national museum museum on karl marx 24.ametr on elektrotehnіtsy, according to the rules of the road , the school of riding on market scooters runs in minsk. experienced instructors teach the theory of caravanning, the correct extraction of devices in garad traffic, explain the right zones, and the poison on electronic gadgets is banned. the government of minsk and the official inspectors of holy duties are on the control board. navat in such a strict cassume and necktie can be earned from a yakast. if you wish, your office will have all the same electrical devices. here are the realities of the 21st century and the present, but the use of such gadgets is strictly following the rules, that's what they tell us at school about electric scooters. an electric school for cadets, who are the first to get behind the wheel of a shared scooter at the traditional summer performance. you need to do, then the simplest movements, that is, get started, ride, learn to avoid obstacles that may arise when using the scooter, as they say, in t

— museum, your local large museum. national museums— museum, your local large museum. us what you found. don't necessarily put it on social media because then. put it on social media because then you get— put it on social media because then you get a _ put it on social media because then you get a lot — put it on social media because then you get a lot of— put it on social media because then you get a lot of weird _ put it on social media because then you get a lot of weird answers - put it on social media because then you get a lot of weird answers are i you get a lot of weird answers are not necessarily— you get a lot of weird answers are not necessarily useful _ you get a lot of weird answers are not necessarily useful answers. i not necessarily useful answers. that's _ not necessarily useful answers. that's what _ not necessarily useful answers. that's what claire _ not necessarily useful answers. that's what claire and - not necessarily useful answers. that's what claire and tegan i not necessarily useful answers. i that's what claire and tegan did. are you going t

take so i was honored to be in that candidate pool to be the first woman director of the national museum national museum of history so that has continued my love of making history accessible and meaningful and relevant in our liveshi and like this conference you have the main themes of the conference and the year-end so this technically is the confidence that the program committee and the committee that i helpedd create is shaped and the overarching theme is how do we help communities make themselves feel like they have agencies and not that history is something that didn't happen to them or their communities. i get to do that but on a national scale right there on the national mall and then as my service helping i think other historians throughout the nation and the world think about their role in the community. >> it is a set of tools that should be used as possible. i joke we don't operate on grains but by understanding and interpreting the complexities of that path that we've all inherited it's also a pretty great mystery of love and life and meaning of why we do things and studying the process i th

mardovia are now available in minsk, the national arts museum , painting, graphics, sculpture , decorative and applied art , from the mardovian national museumed arts named erze arrived flaccid calcification in ethnic style. kalegs have learned new...

thing is that at the foundation of our museum she accepted. transferred, among other things, some of the works to the national art museum and several works to our museumlaces, which are present in our exhibition and the palette and brushes that the artist used, the original, this is already practically, he passed away in what year? in 1957, he passed away, which means and a little more. it will be 100 years, a little more, it will be 100 years, a little more, and more than 125 years have already passed since the birthday of vyatult kaitanovich himself, yes, as you think, what kind of person was he, he was a person quite... today is one of the active creators, an honored artist of the republic of belarus, and here he painted belominsky birulya in an authentic such area of ​​​​robes, we see such a gentleman's suit of the beginning of the 20th century, and he has a palette in his hands, brushes, we see such bright colors that run away from his palette in different directions, trees are guessed, and he clearly indicates to us that this was an artist, a landscape painter, in general there is a legend that belinsky berulya did not have at all depicted peopl

museums to increase to a thousand museums by the end of the program . this requires that planning to reach this number, museums are a symbol of the national identity of a society, the holy defense museum is a symbol of war, jihad and martyrdom. in the field of iranian heritage and civilization , i have established three positions in the field of management so far, that in fact it is the duty of institutional museums to have an independent specialized museum system. the seventh plan is to reach a thousand museums. this is possible because now that we are with you i am talking about museums being activated in many provinces. in this same province where i am now , the number of museums is about 14 museums, and fortunately , i attended the big museum of your province today. except for two mostly active. now we have to reach this point with the motivation that our students, our children, our students , our youth, feel pride and sense of identity by visiting museums. museums are a symbol of our national identity, a symbol of our religious identity and a symbol of iranian culture . fortunately, in all iran's geography anywhere to do under any pretext. whether

this is a joint project of the national historical museum of belarus and the museum of music of moscowtion will last until mid-october.

