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and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so now i see him you've said that this device of keeping the play a secret even for the actor was born out of necessity what do you mean by that. well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some paradigm. in that in the future as like a structure came up we did. something with you supposed to be performed fight and theme quite a 1st time with an actor in front of a live audience and the actor basically is reading your voice now i've got a question about the story so is there any actors out there who might perform this play some day stop watching right here but messi and i understand that the end of the play there's the actor who's playing who's basically instructed to do something terrible to him or herself it's a kind of test whether the audience will intervene why did you include tha
and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so now i see him you've said that this device of keeping the play a secret even for the actor was born out of necessity what do you mean by that. well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift...
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and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so now see him you've said that this device of keeping the play a secret even to the actor was born out of necessity what do you mean by that well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some paradigm. in the theater as like a structure we decide. something which you supposed to be performed by and seem quite a 1st time with an actor in front of a live audience and the actor basically is reading your voice now i've got a question about the story so if there are any actors out there who might perform this play some day stop watching right here. i understand that the end of the play there's the actor who's playing here is basically instructed to do something terrible to him or her south it's a kind of test whether the audience will intervene why did you include that. well i think it's a c
and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so now see him you've said that this device of keeping the play a secret even to the actor was born out of necessity what do you mean by that well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some...
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and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so in the same you've said that this device of keeping the play a secret even for the actor was born out of necessity what do you mean by that well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some paradigm. in that in the future as like a structure came up we did. something with you supposed to be formed fight and theme quite a 1st time with an actor in front of a live audience and the actor basically is reading your voice now i've got a question about the story so if there are any actors out there who might perform this play some day stop watching right here. i understand that the end of the play there's that the actor who's playing who's basically instructed to do something terrible to him or her south it's a kind of test whether the audience will intervene why did you include that. well
and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so in the same you've said that this device of keeping the play a secret even for the actor was born out of necessity what do you mean by that well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some...
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and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so now see him you've said that this device of keeping the play a secret even to the actor was born out of necessity what do you mean by that. well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some paradigm. in that in the future as like a structure came up we did. something with you supposed to be a form fight and theme quite a 1st time with an actor in front of a live audience and the actor basically is reading your voice now i've got a question about the story so if there are any actors out there who might perform this play some day stop watching right here. i understand that the end of the play there's that the actor who's playing here is basically instructed to do something terrible to him or her south it's a kind of test whether the audience will intervene why did you include that. wel
and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so now see him you've said that this device of keeping the play a secret even to the actor was born out of necessity what do you mean by that. well hello to you and everyone thank you just like in 2000 and among you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some...
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and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so in the same you've said that this device of keeping the play a secret even for the actor was born out of necessity what do you mean by that. well hello to you and everyone thank you just like in 2001 you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some paradigm. in that in the future as like a structure came up we did. something with you supposed to be formed fight and theme quite a 1st time with an actor in front of a live audience and the actor basically is reading your voice now i've got a question about the story so if there are any actors out there who might perform this play some day stop watching right here. i understand that the end of the play there's that the actor who's playing here is basically instructed to do something terrible to him or herself it's a kind of test whether the audience will intervene why did you include that. well i think i
and i'm joined now by theater creator nasim soleimani poor who lives in berlin but wrote the play white rabbit red rabbit in 2010 when he was still in iran so in the same you've said that this device of keeping the play a secret even for the actor was born out of necessity what do you mean by that. well hello to you and everyone thank you just like in 2001 you might know i was a still in iran and in war and i was really keen to to do a show globally so i thought maybe i can shift some paradigm....
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he's collaborating with mohamed nasim a biologist who works in votes and abu dhabi so exciting to meet. they have weekly meetings from one greenhouse to the next thousands of kilometers apart. they're hoping to modify plants to bind more c o 2 and boost their yos that would be especially helpful in desert countries like the united arab emirates. if used to snow the. desert is a real threat and just a few kilometers away from the university the government wants all professors to make a contribution to the fight against global warming. and on lies stood it's abundantly clear that the amount of fertile land is shrinking as a god it is seeing carbon fixation is very important so that we can feed just as many people with less land and. scientists are hoping to supercharge plants to make them better at absorbing c o 2 during photosynthesis leaves consume carbon dioxide and release oxygen using the enzyme route biscoe but it's not a faster efficient process so up to 50 percent of their conversion efficiency is lost. to a standard car. this colleague elena been sort of our modulating the plant
he's collaborating with mohamed nasim a biologist who works in votes and abu dhabi so exciting to meet. they have weekly meetings from one greenhouse to the next thousands of kilometers apart. they're hoping to modify plants to bind more c o 2 and boost their yos that would be especially helpful in desert countries like the united arab emirates. if used to snow the. desert is a real threat and just a few kilometers away from the university the government wants all professors to make a...
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and on thursday, melissa mccarthy, octavia spencer, nasim pedrahd will be with us.c from fitz featuring bryce vine. [ cheers and applause ] you know our first guest from his nine-time emmy-nominated work on "better call saul," now he makes an unexpected leap to action movie star in the number one movie in the country "nobody." >> what are you still doing here, old man? >> i'm going to [ bleep ] you up. >> ha ha! >> i got it, i got it. >> come on! >> ahh! >> come on! >> gah! >> arghh! [ cheers and applause ] >> jimmy: nobody" is in theaters now. please welcome bob odenkirk! [ cheers and applause ] ♪ >> i'm alive! [ cheers and applause ] >> jimmy: hey, bob. whoa. >> i'm alive and happy! >> jimmy: wow. what? what happened to you? >> number one movie in the country, everyone! [ cheers and applause ] >> jimmy: congratulations. >> we'll get to that. 81% on the rotten tomatoes! [ cheers and applause ] >> jimmy: seems like -- it seems like you've been in an accident. >> yeah, but jimmy, it's number one! ow! >> jimmy: yeah, yeah, you said that -- >> let me just put that back
and on thursday, melissa mccarthy, octavia spencer, nasim pedrahd will be with us.c from fitz featuring bryce vine. [ cheers and applause ] you know our first guest from his nine-time emmy-nominated work on "better call saul," now he makes an unexpected leap to action movie star in the number one movie in the country "nobody." >> what are you still doing here, old man? >> i'm going to [ bleep ] you up. >> ha ha! >> i got it, i got it. >> come...
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he's collaborating with mohamed nasim a biologist who works in votes borg and abu dhabi so exciting to meet you they have weekly meetings from one greenhouse to the next thousands of kilometers apart. they're hoping to modify plants to bind more c o 2 and boost their yeo's that would be especially helpful in desert countries like the united arab emirates. you've used to snow the. desert is a real threat and just a few kilometers away from the university the government wants all professors to make a contribution to the fight against global warming. and on lies stood it's abundantly clear that the amount of fertile land is shrinking as a god it is seeing carbon fixation is very important so that we can feed just as many people with less land. the scientists are hoping to supercharge plants to make them better at absorbing c o 2 during photosynthesis leaves consume carbon dioxide and release oxygen using the enzyme rw biscoe but it's not a faster efficient process so up to 50 percent of their conversion efficiency is lost. to a standard car and just colleague elena and sort of are modulat
he's collaborating with mohamed nasim a biologist who works in votes borg and abu dhabi so exciting to meet you they have weekly meetings from one greenhouse to the next thousands of kilometers apart. they're hoping to modify plants to bind more c o 2 and boost their yeo's that would be especially helpful in desert countries like the united arab emirates. you've used to snow the. desert is a real threat and just a few kilometers away from the university the government wants all professors to...