the pen of tarkovsky’s personal prayer was found by nikolay burlyaev in the director’s diaries and theyame the basis of the film, which the people ’s artist of russia calls the main one of his work . zhavorovo's tape can be called a documentary artistic confession about the spiritual path, the director, who was destined to become, according to a number of researchers of his work andrei the first-called of russian and world cinema. it sometimes seemed to me that andrey was in a direct rope from the sky, as if between tarkovsky and the creator there was an invisible brain in a concert hall. october today is a huge number of spectators, the artistic intelligentsia of the master of cinema are ordinary people who love tarkovsky's films, and the role of burlyaev, this picture, which our cinema really lacked and which should have appeared. we are very much in awe of the dread of so. well i was waiting for the score marina arsenievna. she called me personally and she was. well, the picture was praised, in general, and this is probably the highest rating for me. among the co-authors of the pictu

the pen of tarkovsky’s personal prayer was found by nikolai burlyaev in the director’s diaries and theyof the film, which the people’s artist of russia calls the main one of his work . genre tape can be called a documentary, an artistic confession about the spiritual path, director, who was destined to become, according to a number of researchers of his work, andrei , the first-called russian and world cinema. it sometimes seemed to me that andrey was in direct contact with the sky, as if between tarkovsky and the creator there was an invisible brain in a concert hall. october today is a huge number of spectators, the artistic intelligentsia of the master of cinema are ordinary people who love tarkovsky films, and the role of burlyaev, this picture, which our cinema really lacked and which should have appeared. we are very trembling out of fear. well, i was waiting for marina arsenievna's assessment. she called me personally and she was. well, the picture was praised, in general, and this is probably the highest rating for me. among the co-authors of the picture can be called the great

nikolai burlyaev, found in the director's diaries. they became the basis of the film, which people.ls his work they filmed a tape, where once upon a time, tarkovsky lived in the volga city of zavrazhie and in the yuritsa of the ivanovo region. zhavorovo, the tape can be called a documentary artistic confession about the spiritual path, the director, who was destined to become, according to a number of researchers of his work , andrei, the first-called andrei of russian and world cinema. it sometimes seemed to me that andrey was in direct contact with the sky, as if between tarkovsky and the creator there was an invisible brain in a concert hall. october today a huge number of spectators, artistic intelligentsia masters of cinema are ordinary people who love tarkovsky's films, and the role of burlyaev, this picture, which our cinema really lacked and which should have appeared. we are very trembling because of the fear to say so, but i was waiting for the assessment of maria arseniy, she called me personally and she was. well, she praised, and for me, this is probably the highest fat

god god, i feel your approach ivan from childhood ivan and boriska motore from andrey rublev nikolay burlyaevet starkov as a child in 1961, he says, he still feels a connection with the master. he lives all the time in my soul. every day. i'm with tarkovsky. i pray, a tarkovsky in the morning prayers every day. i talk about him all the time. i do interviews all the time. i watch his films and i finally made the film the film that i believe could excuse me, only boxes the diaries of andrei tarkovsky and nikolai burlyaev in three films of the fate of real people and heroes of the paintings are intertwined with such attention to detail, as if. you are now in a dream, by the way, is also one of the features of tarkovsky's directing, because he never spoke about god from the screen. well, sometimes he has icons there, all of a sudden there are crosses, but it wasn’t. like this. uh, well, edification i'm not a believer, but he was a true believer, and he argued that every director he should be, therefore, and that a poet cannot but be religious open new facets in the art of andrei tarkovsky , the d

no, the diaries of andrei tarkovsky himself and nikolai burlyaev, at the heart of the film, the fate of real people and the heroes of the paintings are intertwined with such attention to detail, as if. you are now in a dream, by the way, is also one of the features of tarkovsky's directing, because he never spoke about god from the screen. well, sometimes he has icons there, all of a sudden there are crosses, but it wasn’t. like this. uh, well, edification i'm a believer no, but he was true, a believer, and he argued that all sorts of director he should be, therefore, and that the poet can not be religious open. facets in the art of andrey tarkovsky director, who sought to present the world and man on the screen, as the creation of god, such a goal was set by the directors. whether it was possible to achieve it is a question for the audience after such a taste. i want to look straight a second time. now, if there was an opportunity, this is a prayer. e burlyaeva. he recalls the tarkovsky teacher of this absolutely wonderful director. here. well, we are together with him. here, too, a