museum de... the national museum of this country is known as tepatongarewa, translated from the indigenous language - treasure box. new zealand, that’s right, the museumh of the couple in 1985, for the next anniversary , a museum dedicated to these people was opened. decembrists. shakespeare in art 300. "the stars shone in the night, the children's eyes were blinded, oh, how they loved, oh, how they loved, robert rozhdestvensky's poems are dedicated to these lovers, romeo and juliet, surely, sailed 1,200, a painting of the young roerich, a messenger, this the writer commented, when crossing a fast-moving river, you must always steer higher than where you need to go, otherwise it will blow away, so in the area of ​​moral requirements, you must always steer higher, life will still blow you away, perhaps tolstoy’s lion, right, museum 300, along with this. authority, a huge palace in the center of bucharest houses the museum of modern art and the museum of communism. parliament, that's right, is an abbreviation for 300. the beginning of his pseudonym means blues boy, bluesboy. real name riley benjamin king. in 1962, he and his team lived in an underwater

, andrey, good morning studio, good morning everyone, we are in the russian national museum of music. the largest music museums but let's start with such an improvised display case, you could even say a pharmacy display case, look, concentration of attention, normalizes sleep, reduces anxiety, relaxes, relieves pain, increases immunity, reduces blood pressure, activates brain function, everything in general in the pharmacy you will find medicine, but all this is the most pleasant, you can easily remove all the boxes throw it out, because all this, as numerous studies tell us, is replaced by classical music, our guests today are the familiar project sing and delivery, artists of moscow musical theaters. they will confirm this to you, it is very nice to meet us on the stage, you already have a huge experience in performances, tell me, does the audience react more to minor or major, as to major and minor, you know, is that so? liviamo libieticallici che la bellezza impiora, fuccevol, fugevol, rassile bria voluta, limiti freediti, suscita all'amore voila. what happens to you, onnipotente va amore, amore dei cali c

museum there. the national museum of the pacific war. and if you wonder why the museum of the pacific war is in fredericksburg texas, it's because chester nimitz was born there there also like nimitz was raised a surrogate parent. his father died of heart attack at age 29, four months before chester nimitz was born. so he was raised by his mother and his paternal who taught him, among other things, not to about that were beyond his control. a calm deliberative pace. grandpa nimitz told him, was more valuable than frenzied activity. nimitz, however, not go to see it. nine. by then, united states naval academy had come into and young boys did not go to see as midshipmen. they went to school. in fact, chester nimitz no plans to go to sea at all. a turning point in his occurred when he was watching an article three demonstration at a county that was supervised by a group of west point cadets in their resplendent uniform of the tall shako as they looked plastic. young chester was impressed by them and asked them about this called west point. whatever they said, convinced him

on the fairgrounds, the dallas museum of fine arts, a regional museum with a national reputation for all the family. mary frances doesn't expect to find her runaway brother here, but she does find dickinson's portrait of a man which she loves. well, another stop for mother. and just in time to the full scale fashion show to to. mr. tufts. meanwhile, has walked through the international trade fair and bazaar in which 19 foreign countries are displaying their export goods it occupies over of the huge general exhibits, presenting a great variety of the best each country has to offer offer. this international bazaar at the texas state fair shows the strong trade link between the outside world, the heart of america. like mother daughter mary frances has found her own fashion show. the dress review, the texas forest clubs, an organization, farm youth, everything being modeled has been created by models. and. a state fair. thousands of people, dozens of lost children brought to a central point to await their parents. it's getting late. and now mr. and mrs. tufts are really about johnny. and

museum in paris, the st. petersburg hermitage, the national gallery in london, the pushkin museum in moscow, the collection of the barnes foundation in philadelphia. these museumssignificant for national and world culture, are united by the fact owning a painting of a bather, paul cezanne's brush. there are as many as six of them in the parisian musée de l'arce. one of the main themes of the work of the hermit and zexan provence, as the french painter paul cezanne was called , was the montagne sainte -victoire located near the city. indeed, among more than 900 paintings and 400 watercolors, at least 80 works are dedicated to this landmark of the provencal landscape. and yet, the palm among the objects that interested zan should be given to another theme. all 40 years of his creative life, the artist worked on the series of works "bathers" bathers, because he paid attention to how... images of nude figures in the landscape run through the entire work of cezanne, from the earliest works to the last version of the large bathers. according to art historians, the artist left this picture. complete, possessing a natural painful shyness, cezanne never painted the nude

museums until the national museum of the american indian act passed in 1989, it was that the people who were experts about native americans weren't native americans themselves. they were people who worked in university and in museums and went out and studied indians and came back, wrote books about them. and it never occurred to them that native people might have a role. the interpretation of their culture, and that when a museum was going to put on an exhibition about the culture of a particular tribe might be a good idea to have people from that tribe be a part that process. the same is true for television. same is true for movies. if you're going to depict native people, you really need to be advised by native people. and so we began see sort of that that shift taking place. but part of the reason is that we have we now lily gladstone would have been impossible 50 years ago. there's no they would have selected a native person play a native person in the movies. they just wouldn't do it except as extras right. and you know, you could be a navajo chasing john wayne and fall your horse but you weren't allowed to actually be a living breathing talking thinking laughing character. indians weren't allowed to be peopl

