what we have is the picture of two women, one, naeve, who has lost her man in this explosion, who hase back and of course is grieve—stricken. and the detective, also a woman, who follows her. and of course has her in her sights. so they are opposing women but they find themselves at the end of the day drawn on to the same path. it's a sort of classic plot device. i don't mean it is fake but one of the fundamental plot devices, isn't it? yes, two women from very, very different back grounds and experiences, arriving, ultimately, in the same landscape in the same culture. and having to function? yes, well, absolutely. naeve is suffering from grief, obviously a deeply—felt grief, obviously a deeply—felt grief, and re—examining everything. asa grief, and re—examining everything. as a writer of this kind of novel, you know, a good page—turner, one where people are involved in inexplicable events that they have to work very hard to unravel, frankly, how do you keep the tension going? it's about what makes you tense as a writer. it's a journey. when you are writing a book, it's a journey you