we are film historians, natalya ryabchikova and stanislav didinsky.hkin in the eighties is really already becomes so completely caricatured, while someone is making film adaptations of pushkin quite seriously. and we go from the very beginning of russian cinema or... to the beginning with boris godunov, we end his eighties with boris godunov, this is a terribly fascinating story, the last completed film of sergei bondarchuk, and in the early eighties he released the film kuproduction with cuba, red bells , such a revolutionary opus and failure, and he takes on boris gudunov, and this is such the last takeoff of technology soviet film production, cameraman vadim yusov, costume designer. they cast some kind of bell, take it to the kremlin, that is, they film in the kremlin, they find some factories in the soviet union that can sew and embroider the silk they need, they find some factory in sverdlovsk that sews either vestments, or some kind of church vestments, and the chief engineer tells them, well, if we... for the church we sew this fabric, we also

remind you that this is a podcast of witnesses from einstein and his leading film historians, natalya ryabchikovadicated to pushkin. the anniversary has passed, but interest in pushkin has passed. well, what’s interesting is that in 1938, by the way, esenstein helped his students make a film adaptation of ruslan lyudmila, it didn’t turn out very well, then, of course, everything was covered up already in the 1970 version by alexander pushko, because well, the color and special effects were already more interesting, but esenstein became interested in pushkin, in general he believed that pushkin was a great editor, he told students about how in poltava... and lines can literally be filmed in stills, he can see where the close-up is, yes, swede, russian, pierces, chops, cuts, everything, it’s straight, take it and shoot it, director’s script, storyboard, then tynyanov wrote his story, he even had several works related to pushkin, but he had a theory that pushkin loved all his life , he had a secret love, that’s what the work was called. tynyanov to karamzin’s wife, and esenstein became interested in

ninetieth birthday, this was a podcast of isenshtein’s witnesses and his leading film historians, natalya ryabchikovawatch now soviet cinema, famous, beloved, half-forgotten, perhaps completely unknown, how to discover new meanings in it and get even more pleasure. all episodes of the lenshtein's witness podcast can be found on the channel one website. hello, this is the baden badon podcast and i am its host, konstantin severinov. today we will talk about genetic diseases, about oncology, especially genetic ones. diseases of children, our guest is mikhail mashchan, doctor of medical sciences, professor, director of the institute of experimental and molecular medicine, center for pediatric hematology named after dima rogachev. hello, mikhail. hello, konstantin. we have statistics, they are as follows: every year in russia approximately 3,500, from 3,500 to 400 patients become ill with cancer. a you mean hematological and pediatric , these are all tumors, these are all tumors, all of all pediatric oncology is 3,500 patients, 3,700 to be precise, but our area of ​​interest also includes patients with he