sixties in its own may be a second person. it history, well, modern in those years, the fifth year natalya agafonovaandidates of art introduction of film studies, associate professor, you know, a semi-romantic, melodramatic story. yes, the protagonist, young people, well, with these triangles. relationships, well , it turned out, so the plot of the picture itself turned out to be weak then, what is the dignity of this film, and the dignity turned out to be what yuri morokhin did, and then, of course, the director unconditionally, even with the help of editing , collected, but e on throughout the film, here is such an integral image of minsk and here it turned out that the image of minsk was the main achievement of this film, which is very lively and at the same time not hasty, but, uh, not with these hmm usual simple ones. yes, but still with characteristic, uh, courtyards, back streets and lanes. and, perhaps, this is the picture she reflects. eh, such an interesting solar epoch, epoch. hope of some aspirations, which is now captured on the film. the six-episode television film ruins are shooting w

natalya agafonova ph.d. in art history. film critic, assistant professor. know, a semi-romantic, melodramatic story. yes, the protagonist is young people. well, with these triangles mutually. well, it turned out, so the plot of the picture itself turned out to be weak then, what is the dignity of this film, and the dignity turned out to be what yuri morokhin did. and then, of course, the director, of course, also collected a-a with the help of editing. here, uh, throughout the film, here is such an integral image of minsk, and it turned out that the image of minsk became the main achievement of this very lively film and at the same time not in a hurry, but and uh, not with these hmm familiar prospectuses. yes, but still with characteristic, uh, courtyards, back streets and lanes. and now, probably, it is this picture that reflects such an interesting solar epoch, epoch. hope of some aspirations, which is now captured on the film. the six-part television film ruins are shooting, filmed in the 70s by director vitaly chetverikov, tells the story of the heroic

well, modern all those years 60 fifth year natalya agafonova ph.d. history. young people, well, with these triangles. relationships, well , it turned out, so the plot of the picture itself turned out to be weak then, what is the dignity of this film, and the dignity turned out to be what yuri morokhin did, and then, of course, the director unconditionally, even with the help of editing , collected, but e on throughout the film, here is such an integral image of minsk, and it turned out that the image of minsk became the main achievement of this film, very lively and at the same time not hasty, but, uh, not with these hmm familiar simple ones. yes, but still characteristic uh, yards back streets there alleys . and, perhaps, this is the picture she reflects. eh, such an interesting solar epoch, epoch. hope of some aspirations, which is now captured on the film. the six-part television film ruins are shooting, filmed in the seventies by director vitaly chetverikov, tells the story of the heroic deed of the minsk underground during the german occupation during th