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suggested that there was more to the story, that there was another 1980's, the history buried under the sell laboratory narrative of reagan and conservative ascendancy, with the gauntlet thrown at my feet i picked it up determined to craft the untold account of the decade opposition. .. and i go on to say that this book examines the last old story of americans who oppose the decades prevailing political ties so that -- then i framed a series of question, the sort of questions that lead the inquiry of what was the nature of opposition's reagan conservatism in the 80s? what recurring teams, ideas and sensibilities? what were its accomplishment, limitations and downright failures? and why has this opposition been so overshadowed in the decade dominated merited? and then i go on to say the country and stepping out of the realm of orthodox politics because there is a whole long paragraph of the of the mainstream democratic party in the 1980s and that is sort of epitomized by the tendering democrats. okay, so this is the other little section i'd like to just read when i get to do my central argument. for this reason,

movement, and so liberal white journalists are absolutely invested in the 1960's urban league jesse jackson naacp narrative and the conservative black people need to shut up. >> host: are you telling me, telling us that it only exists for liberals and in the liberal establishment? >> guest: are you talking about political collect or control? >> host: however you want to answer. >> guest: here's what i enjoy above the conservative media. >> host: are you saying it doesn't exist, to the have exclusivity on this? >> guest: i really do believe that that's the case. i believe that rush limbaugh, who they hate, he's not trying to keep anybody down and i believe that rush limbaugh does something that "the new york times" writer some did, i am biased. i'm coming to you with my point of view and i'm biased, a conservative and that is the difference between conservatives and liberals in the media. liberals use their object to the diaz their weaponry to cause people like me, andrew brietbard, diesel fuel. i just thought i was getting the truth. i thought i was getting the truth. cresco and was about transparency. you

agencies and i think absolutely osama bin laden and the al qaeda narrative has been an important part of that when you go back to the 1980's with afghanistan and the roots of al qaeda you see that osama bin laden was directly supplied by to us who were selling his men arms at a reduced rates and in one thousand nine hundred you have f.b.i. with a war civil edmonds testifying to the information that she had at the f.b.i. indicated that bin laden was working hand in glove with the u.s. intelligence establishment throughout the ninety's in one thousand nine hundred and you have been testifying that when he worked at the consulate in the one nine hundred eighty s. he was giving terrorists to you know visas to known terrorists in order to bring them into the u.s. for training at u.s. military bases so at every possible opportunity you see how these types of organizations are helped along. by people who have ties to the you know western intelligence establishment all right we're going to have to leave it there editor of the court reporter james court. turning to libya where the bodies of non-market aki son and three grandchildre

s texas family. >> hit me. come on. hit me. >> reporter: and sean penn his son when middle aged but this is less a narrative than a tapestry ofg of life on earth with dinosaurs. how does it connect? malick's films we're born into the garden of eden that is the natural world and then civilization and sex and aggression corrupt us. >> i feel like i'm bumping into.... >> reporter: penn is the guy who has to get back to the garden. too bad he does nothing but totter around looking stricken. the tree of life is divisive. for malick freaks it rocks their world. others will want to throw rocks at anyone who recommends it. it doesn't gel. it's madly self-indulgent. but i think some selfs are vast enough to be worth indulging. ♪. >> osgood: ahead.... >> they really look like lincoln logs. they fit together so perfectly. >> osgood: mo rocca gets cabin fever. ,,,,,,,,,,,, >> osgood: whatever your do it yourself project this weekend you'll have a tough time topping our mo rocca who has caught a serious case of cabin fever. >> reporter: how powerful is the symbol of the log cabin in american lohr? in 1840, william henry harrison campaigne