nikolai taranda addressed not only to the national ar school, today he also writes in the intonationse field of the season of the canvas of the master of the brush transform both the funds of the national art and exhibition galleries of our regions of the russian federation germany bulgaria and this is the informational picture of the morning hour we will add at noon the project of the news agency is also available in social networks and in our mobile application qr-code on the screen stay on the first button. everything that lives, modern, belarus today , watch on belarus 24 tv channel. this is the news of the country and abroad. broadcasts of especially important events live broadcasts from the scene current interviews with famous fascinating travels around the country by belarusians feature films for all ages on the territory of countries finland sweden norway denmark netherlands germany france spain portugal cyprus austria switzerland italy greece romania serbia croatia poland lithuania latvia estonia tune the satellite dish to the express am8 satellite the signal of the channel i

the painter and graphic artist nikolai taranda carried the painter and graphic artist nikolai tarandathe shadow from the emkharajikha of belarus to the canvas at the usi national mastak museum of belarus. ask him exposure quotes, short evening. and panchenko from the eighties nikolayevich forms this is it, and your own style, your manner. it is very much repelled from some post-appellation tendencies and am. he is fond of abstraction, and the kind of abstraction that they make. in general, somewhere here and now, therefore , this is called a very conditional art critics. in general, they designated a series that lasts and already begins in the eighties. until today, they called it an impression. nikolai taranta, from, the mouth is no longer only yes , the national art school today writes in the intonations of polyseason, but the lot master you come to calm down the foundations of national bridges, as well as exhibitions or the rhine of our ions russia germany bulgaria this concludes our issue of novelties of the region and insha, belttelli projects. the mouth of her company is availab

transferred all the shades of the hottest month to the cloth, the painter and graphic artist nikolai taranda rendered by a visual technique of a graduate of the art graphic faculty of the vitebsk pedagogical institute of the line belarusian classics. the canvas of the master transforms both the funds of the national art museum of belarus and the exhibition gallery of the russian federation of the federal republic of germany in bulgaria since the eighties, nikolai ivanovich has been forming this one, and his own e, his style, his manner, it is very much repelled somewhere from post-ibilizionist some trends and am. he is fond of abstraction, and the kind of abstraction that they make. in general, somewhere here and now, therefore, this is called a very conditional art critics. in general, they marked such a series, which has been going on since the eighties. until today , they called the power supply in most of the settlements affected by rains and squally winds in belarus restored , the ministry of energy said. for this , more than 260 emergency teams and over 370 units were involved. technic

response to the question of knowing the tours to the cloth, he carried the outruz, sluggishly, as nikolai tarandagure. you are smart and abstract, filled with references to vitebsk from school, encrypted with an exposition of the labyrinth and omazhe on the field of suzanne. in landscapes without subject composition , i storyboarded the dna of the final summer chord in unison with the visual reception of the graduates and the remnants of the agro-feeding faculty of vitebsk , happy with belarusian classics, the deterioration of the composition was nada quotes kronkevich. and panchenko today marsh tarandas are color puzzles for the bridge fund from kg and for exhibitions about the drift of the parish school of matt tsarfins and the essence of the vocabulary of the outer will be told on curatorial excursions. we have chosen a work of the late period. that is. in general, very fresh, even somewhere else, with the smell of paint. that is, this is the 23rd year in the work of nikolai tarantu. it combines very organically, and such, well, it would seem that they are not quite native to belarusian art, b

transferred all the shades of the hottest month to the canvas, the painter and graphic artist nikolai taranda, in unison with the visual technique of the graduate of the art graphics faculty of the vitebsk pedagogical institute, the line of belarusian classics , the master’s canvases are transforming both the funds of the national art museum of belarus and the exhibition galleries of the russian federation of the frg of bulgaria since the eighties ivanovich's head is being formed. that's it, and his own style, his own manner. she very much repels somewhere after some appellationistic tendencies, and hmm he is fond of abstraction, moreover, such an abstraction, which is done in general. somewhere here and now, therefore, this is called very conditional by art critics. in general, they have designated such a series, which has been going on since the eighties. until today, they called impress power supply in most of the settlements in belarus affected by showers and squally winds, the ministry of energy announced that it has been restored. for this , more than 260 emergency teams and over 370 un