and this was a podcast of lisenstein’s witnesses, where we, film historians, natalya ryabchikova andt, little-known works of russian cinema and its heroes, in order to make it more interesting for you to watch them, today we had a director as our guest , screenwriter, alexey nuzhny, thank you guys, thank you, thank you. this is a podcast 20 years later, its host alexander anatolyevich and konstantin aleksandrovich mikhailov, our guests are the author, musician, producer, director, igor ivanovich sukachev and yuri aleksandrovich sherbakov, a collector of old cossack songs and not only old ones. hello hello. in 1987, we graduated from the directing department, yes, the department and the department , suddenly a brigade with musical performances , the rock and roll stage, and so on and so on, and the directing doesn’t let me go, i look phew, well, well , everything is written in the family because everything happened at the same time, the brigade instantly became a famous group and it was also seriously staged. probably, yes, well , well, no, probably, for sure, yes, yes, yes, because i

and this was a podcast of witnesses from einstein, where we, film historians natalya ryabchikova ands. to make it more interesting for you to watch them, the director was our guest today. screenwriter, alexey is necessary, thank you guys, thank you, thank you, this is the easy money podcast, me and its host mikhail khanov, today we are looking at bonds, what they are, how to choose them, how they work, when to buy, when to sell and most importantly, what kind of profitability can be obtained using this financial instrument, and today our guest is an investor , asset manager with more than twenty years of experience, academic director of the professional retraining program in stock and financial markets at the higher school of economics, alexey bacherov. hello, alexey. hello, mikhail. what are bonds and why are all those who this is not the first day that he has been working in the stock markets, they call it smart money. that is , investing in bonds, unlike deposits and especially buying or selling shares, has always been called smart or hard money, we have mikhail, a difficult task

we remind you that witnessstein’s podcast is on air, which i, stanislav didinsky and natalya ryabchikovaching, and today our guest is director and screenwriter alexey nuzhny. you had filmography rooster, tell us about this film, i think it’s from 2015. i met a very interesting person , an amazing, wonderful author nikolai kulikov, and i already had the idea to make a film, i ’m losing weight, because i lost 28 kg, and for me this was a significant step in my life, i came to nikolai and said: “ kohl, i want to make this film." he says: “i also lost 20 kg, i’m also interested in this.” yes, i'm saying, that means we have to do something valuable, he says, but let's do it before we make a big film small, i say: great, do you have any ideas, maybe we can make a short film? i say, yes, go ahead, i have this idea, one of my comrades, artyom tsarigorodtsev, my friend and fellow countryman, he , mm, once told me this idea, he says, i want to make such a sketch, essentially where my husband died. a woman turns out to have a rooster in her house, the rooster just flies in, so she lives with him, i

hello, this is a podcast of witnesses from einstein, where we, film historians, natalya ryabchikova and stanislav didinsky, we talk about who and how created famous, little-known, cult, forgotten soviet films. today our program is dedicated to a film that is known under two names: ilyich outpost and i am 20 years old, it was directed by marlen khutseev, why does this film have two names, how did it happen that it was filmed for about 5 years, and there are two versions of this film, we today we will talk, so, what happened before the film of the ilyach outpost, we need to start with this, who is marlen khutsiev? well i would say it was two authors who worked in tandem were marlen khutsiev and felix miran. they had one coat between them, because poverty was such among students that, as their friends recalled, they went to vgik to study one by one, this was in the late forties, yes, actually post-war moscow, here are two students who live in one room, in the common room they have only one coat between them, so they go to lectures in shifts due to the cold weather, but it is precisely this

and this was a podcast of witnesses from einstein, where we, film historians natalya ryabchikova andsky, talk about forgotten, cult, little-known works of russian cinema and its heroes, in order to make it more interesting for you to watch them, our guest today was the director, screenwriter, alexey nuzhny. thank you guys, thank you, thank you. this is a podcast 20 years later, its host is alexander anatolyevich and konstantin aleksandrovich mikhailov, our guests are the author, musician, producer, director, igor ivanovich sukachev and yuri aleksandrovich sherbakov, a collector of ancient cossack women. songs and not only old ones, hello, hello, hello, in 1987 we graduated from the directing department, yes, department, department, studies, suddenly a brigade. we starred in films with shakhnazarov, with mikhalkov, how did it turn out, are there, maybe, a couple of stories, do you plan to continue, well, if you call me, then of course it will be interesting, and so everything was filmed, episodic episodes, well, for me they are valuable , the fact that songs from our region were perfo

hello, this is a podcast of witnesses from einstein, where we, film historians natalya ryabchikova andong ago. today we have a special guest. the medic, the dad had the surname of the chernomazov, in childhood i was very teased, calling the black mazik, the black sea, and i approached my parents, i say, dads, mothers, and what kind of surname we have such a normal surname, i say, i say, but i say, but i don’t like it, and i started, for some reason i was very drawn there, i began to study where it came from, and it turned out that my... great-great-grandfather lived somewhere there in transcarpathia, posovets, spoke russian very poorly, and there was a population census, and during the population census, one of the village residents said that a man lives there, in the mountains, he will save sheep, but what is his last name, no one doesn’t know how we’ll write him down, he had a black spot on his face, apparently a birthmark . and the person who copied it wrote chernomazov, and i said, mom, well, that ’s not our last name, but at that time, i worked on the radio, i had the right pseudo

