this is witnessstein's podcast, its leading film historians natalya ryabchikova and stanislav dyadinskyersation about alexander shirvind, who is now would have turned 90 years old. we mentioned mikhail derzhavin, with whom he created a wonderful duet, they have known each other since their youth, they were born in the same place. blessed, but did not go to the coffin, they had no equal in the duet, derzhavin went to the tavern, meaning 13 chairs, but shirvent survived the separation, he has peace. extended his diamond hand, it was known, and their ability to work together, the three of them appear on the screen, just in three boats, not counting the dog, a film that, well, is a little nonsense in the soviet history of cinema, naun birman decided to make a film adaptation of jerome ka jerome, everything should be like real englishmen, real london, filmed in the kaliningrad region, make-up done. please, sir, sir, this is a comic couplet: a comic couplet, stop, do you really think that you can listen to comic couplets, with such a sad, lean face, i beg you, go out into the garden with him,

hello, this is a podcast of witnesses from einstein and its leading film historians natalya ryabchikovat films, about who filmed, made, watched them. and today we will talk about one of our favorite actors, who would have turned 90 years old. he just recently left us, this is, of course, alexander shirvint, we will talk about, in fact, why we call him great, although in films he mostly played episodes, small roles, indeed, you said, a great actor, when i try to remember his roles, i always remember him himself, that is, we remember, here is a film where shirvint played or oh, look, shirvint, and this applies to absolutely any films, like the films of eldar ryazanov, where out of friendship he agreed , without any auditions, to play roles. a boy who knew a lot of people whom we now call great, yes, someone was friends with his mother or worked with her or knew his father, anastasia tsvetaeva, daughter of marina tsvetaeva, came to them, for example, this atmosphere is so creative, of course, which could not but influence the child who ran away from school in childhood to go to cinema to w

and it was a podcast of witnesses from einstein and his leading film historians, natalya ryabchikovae created for adventure literature, ala, alexandre dumas, for example, eh. conspiracies, intrigues, alcove secrets, thunder of drums, well , of course, this is the history of palace coups, first of all, of course, it is not without reason that they are very beloved by our creators of such costume series, god bless him, trouble the fact that too often these series are used to judge true... history, this always confuses me very much, that’s for sure, or based on the novels of valentin pikul, which not only are very far from the principle of historicism, but also simply contain a lot of historical mistakes, facts, he generally handled facts , to put it mildly, freely. in general, for a long time this period was considered such a period of timelessness between peter and catherine, and this is absolutely not true, and this is another reason to understand this time properly. hello, this is historical podcast russia and the west on the swing of history, with you pyotr romanov and sergei solov

hello, this is the einstein witness podcast. where we, film historians natalya ryabchikova and stanislav films. today our program is dedicated to the film, which known under two names: zastava ilyacha and i am 20 years old. it was shot by marlen khutseev. why this film has two titles, how it happened that it was filmed for about 5 years, and there are two versions of this film, we will talk today. so. what happened before the film zastava ilic? we need to start with this. who is marlen khutsiev? well, i would say that there were two authors who worked in tandem, these were marlen khutsiev and felix mironer, they had one coat between them, because poverty was such among the students that they, like their friends recalled, they took turns going to vgik to study, it was in the late forties, actually post-war moscow, here are two students who... live in the same room, in a dorm, have only one coat between them, so they go to lectures in shifts because of the cold weather, but it is precisely this friendship that begins in those years that becomes for them the basis of their working relations

he do it, and this was a podcast of witnesses from einstein and its leading film historians, natalya ryabchikovaated our favorite, perhaps half-forgotten or completely unknown soviet films, about how to watch them now and how to enjoy them even more, and today we talked about a wonderful one and one of our favorite actors, alexandra shirvente. who could turn 90 years old, goodbye, there are periods in our history that, well , are created for adventure literature, ala, alexandre dumas, for example, and... conspiracies, intrigues, alcove secrets, thunder of drums, well this, of course, is the history of palace coups, first of all, of course, it is not without reason that they are very loved by our creators of such costume series, god be with him, but the trouble is that too often these series are used to judge the true history, this is what always confuses me very much , that’s for sure, or based on the novels of valentin pikul, which are not only very far from the principle of historicism, but also simply contain a lot of historical errors, facts, he generally handled the facts , to put it mildly

and it was a podcast of witnesses from einstein and its host was film historians, natalya ryabchikovaalf-forgotten or completely unknown soviet films, about how to watch them now and how enjoy them even more. and today we talked about the wonderful and one of our favorite actors, alexander shirvent, who could have turned 90 years old. goodbye. hello, this is the popular science podcast schrödinger's cat, i am its host grigory tarasevich, the chief editor of the magazine, which is also called schrödinger's cat, and we are talking about the most important, most significant things for us from the point of view of science, and today's topic: this the role of the father. to talk about this role, we invited sociologist, professor at the higher school of economics, elena rozhdestvenskaya. and we have a special guest, the host of the easy money podcast, that is, my colleague and financial analyst mikhail khanov. just in case, i will explain that mikhail is the father of four children, elena is the mother of two children, well, i am also the father of two children, which i am extremely proud o

this is a podcast of lisenstein's witnesses and its hosts and film historians, natalya ryabchikova andwent, and her last picture actually met with her, but something, something didn’t become a three-part television series, it seems, with a very intriguing complex title, the end light followed by a symposium, yes, but critics say about it that it was already some kind of belated movie, a film adaptation of an american play, where the main character... in fact, is also a playwright, all our wonderful soviet actors play americans, this is a little rounding off of a career, when she began with the memory of her heart, where there were real... englishmen, real germans, this is such a serious movie that would look good in the era of stagnation, then when it came out, the eighty-sixth, eighty-seventh she was filming, it was already well, it’s not at all appropriate for the era, something completely archaic, although she has a continuation of this, her technique for personnel text, and there is a conversation with the audience, that is, well, right? comments on what he is doing, well, in gener

