prepare one frame. you look at the light in which you shoot them, wait for the sun. write down the time in your notebook, arrive at the right time, when the sun is according to you from the right side, you take a picture and hope that the picture was a success, because del shot everything on film for him and i could only look at the photographs. two to three weeks after i shot them. film, according to the photographer, is a more truthful tool

than 300 works of painting, sculpture, graphics, decorative and applied folk art from the museum’s collections recreate pushkin’s era and tell about the poet himself, his contemporariesthe nobility and royal houses that glorified her to genre paintings in which she emphasized the role of women in historical events. today on the program is the summer juicy apricot fruit, it improves memory, prolongs life, and is it possible to lose weight if you eat apricots, increase your consumption. the body ignored it, yes, it begins to actively reproduce. how to do it right in the heat use conditioner? let's start the day with health benefits. new exercise from dr. agabkin. good morning! hello! what do we all usually want from life? there are things we like: sleep as much as we want, do what we love, and at the same time, of course, live. for a long time, this is exactly what our program is about, right now an exercise that, when performed regularly, prolongs life, as the doctor promised us, and life without injuries, this is important, because one of the most common problems in the elderly, for example, age - these are injuries received during a fall, the only thing i can brag a

museum. the center for contemporary art was built over 10 years on the site of the former priboy cinema.done by august, then the fountains will be turned on, now workers are carefully assembling the base of the bowl. today we are not afraid to revive our fountains, leningrad and st. petersburg in old courtyards. in parks, this is correct, but in addition to the fact that in old areas, in residential buildings, in kolpino, we built a new fountain, yes, there is one - a 1. m fountain, not only restoration, but also modernization, the garden will be landscaped for comfortable relaxation, these are not only benches and lanterns, but temporary platforms for exhibitions and, of course, the transformation of the music pavilion into a modern concert venue, the external stage will remain the same, only the filling will change, now perform here it’s inconvenient for an artist, there is no basic electricity, running water, and the basements, which can be used as dressing rooms, are littered with garbage. in the shady alleys of the rumyantsevsky garden, after restoration , a casual passer-by will be

museum reserves of history of the far east named after. arsenyev hosts the exhibition project dreams of siberia, which brings together archaeological finds, contemporary art for vladivostok and for the residents of vladivostok this is of course an amazing path to self-understanding, and for the residents of greater russia, i hope this is the very process of siberization, when not only correspondence, but full-time, to incorporate this global theme, such a powerful phenomenon as siberia. allows us not to understand the country better, but perhaps to truly understand it for the first time. london's oldwick theater is starting to show a video of the play present laughter, based on the play by noël cowbard, filmed in 2019. the main role is played by andrew scott. a solo concert by jakob josef orlinsky will take place at the munich opera festival, works by composers of the borocco era will be performed, and a solo performance by irina goranci continues opera festival program. a new gallery in new york is hosting the first large-scale retrospective of paula moderzon in the united states. i am me. the german artist, a representative of early expressionism, manag