friends, hello, this is a podcast of witnesses of izzenstein, and his leading film historians, natalya ryabchikovawatched cult, famous, little-known, forgotten soviet films, this is a school of filmgoers , where we reveal the secrets of film archives and tell you why watch soviet cinema now, how to better understand it, how to find new meanings in it and get maximum pleasure from it, and today we will talk about films that were created and watched during during the great patriotic war. stanislav. where did it all start, how do we enter into this topic, how do we enter into this concept of war cinema? well, it must be said that as soon as the country learned that the great patriotic war had begun, a mass initiative began from below, including among filmmakers, and the idea arose of creating, well, in general, an economically feasible film product that could be made in the current conditions, which folded quickly, yes, because after all, film plans, as we know, are usually very long processes, especially for a full-length film, you need to approve the script, you need to cast the actors, build the s

for coming and we say goodbye, this was a podcast of witnesses from einstein and its hosts natalya ryabchikova the website of the first channel 1. v.ru. thank you and goodbye. thank you bye. hello everyone, tatyana gevorkyan and ne are with you lykomshity. today we are talking about the relationship between cinema and fashion. let's remember the most iconic images of film stars from soviet films. with me. studio costume designer natalya konevskaya. soviet cinema is a treasure trove of cult images. natasha, were you personally acquainted with any of the soviet film stars, or maybe you managed to work with someone? let's start with the fact that i grew up in such a magical house, it was an actors' cooperative. in the sixties , a lot of actors moved there, and anastasia vertinskaya and alla demidova lived there and yuri visbor, and arkady arkanov, lived there very, very much. and actors and people associated with theater and cinema, and of course, every time i entered the elevator with one of them, i scanned with such, you know, the already beginning glance of a costume designer, every time i adm

hello, the ezenshtein-125 podcast is on air, artyom sopin and film historian natalya ryabchikova areenstein himself, but... but is also probably one of the most significant films, in principle, in the history of culture of the 20th century, because this is a film that has collected many features of different types of art, in fact, precisely... thanks to this film, including isenshtein proved that cinema is a full-fledged part of the world pantheon of arts, together with older forms, with painting, literature, theater, and in ivan the terrible we see how many features are intertwined. in addition, this film, of course, is historically interesting in various aspects, not historically in the sense that in the ancient history when it was filmed, much less in the ancient history to which it relates, but relatively. a certain matrix, not so much from the history of our country, but from the history of civilization in general, because these are certain fortunately or unfortunately, rather in this case, unfortunately, recurring motives in the behavior of people, not even necessarily kings, t

hello, this is a podcast of witnesses from einstein, where we, film historians natalya ryabchikova anda wonderful composer. cartoons and films by gennady glodkov, who, unfortunately, left us not so long ago. today we have a special guest, director, screenwriter, alexey nuzhny. hello, tell me. i was very drawn there for some reason, i began to study where it came from, and it turned out that my great-great-grandfather lived somewhere there in transcarpathia, a pasovo man, spoke very little russian, and there was a population census, and during the population census, one of the village residents said, that there is a guy living there, in the mountains, he will save the sheep, but how... no one knows his last name, but how do we write him down? he had a black spot on his face, apparently a birthmark, and the person who copied it wrote chernomazov, and i said: “mom, well, that’s not our last name, but at that time, i worked on the radio, i have i had the right pseudonym, everyone called me that, and i took this surname, i said: “mom, i want to change my surname, because this surname is not

viewer, and the film invites you to this, it was the izenshtein-125 podcast, film historian natalya ryabchikova. we have a special format, we will show a film by sergei from einstein, ivan the terrible. but before the screening, we will discuss this very important and interesting film. a film that was produced 80 years ago but still resonates widely today. interest from my point of view, at least, has not lost its relevance. here, let's see one of the first episodes of the film: now for the first time, the grand duke of moscow places the crown of the tsar of all russia on himself, and thus forever to the power of many. he puts a limit on the clumsy, boyar in russia, from now on the russian land will be united, he raises his hands to the boyar power, but in order to hold the russian land in a single hand, strength is needed, and therefore from now on... we are establishing an army, service, streltsy, permanent, whoever he himself does not fight in the armies of those sovereigns, so he can participate in the great campaigns of the king with money, and carry your money on his own head. in which th

hello, this is a podcast of witnesses from einstein, where we, film historians natalya ryabchikova andslav didinsky, we talk about who and how created famous, little-known, cult, forgotten soviet films. today our program is dedicated to the film, which is known under two names, ilcha outpost and