yes matt i am see i'm not a psychiatrist i don't know much about neurotic conditions. but i do know that what fred is doing he must do. psychiatry won't give a lot of poor kids a chance to grow up like decent human beings but fred parker will. psychiatry won't wipe out the vicious elements in this world. but the influence of governor parker will. and this ambitious wench barbara foster is going to help him do it. i'm sorry barbara i guess i was mistaken in you, forgive me [music] i'm sorry too i'm sorry that a man like fred has to pay for all this with his health. well perhaps it will work out as a matter of fact. his condition may pass as quickly as it came. but he must be handled with patience and understanding, it's going to be difficult for you. nothing's difficult where fred's concerned. if you could possibly get him away for a short while it would help enormously. i'll do my best. good still friends? of course, always, goodbye matt. [music] (nick) lovely isn't she? go ahead make the most of it she's all yours. (fred/eddie) mine huh nah this dame ain't like rosy.

yes matt i am see i'm not a psychiatrist i don't know much about neurotic conditions. but i do know that what fred is doing he must do. psychiatry won't give a lot of poor kids a chance to grow up like decent human beings but fred parker will. psychiatry won't wipe out the vicious elements in this world. but the influence of governor parker will. and this ambitious wench barbara foster is going to help him do it. i'm sorry barbara i guess i was mistaken in you, forgive me [music] i'm sorry too i'm sorry that a man like fred has to pay for all this with his health. well perhaps it will work out as a matter of fact. his condition may pass as quickly as it came. but he must be handled with patience and understanding, it's going to be difficult for you. nothing's difficult where fred's concerned. if you could possibly get him away for a short while it would help enormously. i'll do my best. good still friends? of course, always, goodbye matt. [music] (nick) lovely isn't she? go ahead make the most of it she's all yours. (fred/eddie) mine huh nah this dame ain't like rosy.

toomey it gets at the question of the more obscure, neurotic, eventual, appropriating motives that draw a rider to write about -- about another rider. i would love to know about it. secondly the more i hear about riders writers in this group i thinking there are others who are conscious of the heroes but architects have their own hierarchy is. he was a fraud, he was an undiscovered genius, he was this, he was ruined by drink or whatever. a saxophonist definitely has a sense of inheritance and relationship, center fielders have it. i asked carol bloom the difference between wallace stevens's relationship to walt whitman, johnny damon's relationship to mickey mantle in the new york yankees center field or mickey mantle's relationship to joe dimaggio in center field. talk about anxieties of influence. no difference at all. the question is what is it about writers to think about these professions? plumbers think about joe on ninth street could really, really make that fitting, etc.. or so and so couldn't. but i wanted to begin with my touchstone hear, he was teasing me the other day, she sa

tomatoes gives the question of some of the more obscure and personal baby and neurotic appropriating motives to draw a writer to write about another writer. i would love to know what the pros feel about it. secondly more here about writers in this group in this long meeting i keep thinking you know there are other artistsonsciouse tradition and conscious of the craft and conscious of the heroes but think of architects for example. architects have their own hierarchies. he was an undiscovered genius and he was ruined by drink or whatever. they'd definitely have the sense of inheritance and a relationship. centerfielders have it. i asked harold bloom one time what is the difference between stephen's relationship to walt whitman and johnny damon's relationship to mickey mantle in the new york yankees centerfield or mickey mantle's relationship to joe dimaggio in that centerfield? talk about anxieties of influence. he said there is no difference at all. the question is simply what is it about writers to think of these other professions. plumbers too probably thinking about joe blow on ni

. >> how come you're not a neurotic mess?s been that the women that i've met in comedy are much less of that. they're good daughters. they were good students. their only act of rebellion is doing sketch comedy. >> reporter: this message poehler posted just this week on youtube. >> this question comes from katie. i so easily believe negativity. >> this is a good question and a good one for 2013. negativity is something people fight all the time. we all night it. we often are so negative with yourself. when someone gives you a compliment, like you're smart, or funny, or i like your shoes -- try just saying thank you. period. >> reporter: and from tina fey, a simple hope, first delivered when she won the interpret tijious mark twane award for humor. >> apparently i'm only the third woman to receive this award. but i do hope women are achieving at a rate these days that we can stop counting what number they are at things. [ applause ] >> reporter: and when that counting no longer counts, there will be two women among those two th

and people who are neurotic.er from depression or over react are more likely to develop post traumatic stress disorder. a fear or anxiety about an event long ago. so went to an expert to say listen, how can we sort of rewire our brains and how can we worry less? listen. >> the problem isn't necessarily just the worry. it's the worry of the worry. the fear of the fear. the anxiety of the anxiety. that's what causes the pathology psychologically. if we accept the fact a good percentage is normal, we're not going to worry about worrying and give it up. >> dr. belkin says sometimes when we take things keeping us up at night and sit down and break them down and if i lose my job what's the next step going to be? if you take an analytical approach that can ease your fears. having a good support system reduces chances of anxiety where it develops into post traumatic stress disorder. >> you hit the best three. finances, family, career. worry less. a lot of people say they want to lose weight and get into shape. how do we

i said at the time, there were like neurotic liberals who when they were afraid that, you know, obamare -- he's a dream for the times commercially. i guess the challenge for you is how do you balance it with the journalism. >> i think it's actually worked well for nate and for the times. but there's no question that he's brought a lot of traffic, he's brought a whole new group of people, you know, a younger demographic into "the times" readership. and once you're there on the site, maybe you'll check out some other things. >> i'll tell you, really, he has done that. >> but it's funny to me, because nate silver sort of embodies the first topic we were talking about, which is, do you give balance to both sides, or do you look at things statistically and objectively and say, okay, this is where the outcome is. and i think this election result sort of vindicated the type of thing that nate was doing. he was right, he was looking at numbers while other people were saying, well, maybe the poll's off here, we should give this side more credence. >> actually, what nate was doing, he was looki