20th century in the then fashionable neo-russian style. style, emperor alexander ii appointed nikolai sultanovnd asked him not to deviate one step from the project; the restorers also strictly followed the historical plan. work began at a height of seventy meters, the bell tower is larger suffered during the great patriotic war. now all losses have been compensated, but not everything will be saved. frescoes on pressed paper in the windows of apsit, a legacy of the soviet era. images of the twelve patron saints of the royal family were here originally, but probably. in the form of stained glass windows, they were painted in the year eighty-nine, they tried their best, of course they painted them, but this is how the actual execution on argolit turns out, but of course they have no historical artistic value, painting on argolit is in that part of the temple, which is still awaiting restoration, only 30% of the facade remains to be restored, before everything is dressed in scaffolding, the frescoes will be carefully removed and handed over to the church...

leon tibenois proposed projects in the old moscow and baroque style, and nikolai sultanov in the then the master created the project in one go. sultanov traveled throughout the country for a long time, studied and restored ancient churches. in addition to all this, he developed a theory, developed scientific works and taught all this with students who studied with him at the institute of civil engineers. sultanov was appointed as builder. temple, while the emperor asked not to deviate one step from the project, the restorers also strictly followed the historical plan, the work was carried out from top to bottom, they began at a height of seventy meters, from here you can see in detail the bright signs of that very neo-russian style, here are the kokoshniks, keel-shaped elements, they really look like a headdress, or a bell tower made in the form of a tent; restoring its metal checkers turned out to be a difficult task, but... perfect symmetry on each side, in addition to the roof, the roof itself was restored with a beautiful decorative lattice, a forged lattice with a cross, which, w