liliya nishchik, belarusian sculptor, painter, ceramist.the study of myths, symbols and images of ancient civilizations, and the main discovery that the belarusian archaic culture shared with other world cultures have much more in common than they differ. troitskoye suburb is a small quiet corner in the center of a noisy city, cozy architecture, small courtyards, not far from the svisloch embankment. for lily nishchik, such places are never passable, even if she is in a hurry on business, she will always find a few minutes to stop the moment herself, you can just walk down the street, watch something there, think about something, see a stone , some unusual shape is already beginning to appear, or let’s say, a butterfly is even beginning to appear on it some image is already being born. the most important thing, according to lilia, is not to miss this image, but to sketch it right away, so you always have a pen and a couple of pieces of white paper with you. it’s very simple, he can hang out at home, while preparing just soup, for example, y

liliya nishchik is a belarusian sculptor, painter, and ceramist.nt civilizations. and the main discovery is that belarusian archaic cultures have much more in common with other world cultures than they are different. troitskoe suburb. small quiet corner in the center of a noisy city, cozy architecture, small courtyards, near the svisloch embankment. for lily nishchik, such places are never passable, even if she is in a hurry on business, she will always find a few minutes to stop herself and stop the moment. you just need to walk down the street, there for some reason to observe, to think about something, to see a stone , some unusual shape is already beginning to appear or... there on it, let’s say a butterfly, even some image is already beginning to be born. the most important thing, according to lilia, is not to miss this image, here sketch it. therefore, you always have a pen and a couple of pieces of white paper with you. for an artist, this is very simple, he can hang out at home, while preparing just soup , for example, yes, he can write it

the current topic that worries lilia nishchik is images of world civilizations.of portraits, each of which precisely reflects the authors’ vision of a particular civilization. let’s say, this is our slavic image, i think this is a goddess lelya, i just portrayed her as a playful hooligan or the wind is blowing. today lilia beggars has a huge palette of tools in her hands, there is no shortage of ideas, as in her youth, she has a huge number of plans, ideas and plans. she has found her path and is following it, without betraying herself and without bending to anyone’s immediate needs. she develops, discovers new topics, looks for unusual techniques. here i combine the structure of the letter, somewhere i... smoothly, yes, somewhere in volume, somewhere i make licks, somewhere i just squeeze it out of a tube i mix the paints directly on the canvas, without even using a palette, that is, this is purely for me personally, somewhere my... life, i like this, i enjoy it , that is, i don’t have to suffer there, look for a muse, inspiration, so i know that i have many cre

favorite thing, that is , if i don’t like it, i won’t do it, the current topic that worries lilia nishchik world civilizations, that’s what she called a series of portraits, each of which reflects the vision of the authors of a particular civilization, for example, this is our slavic image, i think this is the goddess lelya, so i just depicted her, as if playful hooligan, here the wind is developing, in the hands of lily nishchik today a huge palette of tools, there is no shortage of ideas, as in her youth, she has a huge number of ideas, ideas for plans, she has found her path and follows it, without betraying herself and without bending to anyone’s immediate needs, she develops, discovers new topics for herself , is looking for unusual techniques, here i combine the structure of the letter, here somewhere i paint smoothly, yes, somewhere in volume, somewhere i do foxing, somewhere i just squeeze paints out of a tube directly on the canvas and mix them, but not even using palettes, that is, this is clean for me personally, this is my life, i like it , i get pleasure from it, that is, i do

liliya nishchik, belarusian sculptor, painter, ceramist. the red thread in her work was the study of myths, symbols and images of ancient civilizations. and the main discovery is that the belarusian archaic culture has much more in common with other world cultures than they have differences. troitskoe suburb, a small, quiet corner in the center of noise. city, cozy architecture, small courtyards, near the svisloch embankment . for lily nischik, such places will never are not passable, even if she is in a hurry on business, she will always find a few minutes to stop herself and stop the moment , you just need to walk along the street, there is something to watch, to think about something, to see a stone, something is already starting an unusual shape or, let’s say, it even starts to look like a butterfly... the most important thing, according to lilia, is not to miss this image, but to sketch it right away, so a pen and a couple of sheets of white paper are always with you, for an artist it’s very simple, he maybe hang out at home, just cook

where to make it, but this image began to bother me so much that it had to be done urgently, liliya nishchikwas the study of myths, symbols and images of ancient civilizations, and the main discovery that the belarusian archaic culture has much more in common with other world cultures than they have differences. troitskoe suburb, a small, quiet corner in the center of a noisy one.