friday on the first, this is a podcast of witnesses from einstein, its leading film historians natalya ryabchikova is now 90 years old, we mentioned mikhail derzhavin, with whom he created a wonderful duet, and they have known each other since their youth, they were born in the same maternity hospital, and they spent the summer months together in a dacha area, a dacha - i don’t know, a cooperative whether it was or not, but in general what was called the nile, science, art, literature, orenburg once lived there, well , in general, this is still... years of community and summer residents, this is the ability to communicate with a partner, it seems to me, this is also what shirvint was incredibly loved for, and he was incredibly attractive to directors, too, because he responds to partners, yes, he works, interacts with him, when, for example, the russians could not participate in some of his next written duets and skits and numbers, then he could perform... with andrei mironov, whom he also knew, by the way, mironov studied with him at school, yes, it must be said that shervent is less, less known

this is witnessstein's podcast and its host, film historians natalya ryabchikova and stanislav didinskyour conversation about director tatyana leoznova. do you remember, about 10-15 years ago there was a parody of the film 17 moments of spring after it was colorized, by the way, with her approval and her participation, and even there it was all kind of comedic the principle was based on the fact that the colorizers painted in a very specific way, painting one of sterlitz’s boots pink, the other orange, the tri-tunic green, in general they did not match the tone and thereby completely demolished it. close to important, i even thought about filming the memoirs of the famous opera singer galina vishnevskaya, i met her, but something, something didn’t work out, and her last film was actually a three-part television series, it seems, with a very intriguing complex title, the end of the world with subsequent symposium, yes, but critics say about it that it was already some kind of belated movie, a film adaptation of an american play, where the main character is, in fact, also a playwright, al

hello, this is a podcast of witnesses from einstein and its host is film historians natalya ryabchikovaanislav didinsky. in our podcast we talk about who created the famous ones and how. beloved, little-known, half-forgotten or completely unknown and completely forgotten soviet films, how to watch them now, how to find new meanings in them and how to get even more pleasure from them. today our podcast is dedicated to the centenary of one of the most famous women directors of the soviet union, tatyana leoznova. one of the most famous in quite a small number, in fact, women, from whom many generations of soviet viewers enjoy, here. in this regard, she exceeded the task at most more than many male directors; this , of course, is the seventh moment of spring, which probably every person in this country has seen a series about stirlitz, and if you haven’t seen it, then you’ve heard it, of course, three poplars on ivy, probably just an example of soviet melodrama with the canonical images of efremov, who is sitting in a taxi, walking around him rain, he looks thoughtfully at the camera or som

hello, this is a podcast of witnesses from einstein and its host is film historians natalya ryabchikovat films, about how to watch them now, how to find new meanings in them and how to get even more pleasure from them. today our podcast is dedicated to the centenary of one of the most famous women, a melodrama with canonical images of efremov, who sits in a taxi, it’s raining around him, he thoughtfully looks into the camera or somewhere to the side, well, a carnival, yes, which i personally love much less, but in this sense it really is a big hit of the soviet rentals, and some unknown masterpieces, like eudacia, unknown, perhaps now to the viewer, at one time quite well known to ourselves, we will try to talk. in addition to this moment of spring, because we have a separate podcast about this series, and i want to talk, in fact , about those paintings for the big and small screen that 17 surround, frame, so to speak, before talking poliotically, i must quote from text by columnist alla gerber, who at one time did a whole series of interviews with filmmakers in including tatyana liozno

hello, this is a podcast of witnesses from einstein and his leading historians. cinema natalya ryabchikovaout one of our favorite actors, who turned 90 years old. he left us just recently, this is, of course, alexander shirvint. we will talk about why we call him great, although he mostly played in films episodes, small roles. indeed, here you are. she said, a great actor, when i try to remember his roles, i always remember him , that is, we remember, here’s a film where shirvint played, or oh, look shirvint, and this applies to absolutely any films, like films by fildar ryazanov, where out of friendship, he agreed without any tests, and to play roles, well, probably his most famous role was andrei mehkov’s drinking companion in the film the irony of fate, after which he even woke up a little famous again, so in the rest of the roles, well... yes, as if his character has names, surnames, characteristics, but we still remember that this is shirvint, and this, unfortunately, was the case throughout almost his entire film career, the main roles, he didn’t play in general, with the exception o

film historians natalya ryabchikova, stanislav didinsky.leznova. one of the most... who sits in a taxi, it’s raining around him, he looks thoughtfully at the camera or somewhere to the side, well, carnival, carnival, yes, which i personally like much less, but in this sense it’s really a big hit soviet distribution, and some unknown masterpieces, like evdokia, unknown, perhaps, to the viewer now, at one time quite well known to ourselves, we will try to talk about lioznova in addition to the moment of spring, because we have a separate one about this series podcast. and i want to talk, in fact, about those paintings for the large and small screen that surround 17 km, frame, so to speak, before speaking about liozny, i must quote from the text of columnist alla gerber, who at one time did a whole series of interviews with soviet kemetographers, in including tatyana lioznova, and the text about lioznova begins with a phrase that today would probably cause fierce debate among those who like to create. feminists, suffixes, adding to masculine w