so what they are naruto is saying is don't let geometry deprive your characters of feelings of emotions of psychological drama and the 1st bold attempt to do just that as a painting that hangs right here in the 0 feeds it called the adoration of the magic. unfortunately the monks who commissioned the panel weren't interested in moving the boundaries of italian art they simply wanted a pretty picture of the native any that people could recognize and worship. and so the work was stopped and the painting remained unfinished it would take nearly 2 decades before layer nardo group realize his great vision he talked about wanting to create his work of fame he could see burning less piece of work a fame he could see done to tell us works of fame and he wanted to create his own and so his destiny he felt he lay with a large a large court with a grand patron and a single person who was going to be writing the checks and that happened to be up the most powerful man in italy me the 14 eighties and for the ninety's was the duke of milan lot of ecos fortson and so that's why he went north in 1482 to

expressive power in many paintings the figures became like puppets fixed on a rigid grid 10 years later naruto would write how to give you figures or pleasing air. look about you. when you see a beautiful face remember its features and fix them in your mind. so what leonardo is saying is don't let geometry deprive your characters of feelings of emotions of psychological drama and the 1st bold attempt to do just that is a painting that hangs right here in the feeds it called the adoration of the magic . unfortunately the monks who commissioned a panel weren't interested in moving the boundaries of italian art they simply wanted a pretty picture of the native any that people could recognize and worship. and so the work was stopped and the painting remained unfinished it would take nearly 2 decades before layer nardo good realize his great vision he talked about wanting to create his work of fame you can see but unless he's work of fame he can see donna tellers works of fame and he wanted to create his own and so his destiny he felt he lay with a large a large court with a grand patron and a sing

that is why little naruto was determined that with this fresco he was going to use thomas the moment. and they probably would have been expecting that he would have done a last supper akin to all of those that have been done primarily in florence in tuscany sienna for the previous 200 years but of course he did something quite different that archetype showed christ breaking bread thus establishing the 1st eucharist but like a skilled film director leonardo picked a far more dramatic see the moment when jesus the players that one of the men in the room is a traitor. that news literally explodes from the center and hits the apostles in various poses of shock disbelief sorrow even anger the full panoply of human emotions is laid bare the same idea that had galvanized his adoration of the manager some 25 years earlier. in order wanted action and then he also wanted the emotion and the dramatic intensity of what happened in in those seconds in jerusalem and that of course is one of the magnificent things about the painting he brings that to life and we see that and instantly i think we can

that's why they are naruto was never truly part of the creative circles of florence around lorenzo the major with artists like the betty dillon dial or michelangelo these were folks who wrote latin sonnets and could hold their own and find society. there not i was never part of that. but said piero never forgot his son and was always ready to use his connections to help him get work but the lack of a proper education left young leonardo at a major disadvantage. and stead he was apprenticed to the workshop of one of the most prolific artists of florence and that i am here here leonardo learned how to mix pigments prepare panels or transfer a large fresco drawings called cartoons to a plaster wall. and eventually for rocky allowed him to paint one of the angels in his panel of the baptism of cries it's obvious that leonardo's angel is much more beautiful than the rather dire angel to the right painted by photo kill himself. so how did he create such lovely and jealous faces the ensor by using a new invention called oils whereas most of florence still use the flat collars of tempera paint