thank you hello this is a podcast of eisenstein's witnesses where we are film historians natalya ryabchikovaedinsky we talk about who and how created the little-known cult forgotten classic soviet films. we climb into the jungle in the archives to tell. why watch soviet cinema now, how to better understand it, how to find new meanings and how to get the most out of it, but today we are not talking about a particular film or even a film in general, but about the place where films are shown about moscow international film festival. the moscow festival is an event in a broad sense, which over the course of different decades was filled with different content in a different sense and actually different cinematography, which were shown at this festival and there. what goals and objectives were set before this, and the event before the moscow festival. today we will talk and tell our viewers. cinema , as we remember, appeared at the end of the 19th century in 1895, and the first festivals arose only in the thirties, and the first very first was the venice festival in the thirty-second year. but the

i remind you that this is a podcast of eisenstein's witnesses where we are film historians natalya ryabchikova about who and how created and watched classic well-known little-known forgotten soviet films in addition to people who were engaged in feature films, but there were people who made the newsreel. as a matter of fact, which were filmed by combat front-line cameramen, and then it was collected in film magazines, which were shown before each session. actually. here are your news. they you were at the cinema in the same way. like in the newspaper or on the radio. well, i still remember, even in my childhood, when you come to the cinema, and whether you will have a movie show , it begins with newsreels. actually. this has always been the case since the dawn of cinema. the feature film session always pretended to be the release of some kind of documentary with a story about the events of the last days of the last month. yes, here in this case the main news, of course, we have only. events at the front and the attention of all e spectators who lead to see. but what happens there? yes, because

it was a podcast of a witness from eisenstein where we are film historians natalya ryabchikova stanislavnd how created the famous unknown forgotten cult soviet films and why we need to watch them now, how to find new meanings in them and how to get the most out of them , this podcast was dedicated to the 90th anniversary of the wonderful soviet russian director. alexandra is not you, goodbye. hello dear friends. we as you can imagine, i welcome you as part of the podcastlap project on channel one, this is anthropology. as you probably guess we are dealing with sacred music , which has never been heard anywhere else, and it is extremely important for us that we show people who have not yet been treated with glory by this internet television attention, and therefore yours, as if they deserve it, but today the lord heard he did our prayers in such a way that literally for 3 days the most eminent vocalist of russia today turned out to be in moscow . well, the mariinsky is also dear friends. or maybe you should have started with it. well big theater, of course, well, dear eldar boy. let's sho

this is a podcast of eisenstein's witnesses and hosted by me, film historian natalya ryabchikova and , in this podcast we tell who and how created classic cult little-known forgotten soviet films. we get into the secrets of film archives and tell. why watch soviet cinema now, how to better understand it, and how to get the most out of it, and today our topic is the ninetieth anniversary of the wonderful soviet director russian director alexander minta and his film, made at the end sixties burn burn. my star stas why is it important for us to talk about alexandra? because this person, who in many respects laid the foundations for the attitude to the cinema, as a kind of mass spectacle, this is the new standard of the soviet blockbuster. recall the fairy tale of wanderings in the film. this, of course, was done by and so, who thought about how it is generally abroad. they rent mass cinema in those years when he was actively interested in it and subsequently developed his theory of the concept further directly into a three-act structure, as in general, any mass film is built. there is t

hello this is a podcast of eisenstein's witness, i am a film historian natalya ryabchikova and my colleagueabout who and how created the famous famous cult forgotten and completely unknown soviet films. and why do we need to watch soviet cinema now, we climb into the jungle of archives in order to understand how we can watch it now and how we can get the most out of it. hello, my name is stanislav dedinsky, i am a historian of film animation, and today, together with natalia, i will tell you why russian animation day is celebrated on april 8 or march 26, according to the old style, when the premiere of the first russian animated film that innovative viewers knew much later, and the film was a wonderful lyukanida vladislav stareevich. who is vladislav starevich? what's so beautiful luke yes when did this even happen? this was in 1912, when no one knew the word animation or animation yet, but some experts knew what frame-by-frame shooting is, with which you can frame by frame, step by step, to revive some objects on the screen, well, let's turn pupae one handle in and the second handle on bar

it was a podcast of a witness from einstein where we film historians natalya ryabchikova and stanislavlk about who and how created the famous unknown forgotten cult soviet films and about why they are needed now see how to find new meanings in them and how to get the most out of them this podcast was dedicated to the 90th anniversary of the remarkable soviet russian director. alexandra goodbye hello i'm dmitry bug here in the podcast. let them not talk, let them read, and in our podcast, we talk with various wonderful interlocutors about any reading options, so that you do not read parchments, e or modern manuscript readers or your old letters, classics or modern literature. still need to talk about it speculate we argue who exactly reads. who makes literature, who writes, we talk about what to read, but today we will talk about a very special topic. and how does reading happen to us, what happens with it, how do we read reading. it's part of consciousness. this is part of our thinking of our intellect. this is what we will talk about today with our wonderful guest , tatyana vladimirov

will tell and it was a tackle witnesses of eisenstein and we are his leading film historians natalya ryabchikovay, we are talking in this podcast about who and how created the classic famous little-known cult soviet films about how to better understand them now and how to get the most out of them. goodbye. thank you bye. hello this is a podcast of the psyche. my name is natalya loseva, a journalist. there is my co-host clinical psychologist and candidate of psychological sciences mikhail khors hello and we are here to open boxes your codes. to disassemble your hearts , unravel your destinies and try to find a way out for the better, our today's hero came with such a request. he suffers from burnout. he suffers from the loss of the meaning of life. well, you know , such a typical middle age crisis for a smart thinking man, but there are a variety of ways out of this crisis, sometimes tragic. our task today is to prevent. alex tell your story. hello my story begins a few years ago. uh. first it was. in general, everything was built on love for work and i took her feelings to heart. uh, a lot of ev