any chronicle materials, or whether i demanded to create a ballet from scratch, nor the music of nilretta story about the princess felt nice the work of which we based or bret and the whole performance gave me a book, two scripts, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time, often lived in the same places, were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then richer. history. she then has more facets of a literary tale, a performance that increases the expectations of the choreographer. anatole dialectic. wrote the libretto on framed by bret yuri trojanism, a ruscenary plan, forged the day, and into episodes i will scatter how many busy artists. and only then turned up to the composer over the creation of ports, tours, vyacheslav kuznetsov protseva jumped for six months. yura troyan was the first censor of the creative vyacheslav kuznetsov for musical phrases, the choreographer in the thoug