white boy and a nigger girl in texas, that's all it is.t all good or all bad, they were flawed. i'm going to pull 'em over. and with that principle kind of established that this was a world where people had good and bad sides and where evil was not as clearly defined or as simple as it normally is in a hollywood film, that created a lot of room to interpret and to do a lot of human inner-character work. y'all want some rolls? (carl franklin) the fact that race was not the foremost issue in the film was in the writing, but it also coincided with my own view of racial problems that we have in the world. i hope to hell he does show his heinie up there, that piece of white trash and them two niggers are -- ow, shirley, you nearly broke my -- arnie, pass me them pickles, will you? most of the time people don't call me names, or confront me, people who are racist. but they'll do other things. and it's the same thing. in "one false move," pluto's not going to say, "i don't like the relationship of you and ray" to fantasia but you'll see it in his

tell be thin, fine, attention nigger mermaids, chains like hooks and sifrpgs are didy don't bleed into the sea the stains won't watch out we ain't responsible for your mess. the management. there is company, can't remember. there is company. the stains will not wash out. [applause] >> he wasn't dragged death in a quick casual way. they had fun with his body they chained him to the back of the car did fish tails. forensic evidence suggests his body came lose and some of the men confessed and rechained him after rolling back over him to get him. most of us heard about this tragedy. something we don't hear is because dragged to death we assume he was dragged like this. see that way chained to the truck it's not true. he was not dragged like that he was dragged like this. chained the back of the truck watching the road behind him. this poem is called big thicket jasper, texas. a crack is a buck shot. big thickel. crack, headlights staggering home. the road kills. crack, big thicket. the sticks, drink, drink, headlight stagger in the road. creek, crack, stick broke light kills. big thickel.

nigger street. 1937. mcintosh street the sign reads like the apple. red but not red delicious red but like red on red eyes gravy on grit the and stop lights and green and yellow. and red like those powders and syrups kept behind the counter at blocks pharmacy. red. and red like the stripe on richard's barb bar pole and the stitches on button holes on over alls of those coming to down on saturday. solid red at the blue moon and red like the eyes of the late staying patrons on sunday mornings. and in church the red of the edge of white pages in a black bound bible coming together, closing. red as a congregation rises. [applause]. >> this references a lynching. the lynching of 2 couples in monroe, georgia occurred july 25, 1946. it's now referred to has the morris ford lynching. insurance man, 1946. silos you might not be here april. ain't none of us never promise said tomorrow. if you died you would need a will. that way you control your nickel when you are gone. get your ducks in a row you might not be here come april. yeah, your policy is up-to-date a

i couldn't say anything and he said looking here, nigger, run. when he said we are going to kill you, nigger, ron. i'm going to run. so why stay on the ground and, you know, just looking for the clearance at that point. i'm still on the ground by looking for clearance and when i see the clearance it's between the hyundai and the police officer saw what i do is i get up to go run but when this lady went in front of me i didn't know. when i fall down it looks like he was able to make it look like i was going after him because my hands were like this. but i was trying to get my hands in front of me so i wouldn't fall face down. >> the video still wasn't running yet by that point. >> that's when the video had been running about 15 -- savitt caught that. what it didn't catch is the name calling and the taser running, the juice running 50,000 volts in my body. he did that like three shots and discharge all three shots. but while he was teasing me, they are beating me with a baton and he's telling them stay still, stacyville. a soaked in blood and elect

conditions and treacherous terrain to reach the scene of the soup ois superjet crash in indonesia they are niggers from the main disasters.

revenge attack a cold blooded attempt to cause syria into civil war to a nigger a civil war to bring western intervention if possible it simply again to bring down the regime and it is clearly i think perpetrated in the interests of those external parties and groups at the end of the spectrum of the opposition which are jihadi groups who want no part of a peace process but to want to bring down the system and for syria to turn into civil war and it's from that i think we are seeing what's happening in the in these event but when you when you talk about jihadi groups getting involved and watching a civil war and watching the end of the assad regime we're talking al qaeda. well actually i think it's more close to. our car we. are as we know it in the sense we're in iraq gave birth to this idea of a stray or very strong a bigoted and he she and here raney and rhetoric and the men much of that came back into syria when some of those fighters from ambar return to their homes around and hama so yes we're talking about al qaeda like groups that have the very end of the spectrum of the oppos

and he said, we're going to kill you, nigger, run. so i'm going to run. be so i hesitated for a second. i stayed on the ground, and, you know, was just looking for a clearance at that point. i'm still on the ground. and i'm looking for a clearance. and when i see the clearance -- excuse me, when i see the clearance, it was between the hyundai and the police officer right here. so what i do is i get up to go run, to run, but this leg -- when this leg went in front of me, i didn't know it was broke. so the leg just fell down. so when i fall down, it looks like -- they was able to make the camera look like i was going after him because my hands went like this. but i was trying to get my hands in front of me so i won't fall face down. >> and the video still wasn't running by that time. >> that's when the video had been running maybe about 15, 20 seconds -- >> it caught that move. >> so it caught that. >> okay. >> what it didn't catch was, you know, them name calling and the taser being, you know -- >> right. >> the juice running, 50,000 volts going through my

and richard pryor with two great albums, "that nigger is crazy" and bicentennial nigger." >> host: when you wrote the book, it was published in 2002. what reaction did you get? >> host: when i do. >> guest: when i wrote the book i got a lot of reaction, some positive and some negative. and continue to get some positive reactions and negative reactions. some people took real offense at the title. if there was one aspect of the book that probably got me the most negative reaction was people who complained about the title, and who thought that i was being sensationalist, i was exploiting this term by putting it right there in the title, right there on the cover of a book that would appear in your book stores all across america. and what i said to people was -- and i still say -- and i say this unapologetically -- if you write a book you want people to read your book. there are thousands of books in any book store. there are hundreds of thousands of books in any big library, and you got a lot of competition. the first thing you want to do, if you're an author, is to at least have somebody p

and i thought, well, nigger. nigger is a strange career of a trouble self-word. and i thought that would -- just think hard about words, think hard about examples, get the readers attention. that's what i was trying to do with the title. g7gk >> and so i want to remain connected to the history of my own family, the story of rising to success, in spite of incredibly dramatic and wounding and painful experiences in this country. because the hopes and dreams and