nonna grishaeva thank you, thank you, you are wonderful.

nonna grishaeva thank you. you are wonderful.usual. you and i are going on a time machine, the brightest and most unusual time in the nineties, and together with us , perhaps the brightest stars of the era, irina saltykova shura and sergei penkin, will talk about fashion and style of that time. then first, i’m sorry to everyone, i’m sitting in these. eh, tight shoes, i immediately say they forbade me to give away what i’m wearing i came and they told me to put it on. this is how sasha changed his shoes like a gentleman. i'm thinking, what should i wear? i don't want to be like everyone else. well, friends, this week we are discussing everything. tender may, because it was yura shatunov’s birthday. and, of course, we remember the era of the nineties, probably in our generation’s memory - this was the brightest and most adventurous era. what kind of good memories do you have? hmm , considering that i was drinking in the same year yura and i was invited to work in the siberian traffic light group, so funny traffic light because we s

i remind you of this podcast of letters, and my guest is nonna grishaeva, you are wonderful., and you are funny. you can be funny and at the same time you are beautiful, because, well, rarely does a beautiful woman allow herself such luxury. well, yes, be funny, be ridiculous, and so on. this was shown by all your uh wonderful breeds on channel one. i i think that your most wonderful parodies are lyudmila mark nurchenko. you somehow felt it and understood it. you have very similar natures, acting, very similar. i’ve never done a rock like this on him, i think i saw it, no, it was e in the program one on one, probably, one was exactly one on one, but the number is short , a serious number for me breed, and now you ’re playing this specially based on her. eh, that's according to her two. applause and lucy stop such a performance, this is my favorite little work, like how the colonel took me away the cordon she broke through and gave away. but there were no big roles, but there were no such main signs, and only then later did the beloved women and the station for two appear. and

podcast of letters and my guest is nonna grishaeva. you sing great, you move professionally. you are beautiful, because, well, rarely does a beautiful woman allow herself such luxury. well, yes, be funny, be ridiculous, and so on. this they showed all your uh, wonderful parodies on channel one. i think that your most wonderful parodies are markurchenko’s favorite ones. you somehow felt it and understood it. you have very similar natures, acting, very similar. i have never done a breed on her like this, i think i saw no, it was e in the one on one program, probably, one it was exactly one on one, but the number is short, a serious number is not a breed, and now you are playing specifically, and this is based on her, and this is based on two of hers. applause and lucy stop such stabilization, this is my favorite job. the hardest physically mentally emotionally probably because 90% of what i say on behalf of lyudmila markovna is true, right? the only thing we have in common is what you say, it seems to me that she is so prosperous, but she was married. well , quite a lot of year

nonna grishaeva, you built relationships with older women, or everything was so great for you.mplaints i had against myself, well, there were a lot of people, but i was rushing about in the service. well, of course, and my son too. yes, yes, but with the second mother-in-law everything was different and there were no complaints, despite the age difference. i have family i accepted it right away. you bore him a grandson, wonderful, whom they adore. of course not, when the son brings his grandmother into the house, and she will not give birth to a single child or grandchild. but it would be offensive to you, it’s all offensive. but everything is fine with you, everything is fine, tell me the sword. you see, of course, you still can’t put it on. them, in general, you have dreams. i dream about grandchildren, of course, and i dream about roles, there are roles that are straightforward. here i am dreaming and keeping my fingers crossed. for god's sake, if it's not a secret, but filippovna is no longer there. no, thank god. no, i dream about filumeni, yes, yes, i dream more oh no, in

nonna grishaeva thank you, thank you, you are wonderful.his is a podcast, tatyana gevorkyan is with you and our episode today is very unusual. you and i are going in a time machine to the brightest and most unusual time in the nineties, and together with us , perhaps the brightest stars of the era , irina saltykova shura and sergey penkin, will talk about fashion and style of that time. then first, i’m sorry to everyone, i’m sitting in these. eh, tight shoes, i immediately say they forbade me to wear what i came in and they told me to wear it. this sasha, like a gentleman, overacted. i was on my way to see you today. i think i don’t want to go like everyone else. well, friends, this week we are discussing everything. tender may, because it was yura shatunov’s birthday. and, of course, we remember the era of the nineties, probably in our memory, our generation - this was the brightest and most adventurous era there was. what kind of memories do you have, the best ones? hmm, considering that i was in the same year when yura started drinking a

nonna grishaeva thank you. you are wonderful. this podcast is a must read. i'm looking at batnikov. natalya usha, musician, lead singer of the group melnitsa, and we are discussing the argentine writer jorgelu and suborchis and his image of the world as a library, hello natasha. please tell me, this is how she is associated with the chilavis group melnitsa, probably still. eh, with some fantasy games, maybe with the lord of the rings , bio wulf, irish sagas, then suddenly you choose the theme of borhis and it seems that this is unexpected. yes, but if you know you well , you are a candidate of human sciences, a linguist and, in general, the worlds of borhis. they contain all possible plots and please tell us what you have in common with this writer. why do you love him? i'll tell you, yes, i'll tell you why. i chose this particular writer for our meeting, you know, if if i had chosen some kind of scandinavian or celtic studies, i would have spoken here as a professional on this topic. i would include a lecturer like natalya andreevna, a professor at the department. and now we’ll tal

we tried to sing this song at nonna grishaeva’s concerts and imagine the bell ringing.she says, i beg you, i beg you, please, don’t be when exupery flew on such and so on. and now every time someone sings, uh, asshole, take it from me well that you don’t have the opportunity to talk . alexander nikolaevich would explain everything again when the actors great actors, there is a trail behind them, and there is, yes, like some of ours, she can sing more and just hum. i want to know, since we started talking, alen. let's remember the great, also her work, the film carnival , maxim dunaevsky told me in a wonderful story. i am very friendly with him, and naturally, everyone adore him. call me call me. it's impossible not to love it. i say, maxim. well, how did you come up with such a melody in a brilliant year? it’s amazing. he says, you understand, he says, it was the first version. i brought it to her. she rejected further. i brought many versions and kept saying that this was disgusting, that it was impossible. in general, the time was already approaching, i thought. she s