we climbed through all sorts of costume rooms of musfilm, not musfilm, looking for something so terribleicuous, but love is the best makeover. the transformed mymra became a standard for all women in the country. that people now already allow themselves not to comply with the dress code, well, we won’t come up with this plot now, but it seems to me that it’s great to first show a person in something like that - shapeless, huge. we were once talking about images in films in the studio, and they told me a story that it turns out that we have female actresses who are forbidden to bring mass-market items, that is, they must be expensive brands, it's with this. have you encountered it at work? no, i think it's more the work of the stylists, no, not the costume designers, because in the movies, well, you can't dress everyone in couture clothes, because well, let's start with the fact that the heroines are different, if this girl always plays uh wives of oligarchs, then it is possible, but then she very much limits herself to the possibilities of roles, but i heard that this was not dictated no

the officers were filmed at the gorky film studio, where musfilm restrictions could be ignored.s wife, muse kreptogorskaya, and promised her a small role in his future film. she promised that she would tirelessly look after her husband. yumatov lost his temper only once, when the muse kreptogorskaya left to film her episode. georgy alexandrovich was left alone in a hotel room in sevastopol, which his wife carefully searched for alcohol before leaving and locked it with a key. through the balcony, he persuaded his sailor admirers to lower the bottle to him on a rope. there was a trick. georgy alexandrovich, who valued the role of alexei trofimov, was sick and managed to pull himself together, sevastopol, and he is a former sailor, and they just knew that he had all sorts of orders , so he told these stories about the sea, about his torpedo boat, which , which sank, then how it was awarded, how it was found him, his reward found him, but in general he was like that, except that he was from... for, and so he held on, that's all, i him, i untied him there, it was of course, in gener

when andrei konchalovsky announced at musfilm that he wanted to stage yevgeny grigoriev’s stale script out that for more than two years the other directors refused to do this script, it was not only original, but difficult to stage. 24 objects on location, eight in the pavilion, six more sets with additions, plus 10 combined objects, a total of 48. the script required the director to create a different world, a different reality. this is what konchalovsky liked. i want to sleep and my head is spinning. the director did his previous works in cinema without especially looking back at the viewer. it was important for him to win the opinion of his fellow critics and gain authority among professionals. he did it. it's here the moment when andrei konchalovsky wanted it. to do work for the most difficult, young audience, so that young people there recognize themselves, so that every girl can exclaim, i want this kind of love, so that every guy can say to himself, i want to love like this, so that there are kilometer-long queues for tickets, and he decided to calculate to calculate the future

money, i told marina this whole story, and katya maskina, who was the administrator of the film at musfilmtory, i came up with it, and my son, naturally, acted in it, but how old was he, six years old, it was probably difficult to act in film, no, it wasn’t difficult, no, but would you like your children to follow in your footsteps, no, somehow i don’t have the kind of thing to hit the ball and speak only through my corpse, and god forbid, well, like all the artists say, there’s no need to go there , i don’t know, i’m a little cold, i guess, what right do i have to get in there at all? mom gave me such freedom, but nevertheless she begged that you finished, yes, it gave me such freedom in choice and it always supported me, what if i forbid my children something or , on the contrary, advise me, no, that didn’t happen, the only thing was when my son wanted to enter the conservatory to study guitar, his father said : “well, it’s unlikely that you will become the second eric clapton, so it’s better not to, and he graduated from the higher school of economics, although my daughter, for example,

on the set, but now i’m just starting to watch the casting for young people, tomorrow i’ll be at musfilm preparation, yes preparation - yes, it’s complete meter, a story about classmates' friends, four guys, their girlfriends, you shot the film midlife crisis in 26 days, how did it happen so quickly, oh well... there was no money at all, no film, so we did it quickly, here that's it, my wife helped me find money for the first film, well... post-production for post-production there simply wasn’t any money anymore, that’s all, my wife’s name is olga, when i premiered your song olga on radio maximum at one time, and i didn’t know that this song was dedicated to my wife, a very beautiful song, well, yes, well well, yes, you need to read the captions in the album, everything is written there, but i read it, let’s listen. beautiful song olga. hit, hit, fate will wake up the slok, the rowan syllable is shepherding, in the steamboat, snack of the wheel, up and poppy sailor. someone is not free to turn on the light, someone is not able to say, no, make a rainbow fate. the snake eats its tail in t

