with such a knife, of course, suddenly a bear oh, this is already so, this is already solid on nakurai, kurai tonality depends on the length on the main we have the length here is the grip. that is, like this one, two, three, four, five six seven, usually seven grips does it somewhere kurai ay let's urmandart, just seven it turns out, kurai where is he in the forest, who cut off the master? for what to play? let's be a master in the forest, why, in order to play the bashkirs, they say out of ten dry stalks found in the forest you can make only one good kurai , its main difference from other similar instruments in it is six notes, so at one time you say, but there is no native note disappears we can not play. type work composers in the classics of professionals in bashkiria yes, he played as part of a brigade from this. opa garik sukachev, he played together with him, there were no problems playing such large classical works, we will not play, so today we take the manufacture of bashkir instruments like this. here is the bottom part. there are four here. so fingers four fingers. and her