but he was dealing with america at that time, with music that was looked at as being for junkies, negro musicfight out of the boxes that people are trained to put him into. charlie: he loved boxing. don: he absently loved boxing. he approached music like boxing. we would talk about the way he attacked notes like a boxer. and where the power came from and where the breath came from. charlie: take a look at this year. this is when you and mcgregor is trying to get miles to talk about his life. this may be the scene that was in the trailer, but here it is, anyway. >> so, you study piano, to? ♪ >> no, just woke up black, new how to play. >> your black? >> is it cool? ♪ love chopin. oliver play at the house, classical music. chopin. [indiscernible] broke down their compositions. revolutionaries. innovators. pushing. chopin thought about improvisation. that on stage every night, on-the-fly. and write it down. it just came out of him. i wanted to quit every night. you know, old people come up to me and they say, why don't you play like you used to? i say, tell me how i used to? ♪ it takes a long tim

. >> because it's negro music, isn't it? ke love to you baby >> the stones, the animals, the yardbirds, the british groups picked up the american blues, where the americans had kind of let it go. >> and in a strange way, we were taking back to america what america had given us, which was american music. ♪ gonna have a lot of fun, oh, yeah, baby, whoo ♪ >> you and chuck have kind of taken england by storm. how do you feel about other people borrowing your material? >> i'm very grateful to know that my material is the type of material that the entertainers today would like to use. ♪ long tall sally ♪ oh baby yeah ♪ yeah baby ♪ ooh baby ♪ >> the british invasion played a huge role in not just introducing themselves to america, but reintroducing a lot of black music to mainstream america. ♪ ♪ it's gonna be all right ♪ all right all right ♪ it's gonna be all right ♪ get my way ♪ i will stay ♪ stay by your side to keep you satisfied ♪ ♪ it's gonna be all right ♪ all right all right ♪ it's gonna be all right >> the same year the bea

dealing with america at that time with a music that was looked at as being for junkies and that negro music out of the boxes people were trying to put him into. >> rose: he loved boxes. he absolutely loved boxing. approached his music like a boxer. >> rose: how's that. he talked about how he would attack notes like a boxer, jabbing and where the power came from and where the breath came from. >> rose: take a look at this here. this is when ian mcgregor is trying to get miles to talk about his life. this may be the scene that was in the trailer, but here it is, anyway. >> so, studied piano, too, huh? nah, just woke up black, knew how to play. >> you're black? go ahead. frances loves your pan. >> she looks like a classy chicken. >> rose: all we play at the house, classical. chopin, studied all them, broke down their compositions. they were revolutionaries, innovators, you know, pushing back at that stand at classical bag, chopin, all about improvisation. doing that on the stage every night on the fly, didn't write it down, just came out of 'em. i want to quit every night. you know, old people

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music was poetry. he took beat energy and mixed it with folk culture, and it's more lyrical intensity than anybody's put to song before. ♪ and the negro'sitician's gain as he rises to fame ♪ >> up until the time of bob dylan, there were the songwriters and there were the singers. dylan started writing his own music. >> he says, i am going to comment on the world, i'm going to comment on the nature of this human experience. bob dylan was sort of in this white-hot moment of saying more in the popular song than anyone ever had before. ♪ only a pawn in their game [ cheers and applause ] >> after the revolution of bob dylan, the music world moves west. ♪ got to go where you wanna go, do what you wanna do with whoever you wanna do ♪ >> royal canyon becomes the epicenter of the rock revolution. >> the music scene was not happening in new york anymore. it was now l.a. everybody moved to laurel canyon. >> actors, musicians, artists, and so it was a kind of whole community, very open. if you were driving over laurel canyon and you saw somebody hitchhiking, you'd just automatically pull over. hey, brother, get in, you know? where are you going? >>

negro spiritual in his ears and he just loved them. he loved their songs. around the time of his 60th birthday he started, they were dying out. people did not know the words or the music. you have to remember this was oral tradition. they had not been written down. again he realized this was at risk of being forgotten forever so we just spring into action. it wasn't just his checkbook. it was also his personal involvement. the first thing he did was track down these ladies who lived nearby and he managed to find these singers remembered many of the old spirituals. then mcillhenny hired a musicologist and i sat down with these two ladies asked them to sing their hearts out. they scribbled as fast as it could go to all the lyrics, melodies and harmonies and recorded the songs for history as exact as they been handed down from generation to generation in order to preserve the. he then published these as the book which became a classic of the genre. they are 125 saw in his book and i were targeted for highly of them were preserved in gaza with cycling five or six were sent elsewhere. in other words, about 120 really pushes piece of americana were saved for future generati