well , everything can’t be so good in this life, because the magical period is over, i came to the musfilmone of my lines, the second, i then there was another big scene, there were many scenes, mark anatolyevich came up, lowered his eyes and said, thank you, ivan valevich. that’s all, i said, like everything, he said, well , that’s what happens in movies, they shot a lot, but not very much was included in the film, let’s remember the episodic role that made your fate in the network, and we were just talking about you, many doubted , he will come, he will not come, but i say, you don’t know him well, so they prepared the rings for the bride for you, i personally tried them on. guys, i look at you and think, it’s good that we’re all from the same city, it’s really you, you’re not looks like the old lancelot, please smile at us. if it’s not difficult for you, i’ve forgotten how to smile, elsa. when we were filming in germany and we were already on the way back on the bus , there on the border with austria we were filming a divinely beautiful castle and alexander gavrilovich was flying away i

in the twenty-third year, local authorities entered into a cooperation agreement with musfilm.rs are bringing them to brest. another new product: this time the musical song “we can do everything” premiered in belarus, what is the composition dedicated to, who is its author? the song is timed to coincide with a significant event that recently took place in our country, this is the seventh all-belarusian people's assembly. the authors of the composition are famous belarusian artists evgenia oleynik and yulia bykova. the new product sounds in the voices of young performers, star participants of the factor byy show and masters of the belarusian stage. we can do anything if we are together, we cannot be broken if we are together, continuity of generations, love for our small homeland and professional dedication, the text and melody have already hooked many, the clip is gaining views and becoming an internet trend, on social networks it is called a fundamental hit and thank the team for their excellent work. thank you, the review was prepared by elena puntus. results-analysis of main

last year at the site of real battles, local authorities entered into a cooperation agreement with musfilminging military-patriotic film works to brest even before release into wide release. another new thing: this time the musical song “we can do anything” premiered in belarus. what is the composition dedicated to and who is its author? the song is dedicated to a significant event that recently took place in our country. this is the seventh all-belarusian people's assembly. the authors of the composition are famous belarusian artists evgenia olennik and yulia bykova. novin. sounds in the voices of young performers, star participants of the factorby show and masters of the belarusian stage. we can do anything if we are together. we can't be broken if we're together continuity of generations, love for the small homeland and professional dedication, the text and melody have already hooked many, the clip is gaining views and becoming an internet trend, on social networks it is called a fundamental hit and the team is thanked for the excellent work, thank you, review prepared by elena puntus,

in the twenty- third year, local authorities entered into a cooperation agreement with musfilm.ng military patriotic films to brest even before their wide release. another new product, this time musical. the premiere of the song “we can do anything” took place in belarus; what is the composition dedicated to? who is its author? the song is dedicated to a significant event that recently took place in our country, this is the seventh all-belarusian people's assembly. the authors of the composition were famous belarusian artists evgenia aleynik and yulia bykova. the new product sounds in the voices of young performers, star participants in the factor byy show and masters of the belarusian stage. we can do anything if we are together. by, as well as on social networks, i say goodbye to you, all the best, getting to know belarusian enterprises and giving...

all he had to do was make some kind of note in the documents on the musfilm.department, barnet stood in line behind a beautiful woman from whom he could not take his eyes off. it was actress elena izmailova and already a few days later in kiev she rehearsed this role. and if we again look at the intelligence officer’s feat, then how he takes pictures of women there, even for seconds, shows that he understood them very well. nice weather, beautiful woman. barnat was one of the most loving directors, in my opinion, of our cinema, he had three wives, all beauties, well, it’s true, maybe not everyone liked them all, but in fact they were all very beautiful, and about his novels in general and there is no need to say, he was a connoisseur, he could not film take it, and then why shouldn’t they be beautiful, this is radiska. buchma was not only the artistic director of the kiev film studio, he combined this position with work as the chief director and actor of the ivan franko kiev drama theater. buchma met boris barnet at the station with the question: “have you fou

