because it’s true, i’m really bragging because it was very it’s hard for everyone to remember the nadagankant, you know, the most important, well, probably that the audience returned to the theater and young spectators began to come back, this is probably the most important thing, because in general, this is what i fought for all these years, because a lot of people went to tagang theaters when i went there i came, first of all, territorially. sign, you know, here's where to go, and this, as a rule, i don’t want to offend, but 75 plus, that’s the kind of viewer, with ticket prices starting from 100 rubles. and so on, and we spent a lot of time creating a new repertoire, new performances, because no matter how much people shout about the tradition of the beloved, but without the beloved the theater of the beloved cannot exist, there cannot be traditions in the theater. are there any lyubimovsky performances left? there are two performances left: the good man from suzanna, with whom the taganka theater began in 1964 and we still have our anniversary this year, sixtieth anniversary, and the ma