hello, good morning studio, good morning everyone, we are at the russian national museum of music, one of the largest music museums world , our meeting, of course, as always, is musical, our guests today are a duet that performed wonderfully last time, we are already well acquainted, the duet beryuz, it is very nice that you joined, last time... unfortunately, there was not enough time, but i really wanted to find out about music, because that always, i think, and for me personally our viewers are interested in the moment when an artist has this moment, when you still go to music school, but not because mom said that you have to go to salfeja, there to draw on the macro, that's when this yes, this is mine, i will be a musician, in fact, it turned out for me that the realization that i will really be a musician came precisely in music school, right? sent to the team of the same crow at 10 years old i resisted like a zhyharka with hands and feet and somehow so quickly became a soloist and somehow everything spun once-once-once and inspiration came and joy and order. the stage is big the stage is there in three yes,

process of applying our application is going to go in in the year where national rights museum is one international civil rights museum, birmingham. i think the king site and national parks service, brown v board, farmville, virginia we're all over the country. if we can get that and model how that be done. we should see unesco's heritage from more of our sites and then that will offer more protection for us long term. so i know. yeah, you do. and starting with the preservation trades, we have so many professional deficits and that's why we created program called hope crew that stands for hands preservation experience, where we with diverse youth and we entered use them to preservation and short term paid positions for the purpose of being able to attract them the field and just as you said i mean they can make really great money and at the same time to the work of places important in american. we also are doing that same work in partnership with a with hbcu's. so we just partnered informally with 13 seven where we funded campus wide preservation, the others supporting individual preservation plans. each of those part

z adnago on the side there is a museum, on the other side there is a museum. here , the nationaltechniques have a lot of survetak, manual, and moving and after all. the oldest weaving machine - a workbench - is more than 100 years old, and this mechanical machine for producing fabric was crushed into 21. what is the semizhous region? ganary is your weaving tradition. pa-first, here are the mortgage towels, like the adolkavy ones, both from the right and from the left, they tried. these are included in the list of non-mattary cultural heritage of the republic of belarus. geta and other workers, traditional for our meat, this is all and the walkers, what kind of walkers? head hadzіts after ours, chum after, bo imi pascilali, covered neshta, our traditional pajas nanitu, and what does it mean nanita, and geta using the technique of vykanannaya, what is great dachshund liva, this technique is knitted, it is knitted by hand, yes, yes, knitted from a thread, tatsyana volkava is the original regional weaving center in the kapyl region, menavita gety region near the minsk region. lichyts

a lesson that has not been learned. national museum of music, here in my hands is a book, i love it very much, here are many instruments that are stored in the museumsli, then there is a saratov harmonica, this is not it, this is an accordion, here is a saratov harmonica, which is different in that there are bells, yes, which you can ring, i have it there is such a button, but this instrument, a synthesizer - this is one of the first. from soviet synthesizers is deciphered as alexander nikolaevich scriabin, master evgeny murzin, and if we remember again the film the diamond arm, andrey torkovsky's solaris, then this musical is playing there, there are no computers yet , so this, these are physicists, there are keys, like in old tape recorders, this, this was assembled by a physicist from those same oscellographs and other physical devices. if he lived in the world of the golden calf, he would definitely be a billionaire, and you know how it works, it is a large metal plate on which an image is squeezed out, a drawing, squeezed out, that is, there is a graphic equivalent equivalent of music, inserted into special slots, well, like a music box, only

what changes is the book lemme national museum going from from with was so how it looked like in 2024. what happened is that as you might know, the national museum was established and then 267. now what does it mean though, is that we're not doing any freshman which has done about 4 to yourself. date was the best a done. we went in this museum to include fresh information that has happened since the last 40 years research on i cannot g on june a g and also a lot more on so on the, you know, so she will find different levels of what's going on in the last 40 years, how are you manage to successfully balance modern art and culture something museum fields or get making this evolution for you see and then tell space of what we call the permanent position. he's on the ground floor penalties, which is about 6 galleries. but the entire, uh, 2nd level of this building is dedicated to the holding institutions, you know, a temporary institutions which one of which is going into a switch about emerging issues and accounting gender issues. and so it's, it's going to be all kind of the national museum incorporates the technical god of as well as the up to ca