money, i told marina this whole story, and katya maskina, who was the administrator of the film at musfilmnd of thing to beat myself up and speak only through my corpse, and god forbid, well, like all the artists say that there ’s no need to go there, i don’t know, i’m somehow a little cold, probably , what right do i have to get into it at all, you mom gave me such freedom, but she nevertheless begged you to finish, and gave me such freedom in choice and so always supported me, suddenly i will forbid my children something or , on the contrary, to advise, no, this didn’t happen, the only thing is... in my sketch, well, where you were pleased i was very interested in filming, and i loved igor aposyan, he was my friend, and he was the one who filmed - in the series moroseyka, indian summer, i ’m not at all ashamed of myself there, i even received some prizes, and he also filmed the graffiti, you know, i am very grateful to you for this, for this film, because when i was preparing for our program with you, i watched this film, which, unfortunately, i had not seen before, it’s just a super fil

children, and i remember a very funny story when we were in the city of perm, and already at the new musfilm nanny, everyone was sitting on the plane, nastya was not there, and somehow all my colleagues were noticeably nervous, then nastya appears, i thought that she would be devoured, but her smile, i don’t know, something completely... unforgettable and a basket, she says: guys, i bought chanterelles at the market, and the whole flight she carried this basket to make something for the children from these chanterelles, and at the same time they filmed it, but here’s the version when they showed mila, nastya didn’t let anyone into the house, she let us in, we spent the whole time then, there was a very difficult interview with valentina borisna. because i understood that it was very difficult for her, because she had lost her husband, nastya’s dad, yes, we just saw the dad who, who passed away, and then after some time his brother passed away, yes, he really didn’t become slava after 2 years, slava also worked for me as an editing director, and now nastya has passed away, i really want to hu

film for the second time, it continued, it angered very film directors, there was even a meeting at musfilmt the enemy voices didn’t say something intelligibly, well, as always , it was very hard to hear there, but i didn’t follow any further, i went to bed, and in the morning i was on some business, i i really forgot, i went to the union of cinematographers, arrived and so i walk along the corridor, alone, and the oscar is coming. but it should be noted that things happened on april 1, so i a little, well, appreciated the joke, so to speak, but everyone who congratulated did not congratulate, but somehow looked warily and fearfully in my direction and said, yes, they seem to be saying that somewhere someone heard something and so on, i must say, there was no official information, only in the evening i was summoned to... the cinematographers' union, not a union, they were summoned to this the very, the ministry, the minister is sitting, the editor-in-chief of the ministry is sitting, the director of the studio is sitting, says: well, congratulations on the oscar, indeed, the topic was close

i arrived in moscow, i had friends... and katya maskina, who was the administrator of the film at musfilmhere, six years old, it was probably difficult to film, it wasn’t difficult, but would you like your children to follow in your footsteps? no, somehow i don’t have the strength to beat myself up and speak only through my corpse, and god forbid, well, like all the artists say that there’s no need to go there, i don’t know, i’m somehow a little cold, probably , what right do i have to get into it at all, because my mother gave me such freedom, and did not beg for you to finish, yes, she gave me such freedom in choosing and so she always supported me suddenly... i will forbid my children something or, on the contrary , advise me, no, this did not happen, the only thing is that when my son wanted to enter the conservatory to study guitar, his father said: “well, it’s unlikely that you will become the second eric clapton , so it’s better not to, and he graduated from the higher school of economics, although my daughter, for example, objectively, directly objectively, she is much more talent

see you tomorrow, your kogan stopped by today , brought you flowers, they didn’t let him into the musfilmis personal value judgment? well, do you believe my condemnation? pal lenchen, well, it doesn’t happen like that, and a role in the theater, the moscow theater, and cinema, a boyfriend, a publicist, a writer. they gave it to me while filming. but you deserve everything good that you have, but if, if you disappear at night while filming, you won’t have the strength left for the scene. pavel lentyevna, cinema - this may be my only chance, at least some news. throw it to your parents if the movie will come out there, dad will see that i haven’t disappeared, that i haven’t disappeared, that everything is fine with me, god forbid, god forbid, they tell him, what do you think, give me the wachala, he’ll play, goodness, forgive me. well, well, well, what's that face, what happened? vasili ivanovich, i have a short version without snot, i asked zaflit for the repertoire plan, yes, i don’t have it in any future production. well, congratulations, the highest appreciation of your talent, khorin.