busts of writers across the road next to them, without signatures, we immediately recognize nikolai ostrovsky the petrel of the revolution has never been to dobrush. anyone can confirm this for you.

a bust and writers across the road next to them without signatures, we immediately recognize nikolai ostrovskynd maxim gorky, the truth. the petrel of the revolution has never been good. anyone can confirm this for you. according to archival documents, fyodor paskevich ordered to paint all production buildings that were related to the paper factory in red ; the administrative building in yellow is still honored in good traditions to this day. in the eighties of the 19th century, a wooden school for the children of factory workers worked in the city later. she burned out. after some time on the money of princess irina paskevich built a new neo-gothic brick building at the school opened craft classes named after emperor alexander ii. after the war of the revolution, the building remained a school for some time, it housed the center for children's creativity, and in 2002 the dobrush regional museum of local lore was opened here. at the building we are met by a bust, to that same prince fyodor paskevich, under which the place reached its greatest prosperity, and at the entrance we are met by match

without a signature, we immediately recognize nikolai ostrovsky and maxim gorky, though. the petrel of the revolution has never been to dobrush. anyone can confirm this for you. according to archival documents, fyodor paskevich ordered to paint all production buildings that were related to the paper factory in red ; the administrative building in yellow is still honored in good traditions to this day. the eighties of the 19th century, a wooden school for children of factory workers worked in the city later. she burned out. after some time , with the money of princess irina paskevich , a new neo-gothic brick building was built at the school, craft classes named after emperor alexander ii were opened. the revolution of the building remained a school for some time. it housed the center for children's creativity, and in 2002 the dobrush regional museum of local lore was opened here. at the building we are met by a bust, to the same prince fyodor paskevich, under which the place reached its greatest prosperity, and at the entrance we are met with matchlock cannons, of course,

without a signature, we immediately recognize nikolai ostrovsky and maxim gorky, though. petrel of the revolution has never been in a good-natured. anyone can confirm this for you. according to archival documents, fyodor paskevich ordered to paint all industrial buildings that had relations with the paper factory in red , the administrative building in yellow in good traditions honor and sow the day. in the eighties of the 19th century, a wooden school for the children of factory workers worked in the city later. she burned out. after some time, with the money of princess irina paskevich, a new neo-gothic brick building was built at the school. craft classes named after emperor alexander ii were opened at the school . after the war of the revolution, the building remained a school for some time. regional museum of local lore. at the building we are met by a bust, to that same prince fyodor paskevich, under which the town reached its greatest prosperity, and at the entrance we are met with matchlock cannons, of course, not military ones, but quite peaceful and cordially di

reading of the ministry of education promises to return the school curriculum of the novel by nikolai ostrovskystoy was tempered fadeev literature at school, we will talk with the chairman of the coordinating council of the all-russian public organization , the association of teachers and literature of the russian language, a member of the russian language council under the president lyudmila and dudova lyudmila vasilievna hello, for sure, this decision should be excluded from the school curriculum. cult works. there is an author so his name, perhaps none, and some kind of motivation is interesting. and you know, i think that behind the prescription of years. we are now the name of the author who took the initiative we simply cannot exclude it, because this happened. well, at least. the novel how steel was tempered in 1989 was excluded from the list of e with the wording that this work of socialist realism in this period was actively fought against this direction, and after it in the nineties in the nineties. as a matter of fact, the young guard and a number of other works also disappeared from

of nikolai kiselyov, about which, frankly, few people knew, came from producer anton zlatopolsky and timur weinstein. however , the project only came to fruition when the script by gennady ostrovsky, the author of an essay for victory day and a mechanical suite, appeared, counting the script. i cried with many characters and laughed with many characters and that actually made me, uh, agree to make a movie because he was a really good son. the screenplay by gennady ostrovsky is amazing. well, the truth is, you are reading and you are already crying. although no one has played anything yet. and there are still no living eyes. and they are already speaking in lively voices, it's already crying for the strength of ostrovsky's script and everything. movies in what they say, not only about the horrors of war , the righteous tells about the courage of the most ordinary people who were not born heroes, but managed to protect those who were close by in trouble. it also has a lot of good humor in it. and, of course, the same love that changes any person for the better. my cinema still affirms life, and in my cinema , not only so to speak, e tears are more blood than memes, but there is als

of nikolai kiselyov, about which, frankly, few people knew, came from producer anton zlatopolsky and timur weinstein. however, the project came to fruition only when the script by gennady ostrovskyeared an essay for victory day and a mechanical suite, counting the script. i cried with many heroes and laughed with many heroes and that's what really made me. uh, agree to make a movie, because the script was too good son. for one ostrovsky - this is amazing. well, the truth is, you are reading and you are already crying. although no one has played anything yet. and there are no living eyes yet, but they are already speaking in living voices and already you are already crying, the strength of ostrovsky's script and the whole film is that they speak not only about the horrors of war the righteous man tells about the courage of the most ordinary people who were not born heroes, but managed to protect those who were close by in trouble. it also has a lot of good humor in it. and of course love, that is, the most that change any person for the better at the cinema. all the same, life affirms, and in my cinema, not only, so to speak, e tears and more than my blood. there is still cinema

of nikolai kiselyov, about which we frankly say few, who knew, came from producer anton zlatopolsky and timur weinstein. however the project came to fruition only when the script by gennady ostrovskyr of an essay for victory day and a mechanical script, appeared. i cried over many heroes and laughed at many heroes and actually made it happen. me e agree to make a movie, because it was painfully good son. in this it's amazing, well, really, you're reading and you're already crying. although no one has played anything yet. and there are no living eyes yet, but they are already speaking in living voices and already you are already crying , the power of ostrovsky's script and the whole film in what they say not only about the horrors of war, the righteous man tells about the courage of the most ordinary people who were not born heroes, but managed to protect those who were close by in trouble. it also has a lot of good humor in it. and of course love, that is, the very ones that change any person for the better in life affirming, and in my cinema, not only so to speak, e tears are more than my blood. there is still cinema and light. it seems to me, nevertheless, a new film by sergei u

of nikolai kiselyov, about which we frankly say few, who knew , came as producer anton zolotopolsky and timur einstein, however, the project only came to fruition when the script by gennady ostrovsky for victory day and a mechanical suite, appeared, counting the script. i cried over many heroes and laughed with many heroes and actually made it happen. me to agree to make a movie, because it was painfully good script by gennady ostrovsky this this is amazing. well, the truth is, you are reading and you are already crying. although no one has played anything yet. and there are still no living eyes. and they are already speaking, in lively voices already. you are already crying, the strength of ostrovsky's script and the whole film is in what they say. not only about the horrors of war, the righteous man tells about the courage of the most ordinary people who were not born heroes, but managed to protect those who were nearby in trouble. and it also has very lots of good humor. and of course love, that is , the very one that changes any person for the better in life affirming, and in my cinema, not only so to speak, e tears and more my blood. there is still cinema and light. it seems