museum and what we... why such a loud name museum of national cultures, and the fact is that for many centuries here lived, live , we hope in the future in a world of harmony and tolerance will be... more than 70%, there are many jews here or today, unfortunately, we do not have a single family and not a single person, a lot of jews died, were destroyed as a result of the great patriotic war, to this day day we see, our a ibyev synagogue has been preserved, and it is unusual, yes, it is not used for its intended purpose, now there is a children's sports school there, but it is very well preserved, because you see how it looked in 1916 and has practically not changed its appearance, yes, we had four of them, as a result of a fire, one burned down in prasa, no, there were four synagogues, as a result of a fire one completely wooden burned down, three were restored, but now we have two, this large, central, beautiful one, and here next to it is more... so modest, well here we are now entering, i'm not afraid of this word, another hall, which is dedicated to oh, what a bright, i'm already talking about the indigenous population of ivyevshchina, the indigenous, well, of course, they are not indigenous, but they have lived on our territory for more than six hundred years, so , hand on heart, what meaning do modern painters put into their work, and so that all this is not in vain, so that it helps people to pray, so that it helps them repent, to become church-goers, how education is conducted today. schools have one spiritual lesson, the law god's, one lesson of creativity, one lesson of music, and for the older ones, that is, adults, there are already lectures on subjects, well, there is already , so to speak, more serious preparation, what is mercy, this is probably the food that we ourselves will always need, and this is the food of god, which is born in the heart of a compassionate soul, what unique shrines are kept in belarusian ... here we have just the holy relics of the martyr vanefaty of rome, and vanefaty is a patron helper of such a sin, which ... answers to these and other questions in spiritual and educational projects on the belarus 24 tv channel. in the belarusy program, we will meet the trainer and rehabilitation specialist denis mirko. i am a personal fitness trainer by education, i am an instructor. in recent years, i have become interested in the fact that i have gone more to the side. we will find out how the hero came to the decision to help people and made this craft his life's work, my brother once came to visit me, he says: listen, you have been in sports for half your life, you have been going to the gym for so long , i trained my company commander, let's become active observers and join in the training that will help strengthen the body and spirit. it's called the pigeon pose, for this you need to place your front leg in this version, the back one... it stands straight, support on your hands, our sashchey just roll your pelvis from right to left, let's be curious, what is the meaning of life of a serious, self-confident young man? close people, relatives who are alive support you, a calm sky above your head, that's home comfort, watch on friday on our tv channel. tell me please, what do you see inside the mosque, do you see some pictures, faces on the walls, no, nothing, no, no, but what do you see, and the windows, well, the windows, i understand, and i also see there at the end such a small picture, as if it depicts, some kind of ride or an inscription, inscriptions, that's right, you will never find in the mosque either an image of a person or even an image of an animal, because according to the laws of islam it is forbidden, people decorate the mosque, decorate their own houses with such works, which are called mugir, here we have mugir 1912, the oldest one we have here in the museum. well, and in more detail with the technique, how they are written, what they are intended for, i suggest you get acquainted at our temporary exhibition, which we recently opened, and of course i suggest you get acquainted with a representative of the tatar people, who is an employee of the ivyevsky museum of national cultures, i have never communicated young, handsome, unmarried selim semenovich. it should also be said that in the arabic language there are no vowels, there are only vowels, the vowels are placed on top, below they decide what it will be. here is the only one, which is with the letter a, it is never connected with other letters, it is immediately clear that this is the letter alif, that is, here, uh-huh, here is already al, this is one l, yes, yes, yes, here and another one, this is already ga? it will be the letter allah, yes, this is l, it is connected in the middle, and how do we understand that this a should be read as la, we have a vowel at the top, such a line, i

