the motifs of classicism, however, all the bank bottles were contrastingly husked, yelling at novokolny zabudovscale, mastat integrity, tedding with the high brightness of everyday works. russian style and he worked out and in their parting of such cognitive elements, that is, the second architecture elevating it, uh, there on the sixteenth of the seventeenth. well, eighteenth. and then the animatron was already there there was an explosion, and then the stone battalion and that one, others tore off all sorts of, well, it looks like an imitation on here, well, said the proportions were there for several days. although, it sounded so good, they expressed it, and it was reasonable and comely, and here at the kaminia it was superimposed something allerobile on the head, or it suffered from a woody form. you mean, the pseudo-russian style is satisfied with simply huge, based on the volume, the different size of the tented dashes and specific lines, the facade, divers, in such bottles they are framed by columns. and what are devoured to the center of the bougie near the faint in the window, the frac