again. , and he... there he meets, yes, through this musical phrase, this is the story, now nikolai lyubimovexistent composer in the translation of his beloved sounds like this: but, a few minutes later, after the young pianist began to play with the verdunovs, after a high note that lasted a long time, two whole bars, swann suddenly saw how, because of a long sound, stretched out as if... a sounding curtain hiding the secret of birth, fluttered out and moved towards him the cherished, rustling, isolated musical phrase, and its this one of yours an airy and fragrant favorite, he recognized at that very moment, she was so unusual, full of such a unique, such a special charm that for svan it was like meeting in a friends living room with a woman who had once charmed him on the street, with whom he...unexpected to meet again, these are fragrant masterpieces of the non-existent composer vinteuil, the great french novelist, simply and two wonderful translators, this is music that can be understood, because music cannot be retold, yes , no, no, impossible, it means nothing, i’ll hear now this quot

seeing again, and he meets her there, yes, through this musical phrase, this is the story, now nikolai lyubimovsame phrase from this sanata of the non-existent the composer's translation of beloved sounds like this, but here a few minutes later, after the young pianist began to play at the verdurins', after a high note that lasted for two whole bars, swann suddenly saw how, from... from behind a long sound, stretched out like a sounding curtain hiding the secret of birth, a cherished , rustling, isolated musical phrase flutters out and moves towards him, and he recognized this airy and fragrant favorite of his at that very moment, it was so unusual, full of such a unique, such a special charm that for svan it was as if meeting with a woman in the living room of friends. which once enchanted him on the street, with which he never expected to meet again, these are the fragrant masterpieces of the non-existent composer vintel, the great french novelist proust and two wonderful translators. this is music that can be understood, because music cannot be retold, right? no, no, you can’t, it doesn’t me

seeing again, and he meets her there, yes, through this musical phrase, this is the story, now nikolai lyubimover, translated by a beloved one sounds like this: but a few minutes later, after the young pianist began to play with the verdurins, after a high note that lasted a long time, two whole bars with... suddenly i saw how, because of the long sound, outstretched, like a sounding curtain hiding the secret of birth, a treasured, rustling , isolated musical phrase flutters out and moves towards him, and she, this airy and fragrant favorite of his, he recognized at that very moment, she was so unusual, full of such a peculiar, such special charm that for svan it was like... now in the living room of friends with the woman who once charmed him on the street, with whom he never expected to meet again, these are the fragrant masterpieces of the non-existent composer vintel, the great french a novelist, simply and two wonderful translators, this is music that can be understood, because music cannot be retold, yes, no, no, it’s impossible, it doesn’t mean anything, i’ll hear this quote now. which y

to visit me, came, and you turn out to be his successor , no, no, no, no, but how, nikolai lukyanovich left under lyubimovhen vadim natanovich fleischer came, so i already replaced him at the nataga theater, so after all, the head is the director, what's the difference, how does this happen? i am a director, but with powers not prescribed by the artistic director, you do not have an artistic director in the theater, no, we do not have an artistic leader in the theater, we have a common beginning , i am the director, but i form the entire repertoire of the creative staff, do you have personal or some kind of creative advice, i have several people with creative advice, but... not enough experience in my life and how if , as practice shows, for these, well , let’s say, at taganka since the fifteenth year, during these difficult 8 years, i managed to bring this theater to a very good creative level, i’m bragging because it’s true, i’m really bragging because it was very it’s hard for everyone to remember the nadaganka theater the eighties, the sixties, the seventies, the eighties, and then ... initially, well