tatyana boilova, ninth school, pskov, composer musorsky, musorsky, medal, musorsky, i don’t know aboute theater means to voluntarily bring oneself into a sacrifice, to hide oneself, to do the impossible , to accept posture, to subordinate oneself to military discipline, to give up all one’s talent and knowledge, who said so, they want to answer something, konstantin shvetsov. that’s what my mother-in-law stanislavsky said, it’s urgent, of course, stanislav, who else, and who else , it didn’t work out, now, as always , there will be advertising in the most interesting place on channel one, and then i really want to talk to an amazing person, tender talent. life in a big city is a lot of stress, we often don’t notice how everyday we are exposed. danger, it is without a driver, absolutely true, our vehicles have no cabin at all, the driver’s functions are performed by artificial intelligence, and we definitely got there, we went to the showroom, and now it’s as if in a modeling agency, we make almost all the trends that exists in the world, of course we don’t copy anyone , we have basic d

art, he was friends with the roman poet , he studied with him, he was friends with the composer musorskysented russia, then ukraine, russia did not separate at all, i would like to ask you, as musicians, because musicians not only hear music, but also see it when they read, yes, if you take a look at the notes of lysenko alexandrov’s notes, do you see the same similarity in them, that is, they are one and the same, or does it look different to you, because here you can immediately hear that this is a difference in rhythms, this is a difference in the presentation of material, this is... if in one in this case, this is a small episode and it doesn’t say anything, just as a passing moment connecting one thing to another, then of course, the great anthem of russia is truly a more powerful canvas. character and there, despite all the complexity it would seem, it is very simple, this is music, because any musician will tell you that this a chain of deviations from one key to another, but how it’s done, how it’s done in an age-old way, unique, these are completely different works, thank you ve

second half of the 19th century, the composers of those who were called the mighty bunch, especially musorskynly found out that the most played composer in the world is chikovsky, i didn’t know before, i was so surprised, so i asked my friend who was in second place, she studied the classics , she says, in second place is storovsky, in third rakhmayin, this is a playlist of classical radio stations in america, you know, that’s why, despite the fact that we took a lot from english-language rock, this is, of course, a colossal school, colossal material in its own way, depth of depth, they took a lot from our russian music, that’s why this is all for a reason, this is the cycle of water in nature, well, this is really what you remember, our beloved marina drevna zhurinskaya wrote about rock, when as a phenomenon of world culture, but to me it’s natural... the next one, so to speak, was stage in general in the development of culture, just like literature, well, you can call it, who, so to speak, adopted it to a greater extent from whom , it is also such a complex process, it continues to some ext

half of the 19th century, the composers of those who were called the mighty hummock, especially musorskyd strovensky, in fact, even while in the united states, i suddenly found out that the most played composer in the world is chikovsky, i didn’t know before, i was so surprised, so i asked my friend who was in second place, she studied classical music, she says, in second place is storinsky, in third is rakhmanov, this is a playlist of classical radio stations in america, you know, that’s why, despite the fact that we took a lot from english-language rock, this is of course a colossal school, colossal the material is in its own way the depth of depths, they took a lot from our russian music , that’s why it’s all for a reason, it ’s the cycle and water in nature, but this is really what you remember, our beloved marya andrevna zhurinskaya wrote about rock , when, as a phenomenon of world culture, yes, in my opinion, this is the natural next... so to speak, there was a stage in general in the development of culture, just like literature, well, you can call it, who, so to speak, adopted it

life with childhood, yes, from the age of seven i studied at a music school, then at the leningrad musorskyllo, denis, we are glad to see you, in one of the interviews you admitted that you grew up on the music of viktor tsoi, and his song is the soundtrack of your life. moreover, in one musical project you appeared in the image, today the game is dedicated to the film group, so it is no coincidence that in the studio you are the person to whom the work of the film group is near and dear, tell denis, to voice such a cult...