this is not vyacheslav nasheba, and in my life i consider her a godmother .rld of television. this is a good trait of hers, and she did no harm, in no case is generally considered from this side. and let's say her desire for everything to work out and of course. she understood that despite the fact that i was a child, she still wanted me to be the best in the frame, so as not to there were some misunderstandings so that i immediately took it on, like a little professional from an interview with nina vyacheslavna shuba to the newspaper of soviet belarus june 3, 2006 now i am engaged in another project, a children's competition with a pattern, and a qualifying round was held in the mogilev region, a pupil of an orphanage about 14 years old came out in a kutsei such a skirt and mom sings, give me a doll a child without a mother without a doll. and they gave her such a song, but i took it to the program, i hear good data, i asked only to change her leader song and outfit and what you think during a television recording. i didn’t recognize her, she smiles all the

nasheba editor-in-chief editorial board of programs for children and youth sportlandia virus, hatred.na got infected in 1969 exactly 5-10 years ago. once upon a time there was the main edition of the program for children of youth. it was a studio within a tv studio. vetrost, she also had her own, uh, dramatic programs, literary staged musical and socio-political programs, so there were programs for children and about children. children for them. the most important thing is the game. they learn through the game and work and the profession and their creativity, so i would like such mass competitions and spectators to be not passive contemplative active accomplices of the program on russian television after university, and in the sixty-ninth year it begins and it is already some kind of weight, but they wrote the magazine soviet union and the soviet union - it was, uh, one of the few magazines that was published in different languages ​​​​in english in french german spanish and so on from an interview with nina vyacheslavovna shuba to the newspaper, soviet belarus on june 3, 2006. no mat

nasheba editor-in-chief of the main edition of programs for children and youth by the sportland viruscted in 1969 exactly 5-10 years back. once upon a time there was the main edition of the program for children of youth. it was a studio within a studio. through the studio wind. she also had her own, uh, dramatic programs, literary, staged, musical and socio-political, so there were programs for children and about children. children for them. the most important thing is the game. they learn through the game and work and the profession and their creativity, so i would like such mass competitions and spectators to be not passive contemplators, active accomplices of the program, when they came in the seventy-first year on the belarusian television after university, and in the sixty-ninth year came to parliament. and she already had some weight, but they wrote the soviet union magazine and the soviet union - it was, uh, one of the few magazines that was published in different languages ​​in english in french german spanish and so on from an interview with nina vyacheslavovna fur coats to t