my name is konstantin sergeevich, stanislavsky, this is my friend, nemirovich danchenko. about you, well , it’s natural, only you’re too young, acting, by and large, it presupposes an animal nature. why can’t the stage replay a cat, a dog or a child, because they are stunning, organic, naive, childish and sincere. derzhavin developed just in childhood, you met mikh-mikh right under the new year tree, but if last year you didn’t star in eight films, then this year he hasn’t starred. so some kind of growth is evident, we joked there, and everyone turned a blind eye to it, because this steam, yes, of misunderstanding, hatred, impossibilities, which accumulated, especially in all sorts of bagen circles, composers, architects, artists, needed somewhere - to release, already a legend of the 20th century, a cabbage brigade from... idiotic: there are no irreplaceables, yes, nonsense, no, there is, there is, irreplaceable, oh , do i really have influenza, my friends, we are all terminally ill, we were freaking out, oh, you know, it’s scary to think now, but... we were approaching

on the famous stage; at the beginning of the last century they were staged by stanislavsky nemirovich danchenkohat the new production is about and how it plans to captivate the audience. happy that you... he lives in an office, somewhere in the attic, the landlady is not paid, he is already so wounded and exhausted at the starting point that he does not have enough strength to live normally. contact with the people he meets. on the small stage of the moscow art theater there is a special chamber atmosphere, the decorations are minimal, nothing distracts from the action, in which, as in hamsun’s novel, the focus is on the study of the living human soul. this story is actually plotless; it is composed of such internal states of the hero, of his various mental disorders. gamson absolutely rejected the plot, all these stories are related to how... live music, to create audio effects, composer roman parkhomenko used the most unexpected instruments and even ruined the piano, i found in the store a very cool vibraton instrument of all sorts, i went to the noisemakers of the theater and found it. vario

my name is konstantin sergeevich, stanislavsky, this is my friend, nemirovich danchenko.hat i heard about you. well, it's natural. we met mikhail right under the new year tree, so if last year you didn’t star in eight films, then this year he didn’t star in 16, so some kind of growth is obvious, we joked there, and everyone turned a blind eye to it , because this steam, yes, misunderstanding, hatred, impossibilities, which accumulated, especially in all sorts of baghem circles , terminally ill, curales, oh, you know , now it’s scary to think, and we were approaching sheremet at the airport, mark anatolyich always had a director’s mindset, he forced us to lay out three fires, can you imagine, and he to drive away the planes, fastened ourselves with sheets, from the propeller under the wing, a great actor. without major movie roles, but these episodes are priceless. excuse me, comrades, i have all the moves written down. hello competitors. hello, avrigeno, are you touring? quite another theatrical life, first with a link , then after efros, a small armored one, and finally

at the beginning of the last century, his plays in the theater staged by stanislavsky nemirovich danchenkoaveta bondar. i decided to return to my favorite author, sofya sergieva will tell you what the new production is about and how they are going to captivate the audience. please, i’m happy that you turned to me first. to give this alms to the tramp, he had to pawn his vest. a young, cheerful writer, slightly mad from hunger , wanders the streets of a norwegian town in search of food and a muse. he is undoubtedly talented, but too complex for the general reader. but can't you read it? he is already so wounded and exhausted at the starting point that he does not have enough strength for normal live contact with the people he meets. on the small stage of the moscow art theater there is a special chamber atmosphere, the decorations are minimal. nothing distracts from the action, which, as in hamsun’s novel, focuses on the study of the living human soul. this story, in fact , does not have a plot; it is composed of such internal states of the hero, of his various mental disorders. gamson abso

today there are two nightingales, yes, but there were three of them, yes, he gave the third to nemirovich danchenko oh, vladimirovich came, there are many photographs of him at the poultry market, at the dacha he built a dovecote. and there he had pigeons, and after some time, quite a long time, he discovered he was allergic to pigeons, which means he liked it terribly, he put it on the guests, showed the thermometer, look, i’m 36.6, now look , i go up to the dovecote, come back, 39, my mother and wife screamed at him terribly so that he would stop so he mocked his body, but he says: well, it’s interesting, how is it? well, in general - my mother always cleaned up after these pigeons, she felt sorry for my grandfather, just as she looked after the crocodiles, and where did the crocodiles come from, they lived in an apartment, crocodiles from america, they were small at first like this, they were given by chaliapin’s son, grandfather i studied with him at vkhutimas, then chaliapin went to america, not in america, and gave him two of these crocodiles, which grew up. the huge ones were called tatosha

stanislavsky, this is my friend, nemirovich danchenko, yes, that’s what i heard about you, well, it’s, to want means to be able, you see, well , let’s go, please, i beg you, oh, oh, please come along, what are you going to sing for us, and what do you need? from yakutia or straight from the tundra, i’m from iltsovka, and well, yeah, and this is siberia, only siberian, chistushki, jokes, or... that’s what you’re missing now, what sincerity, in my library i often ask the question, have you read this? well, for example, you say one thing to your colleagues, and another about them, right, and in the lawsuit, right, you know, i thought, what if i die tonight, and what will remain, this or this, this is vulgar, this mediocre, for this i already got everything, i’ve done it, i’ve made a woman with an oar, somewhere there is a place, art should be alive, real, so that it excites the soul, so that everyone can stand and think, is this vulgarity, a disguised, pathetic fake of the truth , what happened? "i today i was in boris’s workshop, i kept it a secret from him, like a coward, no, i’m not s

in 1898 , stanislavsky, together with theater director and teacher vladimir nemirovich danchenko, founded about the work of an actor, which later became. known as the stanislavsky system, this is a theory of stagecraft that helps the actor consciously transform into a character through psychological authenticity. since 1912, the director began teaching according to his own system. approximately around this time the appearance of his famous phrase “i don’t believe it,” with which the teacher motivated his students. after stanislavsky's theater toured the usa in 1920, his system became the foundation of modern science. about the theater, at the suggestion of an american publishing house, stanislavsky began work on the book “my life in art”. konstantin sergeevich not only staged plays, but himself successfully acted in them. on mkhat's thirtieth birthday, he appeared on stage for the last time. severe heart disease stopped his acting career. world famous director, creator of a unique acting system konstantin stanislavsky, a man who changed the world. stanislavsky is also the creator of the c

and this is my friend, nemirovich danchenko. i went to rehearsal. no rest for you, no feathers.dira’s theater since early morning, dozens of colleagues came to pay tribute to his memory, igor kostolevsky, alexander mokhov, this is what they told our correspondents. somehow it’s very difficult to come to terms with this, very difficult, because he was a man whom everyone loved, this is how you have to manage to live life, that everyone loved you, everyone respected you, you know, here he is some kind of sun, bright, and in theaters there are artistic directors, well, let’s say, detectors , and he... anatolyevich, he is sick, yes, old age.