the state duma of the russian federation , people's artist of russia, theater and film actor nikolai burlyaevisit our concert. in 1831 when europe announced sanctions to us, pushkin wrote to the slanderers of russia and asked them a question. and why do you hate us? and he said the slavic streams will merge into the russian sea. here is the question. in 1844, pushkin's friend, the outstanding russian poet nikolai yazykov, whom pushkin spoke, and this is the only poet whom i can envy wrote poems to not ours, because there have always been westerners and patriots in russia. it was always and russophobia was and then it twice. yazykovo was challenged to a duel for these poems. hear how they sound now. alas, those who want to transform spoil us and they are the mosque rus heed just my heartfelt exclamation. not any holy cause. and glory to our antiquity. you do not live in you, you have become dead, a native feeling. you are not full of that high and beautiful love for the motherland the purest flame, clear, lifts you up. you live love not for truth and good. people's eye he is god's eye he does

he spoke for the first time only in the scene with borisskaya played by a young, in general, nikolai burlyaevhen he spoke behind the camera , tarkovsky could not stand it. so, because after almost four months of silence, preparing for this role. for the first time, soloditsam, in his hoarse, unaccustomed to sound, intermittent voice, uttered the first words and also tried to repeat them when voiced. do you see how it turned out? ok then. well, what are you? let's go with you together. what holiday for people? in minsk, in the russian theater, he did not find a role, and he left this theater and left, but somehow he got along with me, promising me to write , he returned to sverdlovsk, but then left him, having moved to novosibirsk with a director who invited him to play in novosibirsk in the play by leonid andreev, the one who receives slaps in the face is the director, this arseny sagalchik. senya sagalchik, rita's brother , one of the directors of our creative association, a tv movie from minsk, my friend, there they worked together on the play. boris godunov today i had to restore the disgr

spoke for the first time only in the scene with the boris girl, he played a young, in general, nikolai burlyaev bell. and when he spoke behind the camera , tarkovsky could not stand it. because after almost four months of silence, preparing for this role. for the first time, soloditsam, in his hoarse, unaccustomed to sound, intermittent voice, uttered the first words and also tried to repeat them when sounding. do you see how it turned out? ok then. well, what are you? let's go with you together. what a holiday heroes of the project belarusians, nicole do not sit with klaus hands are the first, yes, these are all sorts of small pots, such small roses, and in centimeters there are five very tiny ones, but for a costume group. but we use a lot of fabrics from our canned mill, that is, a premium class segment, where, for example, minous wool is used, that is, this is wool that does not prick at all, they are dried out. ducation allows for incredible hallways and mercenaries . i initially had no task of staying in england; i used to live here well. i wanted to. eh, as if your knowledge, and return

it's called god i feel approaching, your picture was shot by nikolai burlyaev, who played the main rolesr one director director andrei tarkovsky during his lifetime became a legend his talent and unique style were admired by the classics of world cinema, antonioni, bergman, fellini and others tarkovsky created the world of his films, amazing in terms of the power of influence on the viewer, is like an encrypted message to unravel, which the director can endlessly raise. e eternal themes when he expresses his opinion. why are we on earth, he understood that to me the crowns of the universe is a documentary work an attempt to understand what has formed the unique cinematic language of tarkovsky and at the same time reflections on the inner world of a person who is trying to understand the undercurrents of his soul and come to vera once. i had a dream that i died was somehow very similar to the truth. andrey arsenievich, everything is told, i told about his divine soul. this is the key to tarkovsky himself. i bring out the song of the soul tarkovsky, what is his idea of ​​the whole life the