nagini appearing when we read the script — we went, oh my god, nagini's a woman in this film, not a snakeni's a woman in this film, not a snake. we had to come up with an authentic way to turn a woman into a long tube. how would we do that to make it feel real. we came up with the idea that, really, maybe she's almost consumed by the snake, rather than physically extending out. you recall her being wrapped in her own coils, disappearing and and then coming out as a snake. so we had a contortionist. claudia kim who played nagini, we showed her what we were planning and what she acted the first portion of the shot, then we had another contortionist in there who was, you know, dressed in a matching costume and she did the first portion of the shot, so it's for real — she bent over backwards and put her head through her own legs. got shot elements of claudia kim kind of pushing herself along the ground and turning her head up, matching kind of what we had done, which was then glued together with a full cg version of the human character and a full cg snake. so, again, all in all it was about 1

nagini appearing when we read the script — we went, "oh my god, nagini's a woman in this film, not a a woman into a long tube. you know, how would we do that to make it feel real? we came up with the idea that, really, maybe she's almost consumed by the snake, rather than physically extending out. you'd have her being wrapped in her own coils, disappearing and then coming out as a snake. so we had a contortionist... claudia kim, who played nagini, we showed her what we were planning and she acted the first portion of the shot, but then we had another contortionist in who was dressed in a matching costume and she did the first portion of the shot, so it's for real — she bent over backwards and put her head through her own legs. got shot elements of claudia kim kind of pushing herself along the ground and turning her head up, matching kind of what we had done, which then was glued together with a full cg version of the human character and a full cg snake. so, again, all in all, that's about 1k months‘ worth of work for that one moment on film. i don't think you've seen a woman pull int

nagini appearing when we read the script — we went, "oh my god, nagini's a woman in this film, not aped in her own coils, disappearing and then coming out as a snake. so we had a contortionist... claudia kim, who played nagini, we showed her what we were planning and she acted the first portion of the shot, but then we had another contortionist in who was dressed in a matching costume and she did the first portion of the shot, so it's for real — she bent over backwards and put her head through her own legs. got shot elements of claudia kim kind of pushing herself along the ground and turning her head up, matching kind of what we had done, which then was glued together with a full cg version of the human character and a full cg snake. so, again, all in all, that's about 14 months' worth of work for that one moment on film. i don't think you've seen a woman pull into a wall and turn into a snake before. so it's reallyjust trying to how to get those moments over, but as i say, feeling as grounded and real as possible. we just wanted it to feel like what would happen if you were actually

claudia kim who played nagini, we showed her what we we re played nagini, we showed her what we weree and she did the first portion of the shot, so it is a real, she bent over backwards and put her head through her own legs. got shot elements of claudia kim kind of pushing herself along the ground and turning her head up, matching kind of what we had done, which was then glued together with a full cg version of the human character and a full cg snake. all in all it was about 14 months worth of work for that one moment on film. i don't think you have seen a woman turn into a snake before. it is trying to get those moments over, feeling is crowded and real as possible. we wanted it to feel as if how it would feel if you are physically they are, rather than feeling like an effect. i think that is what the technology gives us, the ability to do that. do we sitting and norm with tim wells have been a peaceful over a century. —— the wizard in. and non—wizards in wells. fantastic wizard in. and non—wizards in wells. fa ntastic stuff. wizard in. and non—wizards in wells. fantastic stuff. and