detective story in which the plots of gilyarovsky and conan doyle are intertwined is filmed by karen nazarovskyat the very bottom of moscow life on a cunning today it may seem fantastic, but it is historical fact, which formed the basis of the new picture of karen shagazarov, cunning, and the charm of vice, as you know, when stanislavsky 100 nemirovich-danchenko. well, together with stanislavsky , they worked on the play at the bottom of gorky, they, as if for the knowledge of real life, asked gilyarovsky to take the famous khitrovka around the slum of moscow, which gilyarovsky knew perfectly well . i can say a historian and left wonderful stories for us moscow and muscovites. there is little left of moscow of this time, and therefore the atmosphere of moscow streets is again called upon to fulfill the scenery of old moscow at mosfilm, like the brick tunnels hidden in the underground collectors of the neglinka, which also had to be erected in the studio pavilions, the construction of such multi-level scenery with stairs, transitions and sewer pipes and hanging walls, became oxide tasks from lig

story in which the intertwined plots of gilyarovsky and conan doyle are shot by karen himself nazarovsky'step back, at the very bottom of moscow life on a cunning today it may seem fantastic, but this is a historical fact that formed the basis of the new picture of karen, shakhnazarov, khitrovka is the charm of vice, as you know, when stanislavsky 100 nemirovich-danchenko, well, for a month stanislavsky worked on the play at the bottom of gorky, they, as if for the knowledge of real life, asked gilyarovsky to walk around the famous moscow slum a trick that the cache gilyarovsky knew perfectly well . i can say a historian and left wonderful stories for us moscow and muscovites. there is not much left of moscow of this time, and therefore the atmosphere of moscow streets is again called upon to fulfill the scenery of old moscow at mosfilm, as well as brick tunnels are hidden in the underground collectors of the neglinka, which also had to be erected in studio pavilions in the construction of a similar multi-level scenery with stairs, passages and sewer pipes and hanging walls, became oxides