there and vasily konstantinovich, i got there too, so there were episodes on the accordion, and nikit sergeevich’sor pavlyuchenko, as far as i was told, then they found it, found it through feedback, rewrote the blank, here you know, i’m watching this film, and you remember this scene. maybe when they are walking, in the citadel, when they are attacking from the head, with handles with their heads in their hands, practically, this is the scene so epic, here they are coming, it means, in this leather raincoat, it means mikhalkov, they are coming, suddenly, damn it, i see yura shcherbakov, i’m like, yura shcherbakov, i had a lot of money. at that moment, for some reason , i imagined my grandfather, so he stood before my eyes on this stage, i imagined my grandfather, i think, oh my, what a war it was and how they endured all this, through the same swamp, through a meadow, we walked , everyone is wet, dear mother, igor ivanovich, there are no plans to film something on a military theme, there is a film script called call sign panda, so... i want to shoot this picture, but i hope that next year i’ll go