sozh river at the end of the 14th century. the next owner of the gomel estate was his son nikolai petrovich rumyantsev, a russian diplomat and minister of foreign affairs. gomel was transformed under nikolai petrovich rumyantsev, from a small village it became the owner of the features of a good european town. regarding the following such a large-scale stage in the development of the gomel palace, this is already associated with ivan fedorovich paskevich. ivan fedorovich paskevich, count of irivan, his serene highness prince of warsaw, was also a military man, paid attention mainly to the gomel estate through the managers, he was the governor of the kingdom of poland, saw a palace in lazienki there in poland, a park and knew that he had something to do with the creation of this object polish architect adam itskowski. and ivan fedorovich invites adam itskovsky to work on the theme of the palace and park ensemble. in 1918 the palace was nationalized in full swing , and after some time preparations began for the creation of a museum. it was here in the tower that the gomel art and history museum was open

this is the same nikolai petrovich rumyantsev, the imperial chancellor or, as they now say, the primeussian empire. the rebirth of the city is associated with his name. the rumyantsev and paskevich palace was once considered an example of 16th-century architectural fashion in the style of russian palladianism. this style is based on borrowing the principles of classical temple architecture. ancient greece and rome, however, early classicism is easily discernible in the external decor. later, however, the palace rebuilt by an english architect. i’m in the columned hall, that is, on the main stage of the theater of parade life, late 16th century, the ceiling here is two floors high. the hall is framed by 16 columns with kavinsky capitals. and in the niches. female sculptures are the art of allegory. the flow of life can be so beautiful because you see autumn, winter, spring and summer. at the second floor level there is an original marble balustrade. so how did gomel develop and change accordingly under the rumyantsevs and poskeviches? it developed very intensively during this period, h

nikolai petrovich rumyantsev was a very progressive person.ted people to implement his projects, people who understand, the city during this period became overgrown with stone buildings. previously, it was mainly made of wood, the houses were thatched . it is used as a material for the construction of buildings, as nikolai petrovich called it, an eternal material, that is, stone, and various social objects were built, schools were built, medical institutions, religious buildings were built, and of different faiths, the princely family continued the traditions of arranging the city paskevich, it is interesting that each owner of this estate can be safely called investors in the economic life of gobel, the city... has been given an enviable lot to grow in power and glory. in the field of philanthropy , the wife of fyodor ivanovich paskevich, princess irinushka, stood out most of all, as the townspeople called the last owner of the igomel palace, irina ivanovna paskevich. irina ivanovna paskevich was, as count shremetyev said, smart, kind, had go

the next owner of the gomel estate was his son nikolai petrovich rumyantsev, a diplomat russian, ministerllage, it became the owner of the features of a good european town. as for the next large-scale stage in the development of the gomel palace, this is already connected with ivan fedorovich poskevich. ivan fedorovich paskevich, count of irivan, his serene highness prince of warsaw. the man was also a military man, he paid attention mainly to the gomel estate through. managers, he was the governor of the kingdom of poland, he saw a palace in lazienki there in poland, a park and knew that the creation of this the object was related to the polish architect adam itskovsky, and ivan fedorovich invites adam itskovsky to work on the theme of the palace and park ensemble, in 1918 the palace was nationalized in full swing , at this time preparations began for the creation of a museum, it was here in the tower on november 7, 1919 the gomel art and history museum was opened, what the interiors of the palace looked like in the pre-revolutionary period are helped by photographs of giovni bianchi, wh

nikolai petrovich, rezanov, from the land we were created in earth, that yum, over the vision of the grave your song, hallelujah. hallelujah! alleluia! alleluia. my dear sir, count alexei nikolaevich rumyantsevuced anna , who constituted all the bliss of my days, has made my whole life ugly, i have only russia left, i want to devote the rest of my days to the fatherland, i am not going to the schema, serving my fatherland, having led the first round-the-world trip of russians, i am ready, with god’s help , to give my life to the flourishing of the russian-american company in order to spread the light our fatherland to california and the sandwich islands, let it be... borosi is winged with sails, wise count, look into the distance, the house inside us. sovereign, sovereign, sovereign, to guess means to know. delay grace give thanks. you will wake me up at dawn to see me off, but i will go out, you will never tell me. you will never forget, you will never see me, shielding you from a cold, i will think , god almighty, i will never forget you, you will never see me again, dear sir, so that russia and america could prosper in a calm and painful unity, it is necessary to breathe life into the aff