into shadow, and this makes it kind of mysterious, a tour of the exhibition the artist’s widow, natalya glebovaand tells us that he always drew women’s curves from memory without the help of models, the hand itself led him, but in the images of men, she seemed to be stumbling, as lubennikov himself said, in his paintings he does not mock, but ironizes ... above us life, for example, shows how we all go through fire, water and copper pipes in the kitchen in the morning. this picture is about our whole life. and this is all magic, the magic of still life. this is pink and blue, this is the white silhouette of a teapot. these are glued magazines, by the way. the artist depicted his wife with special love and was very sensitive to the biblical story. in this diptych, adam and eve have already tasted the forbidden fruit. the world around them is inexorably changing. in the film we will see his stained glass for the paris metro and works that were considered lost, and we will also learn about the amazing fate of the artist, he never fought for recognition, was not persecuted, and at the same time he

the artist’s widow, natalya glebova, gives us a tour of the exhibition and tells us that he always drewf led him, but in the image of the man she seemed to stumble, as lubennikov himself said in his paintings. in some things you see a technique like frescoes, in some works you see how he builds volumes, purely in caravaggian style, with shadows, we have several works presented, including judith, what a beauty, what a mess it turns out, this is how the master himself spoke about his own paintings, unique footage, his work in the workshop can be seen in the documentary life goes on, he worked almost... every day and received recognition throughout world, whether you want it or not, you still work, because you have a motivator inside that forces you to work, you understand, this is , of course, a fairly metaphorical form of talent cells, yes, but, but it’s very similar, in fact, that this is not freedom, talent is not freedom, many of us encounter his talent every day, the main thing is not to look at your feet while traveling in the subway, he designed one of the exits from the mayak metr

the artist’s widow, natalya glebova, gives us a tour of the exhibition and tells us that he always drewhout the help of models. the hand itself led him, in the image of the man she seemed to be stumbling, that’s what he said himself lubennikov. in his paintings, he does not mock, but ironizes at us and at life, for example, he shows how we all go through fire, water and copper pipes in the kitchen in the morning. this picture is about our whole life. and this is all magic, the magic of still life. this is pink and blue, this is the white sigil of the teapot. these are glued magazines, by the way. his wife was very sensitive to biblical subjects, in this diptych adam and eve have already tasted the forbidden fruit, the world around them is inexorably changing, the recognition of glubelnikov remains unchanged. eva is amazing russian, but this is the artist’s view, he imagined exactly russian eve, soft, with dimples on her cheeks. at the exhibition you can see landscapes and self-portraits, and you can also try to figure out which era influenced this modern artist the most. combines the or

, is not drawn at all, everything has gone into shadow, and from this ... the artist’s widow, natalya glebova tour of the exhibition and tells us that he always drew female curves from memory without the help of models, by hand she led it herself, in the image of the man she seemed to be stumbling, lubennikov himself said so, in his paintings he does not mock, but ironizes at us and at life, for example, he shows how we all go through fire, water and copper in the morning in the kitchen pipes, this picture is about our entire life, and it’s all magic, the magic of nature. the artist depicted his wife with special love and was very sensitive to biblical subjects, in this diptych adam and eve have already tasted the forbidden fruit, the world around them is inexorably changing, lubeinikov’s recognizable style remains unchanged. eva is surprisingly russian, but this is the artist’s view, he imagined eva as russian, soft with... including oh, what a beauty, it turns out to be a daub, like this, the master himself responded to his own paintings, unique shots, his work in the workshop you can see i

something interesting and the best thing that happened in this life, we told each other, 1023 natalya glebovableach it. now the façade is decorated with four works by lubennikov and one by glebova. they go out together forever, because the mosaic is durable. it will remain forever as long as the temple stands. hello, this is the creative industry podcast, i'm sure you remember these immortal lines, times don’t choose , people live in them, they die , there is no greater vulgarity in the world than crying and blaming, as if you can... they ’re like exchanging them at the market and the nursery led me to the house where pushkin lived first, they said, wait, i asked, is this the neva river ? hello, i'm glad that you invited me, well, since i write poetry, it will be i started writing poetry very early, probably at the age of 9-10, to formulate the main topic of our conversation, i think that a child’s knowledge about death... early knowledge at 4 years old, at 5 years old, contributes to growing up, and maybe even somehow influences future poems. my father returned from the front, he fought on t