museum, the national civil war museum here in harrisburg. mr. mitchell informed me that he recently was placed on the board of monaca c national park in maryland. army holds degrees from pennsylvania state university and the university maryland. please join me in welcoming mr. mitchell. next time. dame thanks very much for that kind introduction. and my first book, american voices war, published in 2007. my second book travels through american history. mid-atlantic published in 2014. and then the new the civil war in maryland reconsidered, published in 2021. so i'm sort of like a seven year cicada. i think every seven years, i come out with a book. so i guess i have until 2028 to do something new. so what i'd like to do, maybe speak for 30 to 40 minutes and then allow plenty of time for questions and discussion with the group. and i thought, i might say a word about how this got started. civil in maryland reconsidered. so, jean baker, my coeditor has been a longtime friend and mentor to me. she's a very prolific american historian. and i approached her in early 2018 with the idea of a a collection essays from all authors around the country. we might the two of us might collect and edit. and she liked the idea. the timing was good for her. so we set about putting this book together. we did our literature search and began to assemble of topics that might be covered. and then we began reaching out to authors and the result is, i think, really a very fine of chapters by authors around the country that really touch on all aspects of the war story in maryland. goal was to have a book that did not rehash what we already know about the civil war in maryland. but really to provide some new interpretation on subjects that have been covered and also to provide some fresh thinking and scholarship and new perspectives. and i think thanks to our authors i think we've been able we've able to do that. so so it's been you know, it's been it's been a great journey. and i'm very grateful to the national civil war museum here in harrisburg for having me speak to you today. and i am really to be an a member of the advisory council. so the first thing i'd like to do is say a little bit about what i call lost cause narrative. and i'm sure this a this is a term it's familiar to many of you, but the lost cause narrative basically is the is the story of the postwar story that the south the, the losing side, was able to create and to home. i think through american history for many decades that, you know, the war was a noble cause, that it was lost only because the north had superior resources and manpower. the daughters of the confederacy a very powerful organization. well up in the 1950s had great sway over how the war was described in american history. textbooks and so we get terms like the war of aggression, the war between the states, not called the civil war in this in this context, veterans organizations very influential in to establish and drive drive home this this lost cause narrative oratory, cemet

this is a joint project of the national historical museum of belarus and the moscow museum of music. the exhibition will last until mid-october. the bicycle race tour of belarus. countries, representatives of the uae, russia participated, brought together almost 50 athletes from five france and sweden, they covered almost 600 km in 6 days from brest to novogrudok through belovezhskaya pushcha and sloni. for almost a week , the racers demonstrated speed, endurance and tactical struggle. in the end , one of the best cyclists of belarus, evgeny korolok, managed to defend the title of the winner. this is his third victory on the tour. he also became the most stable rider and won the sprint classification. i think it is enough. a multi-day race of six stages, overall i am happy with the race, i recover quickly and do not feel tired, every day, every morning i woke up refreshed and was ready to fight further. already at the end of august in grodno , the winner of the belarus cup in road cycling will be determined, both among men, so among women. everything that modern belarus lives today,

museum. how is it funded? we're a private 501c3. so we are not a private nonprofit. many people think when they see the national world war two museum that we're part of, funded by the government. but that's not really the case. got to ask, katrina, how did the museum survive? it was it was tough. this building was the museum because we're very close to the river. we're very close to the river. and actually the flooding, new orleans is built is is shaped kind of like a bowl. and where you and i are standing is below sea level. and the we're in closer. you get to the river and the closer you get to lake pontchartrain, the drier it is. and really the flooding stopped about two or three blocks. that direction. and so the museum was not flooded. but of course, the city was was flooded. and it's tough being a museum when there are no visitors. but what that did was it helped drive the museum to start distance education programs very early. so when covid came along, we were actually postured fairly well for that. we were already online. we had been doing online programing since the since the flood in 2005. a couple of well-known historians have worked with you, including stephen ambrose, doug brinkley. absolutely. well, stephen ambrose and dr. nick muell

national world war ii museum. we are standing in front of this iconic higgins at landing craft. joined by peter crane vice vice president of the museumtell us about this. >> this is the iconic higgins mocha landing craft vehicle personnel. every one of these higgins and t the weather they reason the d-day landing in europe or if they were used in the pacific were made right here in new orleans. >> is the world war ii museum in new orleans because of this? >> is one of the major reasons why we are here. pagans industry made about 23000 watercraft of all sorts made 13000 of these alone. >> were they made in new orleans? >> five different assembly plants around the city. they would test them out on the industrial canal and get put on two assault ships to go anywhere else in the world. spill it who is andrew higgins? >> guest: andrew jackson higgins was an industrialist. prior toki the war he was making boats to get lumber out of the swamps. the design for the higgins boat is a shallow draft craft just like you would have had in the swamps. hehe was able to adapt his prewr idea to military means. this was a revolutionary watercraft that

also became an honorary curator at the united states national museum, which is the institution a precursor of our present day natural history museum. what during his last field trip in, wyoming had also become an intern involved in national politics. he had seen the absolutely scandalous treatment of lakota so in the wyoming territory by the local indian agents who gave sioux shorty blankets negative meets poor rifles that would often blow up on the person trying to shoot them. and he made this public fact. he went to the president and actually got a hearing this and this led to a major of a reorg his nation of the indian agency system. the response people were fired in some cases. of course, you see here underneath paper where this transaction was going on and the good professor's appearing a palisade fence to see what's going on there and see very depressed lakota wandering off. lesson one, sitting in on the right and seems to be crying. and this intervention on behalf of the lakota got marsh in extremely good graces with the lakota and in 1883, chief red cloud, the most prominent leader, actually this marsh for a few days in ne