capital's oktyabr cinema center was the president of the moscow international film festival, nikita sergeevich mikhalkove with films from a variety of countries, including countries that pursue unfriendly policies. they answer because we believe that you need to ask why you came, why you came, to continue the dialogue, that isolation and silence are not an option, and they come at their own peril and risk, and if fear and risk are healthy there, then people are at very serious risk , and i thought a lot about what exactly they were risking, why exactly they were risking it, i realized two things: you will not sell anything if we are unhappy with you, and you will not be called the best, nor the second best, nor the third, nothing, you, you will not be called, ah, if we are dissatisfied with you, the question arises about the monopoly on these two things, on distribution and verification, how can this monopoly be broken, is one festival enough for this? i really respect the people who came. i am very grateful to them, i think that they are doing a very worthy, artistic human act, but if we want to seriou

nikita mikhalkov. hello, ivan kudryavtsev is with you and this is a special edition of the diaries of the moscow international film festival. exclusive interview with the president of the festival nikita sergeevichlkov. we talked with him about the need to create a eurasian film award and how soviet cinema and its traditions help out russian cinema. nikita sergeevich, filmmakers from various countries come here with films, including from countries that host. unfriendly policy towards ours, you ask why they came, why they came, they answer because we believe that we need to continue the dialogue, that isolation and silence are not an option, that we do not understand why on some topics we can continue the dialogue, on other topics it is impossible to continue the dialogue directly, and in general it turns out that at the other end, the system works without misfires, almost the only time it misfires is when a person firmly says: no, i’ll go anyway, and arrives already at your own fear and risk, and fear and risk to be healthy there, because people take very serious risks, and i thought a lot about what exactly they were risking, why exactly they were risking, i realized that in the end it all come

created, while the auditorium is not visible, but the sounds are heard emotions, and as nikita sergeevich mikhalkov notes, sometimes thoughtful silence becomes the best reward. rather than applause. 12 jurors decide the fate of a chechen boy, each has their own problems and concerns, they want to end the meeting quickly, everyone votes for the guy’s guilt. all but one, nikolai burlyaev’s hero decides to vote against and look into the matter, because the main idea of ​​the work is the law above all. but what to do when there is mercy? above the law, i am against it, here i am not superman, here is a completely different image, completely different, at first a quiet, remonstrant person, who then rises to such a height that i have, but this has never happened on stage or in films, it’s very interesting to work, in the end, one person’s doubts change the fate of the accused, the jury discusses all the circumstances throughout the entire performance. alfa friday - super cashback every week from alfa bank. this friday, april 12 , receive 50% cashback on our card when ordering a taxi in yandex gol. and if

work is created, while the auditorium is invisible, but emotions can be heard , and as nikita sergeevich mikhalkovdecide the fate of a chechen boy, each has their own problems and concerns, i want to end the meeting quickly, that’s all they vote for the guy's guilt. all but one, nikolai burlyaev’s hero decides to vote against and look into the matter, because the main idea of ​​the work is the law above all. but what to do when mercy is above the law? here i am not a superman, here is a completely different image, completely different, at first quiet, here is a stuttering person who then rises to such a height that i never had on stage or in a movie, it’s very interesting to work, in the end one person’s doubts change the fate of the accused, the jury throughout. performance, i want more citizens who were at the beginning, it opened up as our country progressed, visited this performance, thought about themselves, about the truth, and did not forget who we are, that we are siberians, we have a big heart, thanks to nikita mikhalkov, who today reminded us of this. the arrival of the artists in krasno

some in the genre in which i performed with a guitar, a performance, more some actor with nikita sergeevich mikhalkovcoat, my instrument was hidden under my coat. nikita was making a speech, the opening of the film festival, nicholson was sitting in the front row, and nikita says, but we have a surprise, we also had a guest and alpa chin, which means i ’m leaving, and this is in russia, yes, and the whole hall roared, and nicholson is in the first row , so he’s standing up, but he doesn’t know how to play the lte like yuri bashmetov. you were not offered to act as an actor in the cinema, you were offered, once very black, the same nikita sergeyevich himself suggested, but it didn’t work out in terms of timing, i had a tour, it’s a little kreutzerovat - this is schweitzer, i passed all the auditions, but there i had a three-week tour in japan at the time of filming this film, and so it happened: in in general, i refused, and then i was glad that i refused, because there are a lot of texts, that’s where i still had to take part a little, this is asa-2, at seryozha’s, we were friends with him, and often

they compare me with others to someone from alpacin and some other actor with nikita sergeevich mikhalkovhe opening of the film festival, nicholson was sitting in the front row, and nikita said, but here we have a surprise, coming to us the guest and alpa chyuna had also arrived, which means i was leaving, and this is in russia, yes, and the whole hall was roaring, and... nicholson was in the first row , so someone stood up, but he doesn’t know how to play the viola like yuri bashmet, here i am standing and you weren’t offered to act as an actor in the cinema, you offered, once the very black same nikita sergeevich offered, but it didn’t work out in terms of timing, i had a tour, here’s the kreutzer sanata - this is schweitzer, i i passed all the tests. uh, well there it is, i have a 3- week tour in japan at this time of filming this film, and so it happened, in general i refused, and then i was glad that i refused, because there is a lot of text, that’s where i still had to take part a little, this is asa-2, at seryozha’s, we were friends with him and often saw each other quite well , su