i called nick dagger. -- mick jagger. we thought it would be a good experiment.e said, who should we get to work with us? they all start toi called it j'. the and the last part of the puzzle was damian marley. and we wanted to have this jamaican feeling but with somebody who is a great lyricist and a thinking person and that would fit with all of this experimental music. damian is great at it fermenting with different sounds like "welcome to jamrock." here is a brilliant lyricists. tavis: what makes you know or believe that, you could throw stuff in a pot in college gumbo. how do you know it is going to work? >> the roots of all lot of these sounds, there has to be a common denominator. blues is often a common denominator. in asian music, it can sound similar to blues music. then the feeling of jamaican rhythms can also work with a blues feeling on top. i have done experiments in the past where i made a rhythmic track and then played blues on top of it. so i knew there was a rough semblance of possibilities that might work. as my old solicitor and used to say, wh